1. ORIGINAL SCIENTIFIC PAPERS  -  IZVORNI ZNANSTVENI ČLANCI

ALBERSHEIM, Gerhard: On the Psychology of Music (Sažetak: O psihologiji glazbe), IV/2 (1973) 213-227.

APPEL, Bernhard: Grossstädtische Wahrnehmungsmuster in Gustav Mahlers Symphonien. Ein soziologischer Versuch (Summary: Urban Big-City Views as Elements of Gustav Mahler's Symphonies; Sažetak: Uzorak velegradskog shvaćanja u simfonijama Gustava Mahlera), 16/1 (1985) 87-102.

ARBO, Alessandro: Entendre comme. Réflexions sur un thème de Wittgenstein (Summary: «Hearing (Something) as». Comments on a Wittgenstein's Remark; Sažetak: Čuti kao. Razmišljanja na jednu Wittgensteinovu temu), 33/2 (2002) 149-169.

ARBO, Alessandro: Herméneutique de la musique? (Summary: Hermeneutics of Music?; Sažetak : Hermeneutika glazbe?), 31/1 (2000) 53-66.

ARCE, Daniel Mendoza de: Contemporary Sociological Theories and the Sociology of Music (Summary: Suvremene sociološke teorije i sociologija glazbe), V/2 (1974) 232-249.

ARNOLD, Ben: Music, Meaning, and War: The Titles of War Compositions (Sažetak: Glazba, značenje, rat: naslovi ratnih kompozicija), 22/1 (1991) 19-28.

AUDBOURG-POPIN, Marie-Danielle: La place de la musique dans un manuel d'enseignement général: le Paedagogus de Thomas Freigius (Summary: The Place of Music in a Manual of General Education: The Paedagogus by Thomas Freigius; Sažetak: Mjesto glazbe u jednom udžbeniku opća nastave: Paedagogus Thomasa Freigiusa), 24/1 (1993) 45-57.

BAČIĆ, Marcel: Klangraum - Raumklang (Summary: The Space of Music - Music of Space; Sažetak : Prostor glazbe - glazba prostora, 11/2 (1980) 197-217.

BAILEY, Candace: Orlando Gibbons, Keyboard Music, and the Beginnings of the Baroque: New Considerations of a Musical Style (Sažetak: Orlando Gibbons, glazba za instrumente s tipkama i početci baroka: nova razmatranja o glazbenom stilu), 37/2 (2006) 135-156.

BAIN, David Lance: An Oblique Introduction into the Music of Africa (Sažetak: Jedan posredni uvod u glazbu Afrike), 14/1 (1983) 23-31.

BARRON, Lee - INGLIS, Ian: (Re)constructing the Carnival: Continuity and Change in Contemporary British Popular Music (Sažetak: (Re)konstrukcija karnevala: kontinuitet i promjene u suvremenoj britanskoj popularnoj glazbi), 33/1 (2002) 95-112.

BAUER, Hans-Joachim: Statistik, eine objektive Methode zur Analyse von Kunst? (Summary: Statistics as an Objective Method of Art Analysis?; Sažetak: Statistika, objektivna metoda analize umjetnosti?), VII/2 (1976) 249-263.

BEAUD, Paul: Musiques, Masses, Minorités, Marginaux (Summary: Kinds of Music, the      Masses, Minorities and Fringe Groups; Sažetak: Muzika, mase, manjina, periferne grupe), V/1 (1974) 155-167.

BEAUFILS, Marcel: Musique et nuit (Sažetak: Muzika i noć), I/1 (1970) 69-82.

BEK, Josef: Die tschechische Musik-Avantagarde (Summary: Czech Music Avant-garde; Sažetak : Češka glazbena avangarda), 14/1 (1983) 79-92.

BENIĆ ZOVKO, Marija: Twelve-Tone Technique and Its Forms: Variation Techniques of Arnold Schoenberg's Variations for Orchestra Op. 31 (Sažetak: Dvanaesttonska tehnika i njezine forme: varijacijske tehnike u Varijacijama za orkestar op. 31 Arnolda Schönberga), 38/1 (2007) 39-53.

BENITEZ, Joaquim M.: Avant-garde or Experimental? Classifying Contemporary Music (Sažetak: Avangardno ili eksperimentalno? Klasificiranje suvremene glazbe, IX/1 (1978) 53-77.

BERGAMO, Marija: Versuch zum musikalisch Nationalen (Summary: Some Ideas about the National in Music; Sažetak: Promišljanje o glazbeno nacionalnom), 20/2 (1989) 169-181.

BERGER, Gertrud: Die historische Dimension im musikphilosophischen Denken von Andreas Liess und Theodor W. Adorno (Sažetak: Historijska dimenzija u muzičko-filozofskom mišljenju Andreasa Liessa i Th. W. Adorna), II/1 (1971) 5-35.

BERTHIER, Nicole: L'amateur de musique. Une approche sociologique (Summary: The Amateur in Music. A Sociological Approach; Sažetak: Ljubitelj glazbe. Sociološki pristup), VIII/1 (1977) 23-38.

BEZIĆ, Jerko: Die Akkulturation als eine Fortbestandsmöglichkeit der Volksmusik (Summary: Acculturation as a Possibility for the Survival of Folk Music; Sažetak: Akulturacija kao mogućnost daljeg življenja folklorne glazbe), V/1 (1974) 209-215.

BIRENBAUM-CARMELI, Daphna: Overtones: The Social World of the Israeli Philharmonic Orchestra (+ Sažetak), 22/1 (1991) 81-98.

BLAUKOPF, Kurt: Musical Institutions in a Changing World (Sažetak: Glazbene ustanove u svijetu koji se mijenja), III/1 (1972) 35-42.

BLAUKOPF, Kurt: Tonsysteme und ihre gesellschaftliche Geltung in Max Webers Musiksoziologie (Sažetak: Tonski sustavi i njihov društveni značaj u sociologiji muzike Maxa Webera), I/2 (1970) 159-167.

BLAUKOPF, Kurt: Westernisation, Modernisation, and the Mediamorphosis of Music (Sažetak: Pozapadnjenje, modernizacija i mediamorfoza glazbe), 20/2 (1989) 183-192.

BLAUKOPF, Kurt: Westernisation, Modernisation, and the Mediamorphosis of Music (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, 20/2 (1989) 183-192) (Sažetak: Pozapadnjenje, modernizacija i mediamorfoza glazbe), 25/1-2 (1994) 337-345.

BLAŽEKOVIĆ, Zdravko: Einige musikalische Ereignisse im Zagreb der sechziger und siebziger Jahre des 19. Jahrhunderts in ihrer Abhängigkeit von den politischen Verhältnissen (Summary: Certain Events in the Zagreb Music World of the 1860s and 70s as Dependent on the Political Situation; Sažetak: Neka glazbena događanja u Zagrebu šezdesetih i sedamdesetih godina 19. stoljeća u ovisnosti od političkih prilika), 18/1 (1987) 31-50.

BLAŽEKOVIĆ, Zdravko: The Economic Position of Zagreb Musicians in the Sixties and Seventies of the Nineteenth Century (Sažetak: Materijalni položaj zagrebačkih glazbenika druge polovice 19. stoljeća), 15/2 (1984) 129-140.

BONTINCK, Irmgard: Mass Media and New Types of Youth Music. Methodological and Terminological Problems (Sažetak: Masovni mediji i nove vrste omladinske glazbe. Metodološki i terminološki problemi), VI/1 (1975) 47-56.

BONTINCK, Irmgard: Mass Media and New Types of Youth Music. Methodological and Terminological Problems (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, VI/1 (1975) 47-56) (Sažetak: Masovni mediji i nove vrste omladinske glazbe. Metodološki i terminološki problemi), 25/1-2 (1994) 165-174.

BOOTH, Gregory D.: Traditional Practice and Mass Mediated Music in India (Sažetak: Tradicionalna praksa i glazba posredovana masovnim medijima u Indiji), 24/2 (1993) 159-174.

BOSE, Madelon: The Sound and the Theory. A Novel Look at Word and Music (Sažetak: Zvuk i teorija. Novi pogled na riječ i glazbu), X/1 (1979) 57-71.

BRIX, Lothar: Gedanken zur Musiksoziologie (Summary: Some Thoughts about the Sociology of Music; Sažetak: Razmišljanja o sociologiji glazbe), IX/2 (1978) 311-345.

BROOK, Barry S.: The Symphonie Concertante: Its Musical and Sociological Bases (Sažetak: Koncertantna simfonija: glazbene i sociološke osnove), VI/1 (1975) 9-28.

BROOK, Barry S.: The Symphonie Concertante: Its Musical and Sociological Bases (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music,  VI/1 (1975) 9-28) (Sažetak: Koncertantna simfonija: glazbene i sociološke osnove) , 25/1-2 (1994) 131-148.

BROWN, Leslie Ellen: Thomas Reid and the Reception of Music: Sense vs. Reason (Sažetak: Thomas Reid i glazbeno primalaštvo: osjećaj protiv razuma), 20/2 (1989) 121-140.

BUCH, Esteban: Critique de la faculté de juger de la Musique (Summary: Kant's Critique of Judgement on Music; Sažetak: Kantova Kritika rasudne moći o glazbi), 24/1 (1993) 59-68.

BUELOW, George J.: Originality, Genius, Plagiarism in English Criticism of the Eighteenth Century (Sažetak: Originalnost, genij i plagijatorstvo u engleskoj kritici u 18. stoljeću), 21/2 (1990) 117-128.

BUETTNER, Stewart: Cage (Sažetak: Cage), 12/2 (1981) 141-151.

BUJIĆ, Bojan: Josquin, Leonardo, and the Scala Peccatorum (Sažetak: Josquin, Leonardo i Scala Peccatorum ), IV/2 (1973) 145-163.

BUJIĆ, Bojan: «Navigating through the Past»: Issues Facing an Historian of Music in Bosnia (Sažetak: «Plovljenje po prošlosti»: problemi s kojima se susreće historičar glazbe u Bosni), 37/1 (2006) 67-84.

BUŽAROVSKI, Dimitrije: Generative Ideas in the Aesthetics of Music (Sažetak: Generativne ideje u estetici glazbe), 17/2 (1986) 163-184.

CANGUILHEM, Philippe: Tel père, tel fils? Les opinions esthétiques de la famille Galilei (Summary: Father and Son: Aesthetic Views of the Galilei Family; Sažetak: Kakav otac takav sin? Estetički nazori obitelji Galilei), 23/1 (1992) 27-42.

CARLTON, Richard A.: Changes in Status and Role-Play: The Musician at the End of the Eighteenth Century (Sažetak: Promjene u statusu i ulozi: glazbenik krajem osamnaestog stoljeća), 37/1 (2006) 3-16.

CARLTON, Richard A.: Florentine Humanism and the Birth of Opera: The Roots of Operatic «Conventions» (Sažetak: Firentinski humanizam i rođenje opere: korijeni opernih «konvencija»), 31/1 (2000) 67-78.

CARLTON, Richard A.: Folk-Song, Chant, and the English Symphonic Renaissance. A Case Study of Ethnic Musical Identity (Sažetak: Narodna pjesma, crkveno pjevanje i engleska simfonijska renesansa. Studij jednog slučaja etničkog glazbenog identiteta), 24/2 (1993) 129-142.

CARLTON, Richard A.: Man as a Musical Animal (Sažetak: Čovjek kao glazbena životinja), 27/1 (1996) 79-86.

CARLTON, Richard A.: The Pedagogical Dilemma of Expressive Arts (Sažetak: Pedagoška dilema izražajnih umjetnosti), 30/1 (1999) 15-25.

CARLTON, Richard A.: The Public Marketing of Music (Sažetak: Javno trženje glazbe), 26/1 (1995) 123-132.

CARLTON, Richard A.: The «Satanic» in Opera and in Popular Belief (Sažetak: «Sotonsko» u operi i popularnom vjerovanju), 35/2 (2004) 139-149.

CARLTON, Richard A.: The Symphony in Sunset (Sažetak: Simfonija u sumraku), 34/1 (2003) 45-56.

CAVALLINI, Ivano: L'idée d'histoire et d'harmonie du Padre Martini et d'autres penseurs de son temps (Summary: The Ideas of History and Harmony of Padre Martini and Other Thinkers of his Age; Sažetak: Ideja povijesti i hramonije kod Padre Martinija i drugih mislilaca njegova doba), 21/2 (1990) 141-159.

CAZDEN, Norman: The Definition of Consonance and Dissonance (Sažetak: Određenje konsonance i disonance), 11/2 (1980) 123-168.

CAZDEN, Norman: The Systemic Reference of Musical Consonance Response (Sažetak: Sistemski odnos u prijemljivosti glazbene konsonance), III/2 (1972) 217-245.

CERVANTES, Xavier: Les arias de comparaison dans les opéras londoniens de Handel: Variations sur un thème baroque (Summary: The Similar Arias in Handel's Operas: Variations on Baroque Theme; Sažetak: Varijacije na baroknu temu: Aria di Paragone u Händelovim londonskim operama), 26/2 (1995) 147-166.

CHANTLER, Abigail: Revisiting E. T. A. Hoffmann's Musical Hermeneutics (Sažetak: Ponovno razmatranje glazbene hermeneutike E. T. A. Hoffmanna), 33/1 (2002) 3-30.

CHANTLER, Abigail: The Sturm und Drang Style Revisited (Sažetak: Ponovno razmatranje pokreta Sturm und Drang),  34/1 (2003) 17-31.

CIPRA, Milo: Die Analyse im Musikunterricht (Summary: Analysis in Teaching Music: Informal Notes and Reflections; Sažetak: Analiza u muzičkoj nastavi: neobavezne primjedbe), V/1 (1974) 85-90.

COLLINS, Timothy A.: Musica secreta strumentali. The Aesthetics and Practice of  Private Solo Instrumental Performance in the Age of Monody (ca. 1580-ca. 1610) (Sažetak: Musica secreta strumentali. Estetika i praksa privatnih solističkih izvedbi u razdoblju monodije (oko 1580.-oko 1610), 35/1 (2004) 47-62.

COLLINS, Timothy A.: «Reactions Against the Virtuoso». Instrumental Ornamentation Practice and the Stile Moderno (Sažetak: «Reakcije protiv virtuoza»: praksa instrumentalne ornamentacije i stile moderno), 32/2 (2002) 137-152.

CORCORAN, Frank: Two Hardy Referentialists and the Debate on Expression in Music (Sažetak: Dva smiona referencijalista i rasprava o izrazu u glazbi), 18/2 (1987) 237-245.

CUPERS, Jean-Louis: Le termes en -isme et les mouvements musicaux (Summary: Terms Ending in -ism and Musical Movements; Sažetak: «-izmi» i glazbeni pokreti), II/2 (1971) 231-242.

CVETKO, Dragotin: Die soziologischen und nationalen Bedingungen für die Wandlungen in der musikalischen Situation bei den Südslawen im 19. Jahrhundert. Versuch eines Umrisses (Summary: Sociological and National Conditions of Changes in the Musical Situation of South Slavs in the Nineteenth Century (An Attempt at a Survey); Sažetak: Sociološki i nacionalni uvjeti promjena u položaju muzike kod južnih Slavena u 19. st. (pokušaj pregleda), V/1 (1974) 125-137.

CVETKO, Dragotin: Probleme und Leistungen der slowenischen Musikwissenschaft (Sažetak: Problemi i dostignuća slovenske glazbene znanosti), VII/1 (1976) 89-101.

CVETKO, Dragotin: The Present Relationship between the Historiography of Music in Eastern and Western Europe (Sažetak: Glazbena historiografija u Istočnoj i Zapadnoj Europi), IX/2 (1978) 151-160.

CVETKO, Dragotin: Zum Problem der Wertung der Neuen Musik (Summary: On the Problem of Evaluating New Music; Sažetak: O problemu vrednovanja nove glazbe), IV/1 (1973) 5-16.

ČIĆ, Emil: Das Zwiete Vatikanum und die liturgische Idee über die sakrale Musik in Kroatien (Summary: The Second Vatican Council and the Liturgical Idea of Sacral Music in Croatia; Sažetak: Drugi vatikanski koncil i liturgijska ideja sakralne glazbe u Hrvatskoj), 29/1 (1998) 75-90.

DAHLHAUS, Carl: Das musikalische Kunstwerk als Gegenstand der Soziologie (Summary: The Musical Work of Art as an Object of the Sociology of Music; Sažetak: Glazbeno umjetničko djelo kao objekt sociologije muzike), V/1 (1974) 11-26.

DAHLHAUS, Carl: Das musikalische Kunstwerk als Gegenstand der Soziologie (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, V/1 (1974) 11-26) (Summary: The Musical Work of Art as an Object of the Sociology of Music; Sažetak: Glazbeno umjetničko djelo kao objekt sociologije muzike), 25/1-2 (1994) 115-130.

DAHLHAUS, Carl: Formästhetik und Nachahmungsprinzip (Summary: Form-Aesthetics and the Principle of Mimicry; Sažetak: Estetika forme i princip oponašanja), IV/2 (1973) 165-174.

DAHLHAUS, Carl: Karl Philipp Moritz und das Problem einer klassischen Musikästhetik (Summary: Karl Philipp Moritz and the Problem of a Classical Aesthetics of Music; Sažetak: Karl Philipp Moritz i problem klasične estetike glazbe), IX/2 (1978) 279-294.

DAHLHAUS, Carl: Soziologische Dechiffrierung von Musik. Zu Theodor W. Adornos Wagnerkritik (Sažetak: Sociološko tumačenje muzike. Uz Adornovu kritiku Wagnera), I/2 (1970) 137-147.

DALMONTE, Rossana: Towards a Semiology of Humour in Music (Sažetak: Prema semiologiji humora u glazbi), 26/2 (1995) 167-187.

DAMNJANOVIĆ, Milan: Susanne K. Langer: Die Kunst als symbolische Form. Mit besonderer Berücksichtigung der Musiktheorie (Summary: Susanne K. Langer: Art as a Symbolic Form. With a Special Regard to the Theory of Music; Sažetak: Susanne K. Langer: umjetnost kao simbolička forma sa posebnim osvrtom na teoriju muzike), 18/2 (1987) 217-236.

DASILVA, Fabio B.: Misleading Discourse and the Message of Silence. An Adornian Introduction to Villa-Lobos' Music (Sažetak: Zavaravajući govor i poruka tišine. Adornovski uvod u Villa-Lobosa), X/2 (1979) 167-180.

DASILVA, Fabio B. - CAMARA, Evandro: Music and Society in Brazil: the Recent Experience (Sažetak: Glazba i društvo u Brazilu: suvremeno iskustvo), 15/1 (1984) 15-29.

DAVIDOVIĆ, Dalibor: Signs... Fragments... Some Observations on the Music of Milo Cipra (1906-1985) (Sažetak: Znakovi... fragmenti... Neke napomene uz glazbu Mila Cipre (1906-1985)), 32/1 (2001) 93-132.

DE CLERCQ, Jacqueline: Le public des concerts à Bruxelles (Summary: The Audience of Concerts in Brussels; Sažetak: Koncertna publika u Bruxellesu), III/1 (1972) 43-60.

DE CLERCQ, Jacqueline: Les Rencontres Musicales. Une expérience de rénovation du concert (Summary: «Musical Meetings». An Attempt to Renew the Concert; Sažetak: «Muzički susreti». Pokušaj obnove koncerta), IV/1 (1973) 69-80.

DE COSTER, Michel: L'art mass-médiatisé. L'exemple de la musique classique enregistreé (Summary: The Mass-Mediatized Art. The Example of the Recorded Classical Music; Sažetak : Umjetnost pod utjecajem masovnih medija. Primjer snimljene klasične glazbe), VI/2 (1975) 255-268.

DEGIRMENCI, Koray: On the Pursuit of a Nation: The Construction of Folk and Folk Music in the Founding Decades of the Turkish Republic (Sažetak: U potrazi za nacijom: konstrukcija naroda i folklorne glazbe u osnivačkim desetljećima turske republike), 37/1 (2006) 47-65.

DEGMEČIĆ, Dunja - POŽGAIN, Ivan - FILAKOVIĆ, Pavo: Music as Therapy (Sažetak: Glazba kao terapija), 36/2 (2005) 287-300.

DELAERE, Mark: Mutations in Systems in the Natural Sciences and Music in the First Half of the Twentieth Century (Sažetak: Mutacije u sistemima u prirodnim znanostima i glazbi u prvoj polovini 20. stoljeća), 21/1 (1990) 3-28.

DELIÈGE, Célestin: Indétermination et improvisation (Summary: Indetermination and Improvisation; Sažetak: Neodređenost i improvizacija), II/2 (1971) 155-191.

DELIÈGE, Célestin: Les techniques du rétrospectivisme (Summary: Techniques of Retrospectivism; Sažetak: Tehnike  retrospektivizma), V/1 (1974) 27-41.

DESCHÊNES, Bruno: Apprécier la musique aujourd'hui (Summary: Appreciation of Music Today; Sažetak: Ocjenjivanje glazbe danas), 27/2 (1996) 139-154.

DESCHÊNES, Bruno: Toward an Anthropology of Music Listening (Sažetak: Prema antropologiji glazbenog slušanja), 29/2 (1998) 135-153.

DIESEN, Rolf - HOLEN, Arne - SELVIK, Randi Margrete: Das Musikleben in einer Landgemeinde (Summary: Musical Culture in a Norwegian Rural District; Sažetak: Glazbena kultura u jednom seoskom predjelu Norveške), V/1 (1974) 191-207.

DITZLER, Kirk: Tradition ist Schlamperei: Gustav Mahler and the Vienna Court Opera (Sažetak: Tradicija je nemarnost: Gustav Mahler i bečka dvorska opera), 29/1 (1998) 11-28.

DOLINER, Gorana: The Folk Idiom in Croatian Music of the 20th Century (Sažetak: Folklorni idiom u hrvatskoj glazbi 20. stoljeća), 18/1 (1987) 51-73.

DOUBRAVOVÁ, Jarmila: Musical Semiotics in Czechoslovakia and an Interpersonal Hypothesis of Music (Sažetak: Glazbena semiotika u Čehoslovačkoj i interpersonalna hipoteza o glazbi), 15/1 (1984) 31-38.

DOUBRAVOVÁ, Jarmila: Sound and Structure in Josef Suk's Zrání (Sažetak: Zvuk i struktura u skladbi Zrání Josefa Suka), VII/1 (1977) 73-87.

DÖMLING, Wolfgang: Musikgeschichte als Stilgeschichte. Bemerkungen zum musikhistorischen Konzept Guido Adlers (Summary: The History of Music as the History of Styles; Sažetak: Povijest glazbe kao povijest stilova), IV/1 (1973) 35-50.

DUJMIĆ, Dunja: The Musical Transcendatalism of Charles Ives (Sažetak: Glazbeni transcendentalizam Charlesa Ivesa), II/1 (1971) 89-95.

DUMBAR-HALL, Peter: Semiotics as a Method for the Study of Popular Music (Sažetak: Semiotika kao metoda za proučavanje popularane glazbe), 22/2 (1991) 127-132.

ENGEL, Gerhard: Zur Aktualität der Musiksoziologie Max Webers (+ Summary; Sažetak), 22/1 (1991) 3-17.

ESCAL, Françoise: Le corps social du musicien (Sažetak: The Social Body of the Musician; Sažetak : Društveno tijelo glazbenika), 22/2 (1991) 165-186.

ESCAL, Françoise: Les concertos-pastiches de Mozart, ou la citation comme procès d'appropriation du discours (Summary: Mozart's Concertos-pasticcios. The Citation as a Process of Accommodation to the Discourse; Sažetak: Mozartovi koncerti-pasticcia. Citat kao proces prilagođavanja izričaja), 12/2 (1981) 117-139.

ESCAL, Françoise: Musique et science: D'Alembert contre Rameau (Summary: Music and Science: D'Alembert vs. Rameau; Sažetak: Glazba i znanost: D'Alembert protiv Rameaua), 14/2 (1983) 167-190.

ESCAL, Françoise: Musique et science: D'Alambert contre Rameau (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, 14/2 (1983) 167-190) (Summary: Music and Science: D'Alambert vs. Rameau; Sažetak: Glazba i znanost: D'Alambert protiv Rameaua), 25/1-2 (1994) 271-293.

ETZION, Judith: Spanish Music as Perceived in Western Music Historiography: A Case of the Black Legend (Sažetak: Percepcija španjolske glazbe u zapadnoj glazbenoj historiografiji: slučaj crne legende?), 29/2 (1998) 93-120.

ETZKORN, K. Peter: On Music, Social Structure and Sociology (Sažetak: O glazbi, društvenoj strukturi i sociologiji), V/1 (1974) 43-49.

EURICH, Johannes: Sociological Aspects and Ritual Similarities in the Relationship between Pop Music and Religion (Sažetak: Sociološki aspekti i ritualne sličnosti u odnosu između pop glazbe i religije), 34/1 (2003) 57-70.

EVERETT, William A.: National Themes in Scottish Art Music, ca. 1880-1990 (Sažetak: Nacionalne teme u škotskoj umjetničkoj glazbi od oko 1880. do 1990. godine), 30/2 (1999) 151-171.

EVERETT, William A.: Opera and National Identity in Nineteenth-Century Croatian and Czech Lands (Sažetak: Opera i nacionalni identitet u 19. stoljeću u hrvatskim i češkim zemljama), 35/1 (2004) 63-69.

FABIAN, Dorottya: The Meaning of Authenticity and the Early Music Movement - A Historical Review (Sažetak: Značenje autentičnosti i pokret rane glazbe - povijesni pregled), 32/2 (2001) 153-167.

FABIAN, Dorottya: The Recording of Joachim, Ysaÿe and Sarasate in Light of Their Reception by Nineteenth-Century British Critics (Sažetak: Snimke Josepha Joachima, Eugènea Ysaÿea i Pabla Sarasatea u svijetlu njihove recepcije kod britanskih kritičara 19. stoljeća), 37/2 (2006) 189-211.

FALTIN, Peter: Musikalische Bedeutung. Grenzen und Möglichkeiten einer semiotischen Ästhetik (Summary: The Meaning of Music; Sažetak: Značenje glazbe), IX/1 (1978) 5-33.

FALTIN, Peter: Über den Verlust des Subjekts in der neuen Musik. Anmerkungen zum Komponieren am Ausgang der 70er Jahre (Summary: Remarks on Composing at the End of the 70s; Sažetak: Napomene o komponiranju pri kraju 70-ih godina), X/2 (1979) 181-198.

FALTIN, Peter: Über Gegenstand und Sinn der philosophischen Ästhetik (Summary: On the Object and Sense of Philosophical Aesthetics; Sažetak: O predmetu i smislu filozofske estetike), 11/2 (1980) 169-195.

FALTIN, Peter: Widersprüche bei der Interpretation des Kunstwerkes als Zeichen. Drei monistische Modelle zur Erklärung der Bedeutung von Musik (Summary: Contradictions in the Interpretation of the Work of Art as a Sign; Sažetak: Protuslovlja  u interpretaciji umjetničkog djela kao znaka), III/2 (1972) 199-215.

FEDERHOFER, Hellmut: Karlheinz Stockhausens Mozartdeutung. Ein Beitrag zur Ästhetik Serieller Musik (Summary: K. Stockhausen's Interpretation of Mozart. A Contribution to the Aesthetics of Serial Music; Sažetak: K. Stockhausenovo tumačenja Mozarta. Prilog estetici serijelne glazbe), VI/2 (1975) 229-240.

FEDERHOFER, Hellmut: Musikgeschichtsschreibung und Musiksoziologie (Summary: Music History Writing and Sociology of Music; Sažetak:  Pisanje povijesti glazbe i sociologija glazbe), 26/2 (1995) 135-146.

FEDERHOFER, Hellmut: Neue Musik und moderne Demokratie (Summary: New Music and Modern Democracy; Sažetak: Nova glazba i moderna demokracija), 30/1 (1999) 3-13.

FEDERHOFER, Hellmut: Theodor W. Adornos Beethoven-Deutung (Sažetak: Beethoven- Meaning by Theodor W. Adorno; Sažetak: Beethovenovo značenje kod Theodora W. Adorna), 35/2 (2004) 127-137.

FEDERHOFER, Hellmut: Zur Rezeption Neuer Musik (Summary: On the Reception of New Music; Sažetak: Uz recepciju nove glazbe), III/1 (1972) 5-34.

FELLERER, Karl Gustav: Affectus und effectus in der italienischen Monodie (I) (Summary: Affectus and Effectus in Italian Monody (I); Sažetak: Affectus i effectus u talijanskoj monodiji (I)), 14/1 (1983) 3-21.

FELLERER, Karl Gustav: Affectus und effectus in der italienischen Monodie (II) (Summary: Affectus and Effectus in Italian Monody (II); Sažetak: Affectus i effectus u talijanskoj monodiji (II)), 14/2 (1983) 119-146.

FELLERER, Karl Gustav: Kreation und Rezeption der Musik (Summary: Creation and Reception of Music; Sažetak: Stvaralaštvo i primalaštvo glazbe), VI/2 (1975) 201-228.

FINK, Monika: Ballszenen i Opern (Summary: The Ball Scenes in Operas; Sažetak: Balske scene u operama), 28/2 (1997) 169-188.

FINK, Monika: Ballszenen i Operetten (Summary: The Ball Scenes in Operettas; Sažetak: Balske scene u operetama), 29/1 (1998) 3-9.

FINSCHER, Ludwig: Die «Entstehung des Komponisten». Zum problem Komponisten- Individualität und Individualstil in der Musik des 14. Jahrhunderts (Summary: «The Making of the Composer». The Problem of the Composer's Individuality and the Individual Style of Fourteenth Century Music; Sažetak: «Pojava skladatelja». Prilog problemu individualnosti skladatelja i individualnog stila u glazbi četrnaestog stoljeća), VI/1 (1975) 29-45.

FINSCHER, Ludwig: Die «Entstehung des Komponisten». Zum problem Komponisten- Individualität und Individualstil in der Musik des 14. Jahrhunderts Bases (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music,  VI/1 (1975) 29-45) (Summary: «The Making of the Composer». The Problem of the Composer's Individuality and the Individual Style of Fourteenth Century Music; Sažetak: «Pojava skladatelja». Prilog problemu individualnosti skladatelja i individualnog stila u glazbi četrnaestog stoljeća), 25/1-2 (1994) 149-164.

FISCHER, Kurt von: Das Neue in der europäischen Kunstmusik als soziokulturelles Problem. Ein Essai. (Summary: Novelty in European Art Music as a Socio-Cultural Problem; Sažetak: Novo u evropskoj umjetničkoj glazbi kao sociološko-kulturni problem), II/2 (1971) 141-154.

FISCHER, Kurt von: Das Neue in der europäischen Kunstmusik als soziokulturelles Problem. Ein Essai. (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, II/2 (1971) 141-154.) (Summary: Novelty in European Art Music as a Socio-Cultural Problem; Sažetak: Novo u evropskoj umjetničkoj glazbi kao sociološko-kulturni problem), 25/1-2 (1994) 19-32.

FLOTZINGER, Rudolf: Zum Topos von der Völker und Stände verbindenden Wirkung der Musik (Summary: On the «Topos» of the Effects of Music Linking Together Nations and Strata; Sažetak: O toposu djelovanja glazbe kao veze između naroda i staleža), 12/2 (1981) 91-101.

FOCHT, Ivan: Adornos gnoseologistische Einstellung zur Musik (Summary: Adorno's Gnoseological Attitude Towards Music; Sažetak: Adornov gnoseologistički stav prema muzici), V/2 (1974) 265-276.

FOCHT, Ivan: La notion pythagoricienne de la musique: contribution à sa détermination (Summary: A Contribution to the Definition of the Pythagorean Concept of Music; Sažetak: Prilog određenju pitagorejskog pojma muzike), III/2 (1972) 161-172.

FOCHT, Ivan: La notion pythagoricienne de la musique: contribution à sa détermination (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, III/2 (1972) 161-172) (Summary: A Contribution to the Definition of the Pythagorean Concept of Music; Sažetak: Prilog određenju pitagorejskog pojma glazbe), 25/1-2 (1994) 51-62.

FÖLLMI, Beat A.: «Schönberg ist Theosoph». Anmerkungen zu einer wenig beachteten Beziehung (Summary: «Schönberg is Theosoph». Remarks on a Little Known Relationships; Sažetak: «Schönberg je teozof». Napomene uz jedan manje uvažavan odnos), 30/1 (1999) 55-63.

FRANKOVIĆ, Dubravka: «Sĕdiljke» ou «besĕde» (soirées ou cercles) à Zagreb en 1844. Caractères socio-historiques et musicaux (Summary: Sĕdiljke or Besĕde (Gathering or Conversations) in Zagreb in 1844. Socio-Historical and Musical Characteristics; Sažetak: Sĕdiljke ili besĕde u Zagrebu 1844. godine. Društveno-povijesne i glazbene značajke), 23/2 (1992) 171-176.

FREDERICKSON, Jon: Technology and Music Performance in the Age of Mechanical Reproduction (Sažetak: Tehnologija i glazbena izvedba u razdoblju mehaničke reprodukcije), 20/2 (1989) 193-220.

FREDERICKSON, Jon - ROONEY, James F.: How the Music Occupation Failed to Become a Profession (Sažetak: Kako je zanimanje glazbom propustilo postati profesijom), 21/2 (1990) 189-206.

FRISHBERG SALOMAN, Ora: Chabanon and Chastullux on Music and Language, 1764- 1773 (Sažetak: Chabanon i Chastellux o glazbi i jeziku u razdoblju 1764-1773. godine), 20/2 (1989) 109-120.

FRUEHWALD, Scott: Saint-Saëns's Views on Music and Musicians (Sažetak: Saint- Saënsovi pogledi na glazbu i glazbenike), 15/2 (1984) 159-174.

FUBINI, Enrico: Implicazioni sociologiche nella creazione e nella fruizione della musica d'avanguardia (Summary: Sociological Implications of the Creation and Reception of Avant-Garde Music; Sažetak: Sociološke implikacije u stvaranju i potrošnji avangardne muzike),V/1 (1974) 169-179.

FUBINI, Enrico: Yves-Marie André e la tradizione pitagorica nella musica (Sažetak: Yves- Marie Andrê i pitagorejska tradicija u muzici), II/1 (1971) 37-47.

FULCHER, Jane: Melody and Morality: Rousseau's Influence on French Music Criticism (Sažetak: Melodija i moralnost: Rousseauov utjecaj na Francusku glazbenu kritiku), 11/1 (1980) 45-57.

FULCHER, Jane: The Orphéon Societies: «Music for the Workers» in Second-Empire France (Sažetak: Društva Orphéon - «Glazba za radnike» u Drugom carstvu), X/1 (1979) 47-56.

GARNETT, Liz: Choral Singing as Bodily Regime (Sažetak: Zborsko pjevanje kao zborski režim), 36/2 (2005) 249-269.

GIGER, Andreas: Tradition in the Post World-War-I Vienna: The Role of the Vienna State Opera from 1919-1924 (Sažetak: Tradicija u Beču poslije Prvog svjetskog rata. Uloga Bečke državne opere od 1991. do 1924. godine), 28/2 (1997) 189-211.

GILBERT, Shirli: Music as Historical Source: Social History and Musical Texts (Sažetak: Glazba kao povijesni izvor: socijalna povijest i glazbeni tekstovi), 36/1 (2005) 117-134.

GILLESPIE, Luke O.: Literacy, Orality, and the Parry-Lord «Formula»: Improvisation and the Afro-American Jazz Tradition (Sažetak: Pismenost, usmenost i Parry-lordova «formula»: improvizacija i afro-američka jazz tradicija), 22/2 (1991) 147-164.

GIULIANI, Elizabeth: Le public de l'Opéra de Paris de 1750 à 1760. Mesure et définition (Summary: The Public of the Opéra de Paris from 1750 till 1760. Measure and Definiton; Sažetak: Publika Pariške Opere od 1750. do 1760. - mjerenje i određenje), VIII/2 (1977) 159-181.

GLIGO, Nikša: Die Zeit als ein beitragendes Element zur Werkdetermination in der Neuen Musik (Summary: The Time as a Contribution to the Work Determination in the New Music; Sažetak: Vrijeme kao doprinos determinacije djela u novoj glazbi), 28/1 (1997) 19-36.

GLIGO, Nikša: Klang - Zeichen - Wert. Die musikalische Semiotik und ästhetische Wertung (Summary: Sound - Sign - Value. Musical Semiotics and the Aesthetic Evaluation; Sažetak : Zvuk - znak - vrijednost. Glazbena semiotika i estetičko vrednovanje), 31/2 (2000) 185-202.

GLIGO, Nikša: Schrift ist Musik? Ein Beitrag zur Aktualisierung eines nur anscheinend veralteten Widerspruchs (I) (Summary: Notation is Music? A Contribution to the Actualization of an Only Apparently Obsolete Contradiction (I); Sažetak: Zapis je glazba? Prilog aktualizaciji jedne samo prividno zastarjele kontradikcije (I)), 18/1 (1987) 145-162.

GLIGO, Nikša: Schrift ist Musik? Ein Beitrag zur Aktualisierung eines nur anscheinend veralteten Widerspruchs (II) (Summary: Notation is Music? A Contribution to the Actualization of an Only Apparently Obsolete Contradiction (II); Sažetak: Zapis je glazba? Prilog aktualizaciji jedne samo prividno zastarjele kontradikcije (II)), 19/1 (1988) 75-115.

GLIGO, Nikša: Über die Wissenschaftlichkeit der Musikwissenschaft: die Analyse als ihre Gewährleistung (mit besonderer Berücksichtigung der Analyse Neuer Musik) (Summary: On the Scientific Characters of Musicology: Analysis as Its Guarantee (with Special Regard to the Analysis of New Music; Sažetak: O znanstvenosti muzikologije: analiza kao njezina garancija (s posebnim obzirom na analizu nove glazbe), 23/2 (1992) 189-206.

GOŁAB, Maciej: Analyse und Werk - Zu den Polemiken über Heinrich Schenkers Theorie (Summary: Analysis and Work - Polemics on Heinrich Schenker's Theory; Sažetak: Analiza i djelo - polemike o teoriji Heinricha Schenkera), 19/2 (1988) 197-215.

GOLUB, Ivan: Juraj Križanić and João IV, or Križanić's Supervision of the Printing of João's Music and Works about Music (Sažetak: Juraj Križanić i João IV), 11/1 (1980) 59-86.

GOLUB, Ivan: Juraj Križanić's «Asserta Musicalia» in Caramuel's Newly Discovered Autograph of «Musica» (Sažetak: Križanićeva Asserta Musicalia u Caramuelovu djelu Musica), IX/2 (1978) 219-278.

GOSTUŠKI, Dragutin: Réalité, musique, langage. Contribution à l'etude du probleme de la signification (Summary: Reality, Music, Language; Sažetak: Realnost, muzika, jezik (prilog proučavanju problema značenja), VIII/1 (1977) 49-72.

GRANT, Morag Josephine: Experimental Music Semiotics (Sažetak: Eksperimentalna glazbena semiotika), 34/2 (2003) 173-191.

GRAY, Catherine T.: Patterns of Textual Recurrence in Kiganda Song (Sažetak: Obrasci tekstualnog ponavljanja u pjesmi Kiganada), 23/1 (1992) 85-100.

GRAZIANO, Amy - JOHNSON, Julene K.: The Influence of Scientific Research on Nineteenth-Century Musical Thought: The Work of Richard Wallaschek (Sažetak: Utjecaj znanstvenog istraživanja na glazbenu misao 19. stoljeća: djelo Richarda Wallascheka), 37/1 (2006) 17-32.

GREEN, Edward: Biography as Ethics: A Study in the Combat between Respect and Contempt in the Mind of Felix Mendelssohn (Sažetak: Biografija kao etika. Istraživanje sukoba između poštovanja i prijezira u svijesti Felixa Mendelssohna), 37/2 (2006) 157-166.

GREEN, Edward: Donald Francis Tovey, Aethetic Realism, and the Need for a Philosophic Musicology (Sažetak: Donald Francis Tovey, estetički realizam i potreba za filozofijskom muzikologijom), 36/2 (2005) 227-248.

GRLIĆ, Danko: Autonome oder gesellschaftsbedingte Musik. Versuch eines marxistischen Zugangs (Summary: Autonomuos or Socially Conditioned Music; Sažetak: Autonomna ili društveno uvjetovana glazba), VII/1 (1976) 125-145.

GRLIĆ, Danko: Philosophie und Musik (Summary: Philosophy and Music; Sažetak: Filozofija i glazba), IX/1 (1978) 35-52.

GROSSI, Pietro: Computer and Music (Sažetak: Elektronsko računalo i glazba), IV/2 (1973) 279-286.

GUCZALSKI, Krzysztof: «Allerhöchste Allgemeinheit» und «Genaueste Bestimmtheit» musikalischer Bedeutungen. Ein Versuch, die Paradoxa Felix Mendelssohn-Bartholdys, Arthur Schopenhauers und Susanne Langers aufzulösen (Summary: «The Utmost Generality» and «The Most Precise Distinctness» of Musical Meanings. An Attempt at a Solution of the Paradoxes of Felix Mendelssohn-Batholdy, Arthur Schopenhauer and Susanne Langer; Sažetak: «Najviša općenitost» i «najtočnija određenost» glazbenih značenja. Pokušaj razješenja paradoksa Felixa Mendelssohna-Bartholdyja, Arthura Schopenhauera i Susanne Langer), 34/2 (2003) 103-126.

GUT, Serge: Le phénomène répétitif chez Maurice Ravel. De l'obsession à l'annihilation incantatoire (Summary: The Phenomenon of Repetition in Maurice Ravel's Opus. From Obsession to Incantative Annihilation; Sažetak: Pojava repetitivnosti kod Mauricea Ravela. Od začaravajuće opsesivnosti do uništenja), 21/1 (1990) 29-46.

HAAR, James: Classicism and Mannerism in 16th-Century Music (Sažetak: Klasicizam i manirizam u muzici 16. stoljeća), I/1 (1970) 55-68.

HAAR, James: Classicism and Mannerism in 16th-Century Music (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, I/1 (1970) 55-68) (Sažetak: Klasicizam i manirizam u muzici 16. stoljeća), 25/1-2 (1994) 5-18.

HAMES, Annette - INGLIS, Ian: «And I Will Lose My Mind...». Images of Mental Illness in the Songs of the Beatles (Sažetak: «I izgubit ću pamet...». Slike duševnog oboljenja u pjesmama Beatlesa), 30/2 (1999) 173-188.

HANOCH-ROE, Galia: Beethoven's Ninth: An «Ode to Choice» As Presented in Stanley Kubrick's A Clockwork Orange (Sažetak: Beethovenova Deveta: «Oda izboru» kako je predstavljena u filmu Paklena naranča Stanleya Kubricka), 33/2 (2002) 171-179.

HANOCH-ROE, Galia: Musical Space and Architectural Time: Open Scoring versus Linear Processes (Sažetak: Glazbeni prostor i arhitektonsko vrijeme: otvorena partitura nasuprot linearnih procesa), 34/2 (2003) 145-160.

HANŽEK, Branko: The Genealogy of Science and Acoustics - A Supplement to the Description of the Role of Vinko Dvořák (Sažetak: Genealogija znanosti i akustika uz prikaz uloge Vinka Dvořáka), 35/2 (2004) 183-210.

HARWEG, Roland: Kann Man Musik Verstehen? (Summary: Can One Understand Music?; Sažetak : Može li se muziku razumjeti?, III/2 (1972) 173-186.

HARTMANN, Andreas: Affektdarstellung und Naturbeherrschung in der Musik des Barocks (Summary: Presentation of Affections and Mastering of Nature in the Music of the Baroque; Sažetak: Prikazivanje afekata i ovladavanje prirodom u glazbi baroka), 11/1 (1980) 25-44.

HAUG, Andreas: Zu einer Beudeutungsgeschichte des Lauten: das Crescendo in Beethovens Leonoren-Ouvertüren (Summary: Towards a History of Meaning of Loudness: Crescendo in Beethoven's Leonora Ouvertures; Sažetak: K povijesti značenja glasnoće: crescendo u Beethovenovim Leonora uvertirama), 28/1 (1997) 3-18.

HEHR, Elizabeth: How the French Viewed the Differences between French and Italian Singing Styles of the 18th Century (Sažetak: Kako su francuzi shvaćali razlike između francuskog i talijanskog stila pjevanja u 18. stoljeću), 16/1 (1985) 73-85.

HEISLER, Paul K.: A Theoretical Comparison of Certified Piano Teacher's Claim to Professional Status with the Sociological Definition of Profession (Sažetak: Teorijska usporedba zahtjeva zaprisegnutih učitelja glasovira za profesionalnim statusom sa sociološkom definicijom profesije), 26/2 (1995), 239-249.

HEISTER, Hanns-Werner: Geldloses Geschenk und archaisches Zeremoniell. Der Konzert- Beifall als Honorar- und Aktivitätsform (Summary: Audience Applause at Concerts; Sažetak : Besplatni pokloni i arhaički ceremonijal. Prihvaćanje koncerta kao oblik honorara i aktivnosti), 15/2 (1984) 91-128.

HELMAN, Zofia: Von Heinrich Schenkers analytischer Methode bis zur generativen Theorie der tonalen Musik (Summary: From Heinrich Schenker's Analytical Method to the Generative Theory of Tonal Music; Sažetak: Od analitičke metode Heinricha Schenkera do generativne teorije tonalne glazbe), 19/2 (1988) 181-195.

HENRY, Edward O.: Social Structure and Music: Correlating Musical Genres and Social Categories in Bhojpuri-Speaking India (Sažetak: Društvena struktura i glazba: korelacija glazbenih žanrova i društvenih kategorija u indijskom jezičnom području Bhojpuri), 19/2 (1988) 217-227.

HONEGGER, Mare: La place de Strasbourg dans la musique au XVIe siècle (Summary: The Place of Strasbourg in the 16th-Century Music; Sažetak: Mjesto Strasbourga u glazbi 16. stoljeća), 13/1 (1982) 5-19.

HONEGGER, Mare: La place de Strasbourg dans la musique au XVIe siècle (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, 13/1 (1982) 5-19) (Summary: The Place of Strasbourg in the 16th-Century Music; Sažetak: Mjesto Strasbourga u glazbi 16. stoljeća), 25/1-2 (1994) 233-249.

HOOGERWERF, Frank W.: Cage contra Stravinsky, or Delineating the Aleatory Aesthetic (Sažetak: Cage nasuprot Stravinskom ili nacrt aleatoričke estetike), VII/2 (1976) 235-247.

HOOPER, Giles: Nevermind Nirvana: A Post-Adornian Perpective (Sažetak: Postadornovska perspektiva Nirvanina Albuma Nevermind), 38/1 (2007) 91-107.

HOSOKAWA, Shuhei: Considérations sur la musique mass-médiatisée (Summary: Thoughts on Mass-mediated music; Sažetak: Razmatranja o masovnim glazbenim medijima), 12/1 (1981) 21-50.

HOSOKAWA, Shuhei: Distance, Gestus, Quotation: Aufstieg und Fall der Stadt Mahagonny of Brecht and Weill (Sažetak: «Distanca», gesta, citat: Uspon i pad grada Mahagonnyaja Brechta i Weilla), 16/2 (1985) 181-199.

HUGHES, Jenny: Idealist Thought and Music Theory in Nineteenth-Century Germany: K. C. F. Krause, Dissonance, and «Coming-To-Be» (Sažetak: Idealistička misao i glazbena teorija u Njemačkoj u 19. stoljeću: K. C. F. Krause, disonanca i «nastajanje»), 27/1 (1996) 3-12.

HURST, Andrea: Derrida's Quasi-Transcendental Interweaving of Invention and Interpretation (Sažetak: Kvazi transcendentalna protkanost invencije i interpretacije Jacquesa Derridae), 36/1 (2005) 159-178.

IMBERTY, Michel: Introduction à une sémantique musicale de la musique vocale (Summary: Introduction to a musical semantics of vocal music; Sažetak: Uvod u muzičku semantiku vokalne glazbe), IV/2 (1973) 175-196.

INGLIS, Ian: Ideology, Trajectory & Stardom: Elvis Presley & The Beatles (Sažetak: Ideologija, putanja  i sustav zvijezda: Elvis Presley i The Beatles), 27/1 (1996) 53-78.

INGLIS, Ian: Variations on a Theme: The Love Songs of the Beatles (Sažetak: Varijacije na temu: ljubavne pjesme Beatlesa), 28/1 (1997) 37-62.

IRVING, Howard: «The Necessity of Giving Continual and Fatiguing Lessons»: William Crotch on Music Teaching in London (Sažetak: «Nužnost davanja stalnih i zamarajućih satova»: William Crotch o podučavanju glazbe u Londonu), 35/2 (2004) 151-167.

IRVING, Howard: Richard Mackenzie Bacon and the Royal Academy of Music (Sažetak: Richard Mackenzie Bacon i Kraljevska akademija za glazbu), 21/1 (1990) 79-90.

ISHERWOOD, Robert M.: Popular Musical Entertainment in Eighteenth-Century Paris (Sažetak: Pučka zabavna glazba u Parizu u 18. stoljeću), IX/2 (1978) 295-310.

JAUK, Werner: Sprache und Musik: der angebliche Sprachcharakter von Musik (Summary: Language and Music: Allegedly Linguistic Character of Music; Sažetak: Jezik i glazba: tobožnji jezični karakter glazbe), 26/1 (1995) 97-106.

JOHNSTON, Thomas F.: Contemporary Emphases in Northern Eskimo Dance (Sažetak: Suvremeni naglasci u sjevernoeskimskom plesu), 22/1 (1991) 47-79.

JOHNSTON, Thomas F.: The Role of Music within the Context of an African Social Beer- drink (Sažetak: Afrički običaji uživanja pive i uloga glazbe), V/2 (1974) 291-311.

JOHNSTON, Thomas F.: The Social Context of Irish Folk Instruments (Sažetak: Društveni kontekst irskih folklornih glazbala), 26/1 (1995) 35-59.

JONES, Gaynor G.: Weber's «Secondary Worlds»: The Later Operas of Carl Maria von Weber (Sažetak: Weberov Sekundarni svijet: Kasnije opere C. M. von Weber), VII/2 (1976) 219-233.

JOSIPOVIĆ, Ivo: The Mass Media and Musical Culture (Sažetak: Masovni mediji i glazbena kultura), 15/1 (1984) 39-51.

JOST, Ekkehard: Anmerkungen zur Rolle der Versuchsperson in der experimentellen Musikpsychologie (Summary: Notes on the Role of Respondents in the Experimental Psychology of Music; Sažetak: Napomene o ulozi ispitanika u eksperimentalnoj psihologiji glazbe), IV/2 (1973) 229-244.

JOST, Ekkehard: Anmerkungen zur Rolle der Versuchsperson in der experimentellen Musikpsychologie (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, IV/2 (1973) 229-244) (Summary: Notes on the Role of Respondents in the Experimental Psychology of Music; Sažetak: Napomene o ulozi ispitanika u eksperimentalnoj psihologiji glazbe), 25/1-2 (1994) 63-78.

JULIEN, Jean-Rémy: L'influence des crieurs de Paris sur le récitatif debussyste: une hypothèse (Summary: The Influence of Parisian Street «Shouters» on Debussy's Recitative: A Hypopthesis; Sažetak: Utjecaj pariških uličnih izvikivača na Debussyjev recitativ), 15/2 (1984) 141-157.

JUNGMANN, Irmgard: Gesang im Mittelalter - Zur Revision eines Geschichtsbildes (Summary: Singing in the Middle Ages - Towards a Revision of the Historical Image), 32/1 (2001) 3-32.

JUREK, Bohumil: Le Baroque et le Rococo en musique (Summary: Baroque and Rococo in Music; Sažetak: Barok i rokoko u glazbi), X/2 (1979) 207-214.

JŮZL, Miloš: Music and the Totalitarian Regime in Czechoslovakia (Sažetak: Glazba i totalitarni režim u Čehoslovačkoj), 27/1 (1996) 31-51.

KADEN, Christian: Musikalische Normenbildung und ihre sozialen Grundlagen (Summary: The Formation of Musical Norms and Their Social Foundations; Sažetak: Stvaranje glazbenih normi i njihove društvene osnove), VI/1 (1975) 57-66.

KADEN, Christian: Sozialstrukturen als Bewegungsmomente des Musikhörens (Summary: Social Structures as Impetuses of Music Hearing; Sažetak: Društvene strukture kao pokretački momenti glazbenog slušanja), 15/2 (1984) 175-202.

KAEMMER, John E.: Elements of  Research in Aesthetics (Sažetak: Elementi istraživanja u estetici), IX/1 (1978) 121-130.

KAPKO-FORETIĆ, Zdenka: Komponieren nach Bildern: Botticelli Vertonungen (Summary: Composing Pictures: Settings to Music Botticelli; Sažetak: Komponiranje po slikama: uglazbljenje Botticellija), 29/1 (1998) 29-40.

KARPF, Juanita: The Early Years of African Amarican Music Periodicals, 1886-1922: History, Ideology, Context (Sažetak: Rano doba afro-američke glazbene periodike (1886-1922): povijest, ideologija, konteks), 28/2 (1997) 143-168.

KASEM-BEK, Jan: Über die Nachahmung räumlicher Erscheinungen in der Musik (Summary: On Imitation of the Phenomena of Space in Music; Sažetak: O oponašanju prostornih pojava u glazbi, IX/1 (1978) 79-98.

KALISCH, Volker: Mozart und Kitsch: «Ein musikalischer Spass»? (Summary: Mozart and Kitsch: «A Musical Joke»; Sažetak: Mozart i kič: «glazbena šala»?), 23/1 (1992) 43-60.

KALISCH, Volker: Zur Rezeption der Max Weberschen Musiksoziologie - aus musiksoziologischer Sicht (Summary: On the Reception of Max Weber's Sociology of Music - From the Musico-sociological View; Sažetak: Uz recepciju sociologije glazbe Maxa Webera - s glazbeno-sociološkog stajališta), 12/2 (1981) 165-180.

KATALINIĆ, Vjera: Zu einigen Popularthemen im Jarnovick's Violinkonzerten (Summary: About Some Popular Themes in Giornovichi's Violin Concertos; Sažetak: Oko nekih popularnih tema u Jarnovićevim violinskim koncertima), 18/1 (1987) 19-30.

KLITZ, Brian: Black and Pre-Jazz Instrumental Music in America (Sažetak: Crnci i instrumentalna glazba prije Jazza u Americi), 20/1 (1989) 43-60.

KLUGE, Reiner: Anmerkungen zur Rolle des Recheverfahrens im musikwissenschaftlichen Experiment (Summary: On the Role of Computing Procedure in the Musicological Experiment; Sažetak: O ulozi računskog postupka u glazbenoznanstvenom eksperimentu), VII/1 (1976) 5-42.

KLÜPPELHOLTZ, Werner: Zur Soziologie der Neuen Musik (Summary: On the Sociology of New Music; Sažetak: O sociologiji nove glazbe), X/1 (1979) 73-87.

KNEIF, Tibor: Bedeutung, Struktur, Gegenfigur. Zur Theorie des musikalischen «Meinens» (Summary: Meaning, Structure and Counter-Figure. The Theory of Musical Thinking; Sažetak: Značenje, struktura i «protuoblik» - uz teoriju muzičkog mišljenja), II/2 (1971) 213-229.

KNEIF, Tibor: Bedeutung, Struktur, Gegenfigur. Zur Theorie des musikalischen «Meinens» (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, II/2 (1971) 213-229) (Summary: Meaning, Structure and Counter-Figure. The Theory of Musical Thinking; Sažetak: Značenje, struktura i «protuoblik» - uz teoriju muzičkog mišljenja), 25/1-2 (1994) 33-49.

KNEIF, Tibor: Ideen zu einer dualistischen Musikästhetik (Sažetak: Ideje o dualističkoj estetici muzike), I/1 (1970) 15-34.

KNEIF, Tibor: Rockmusik und Bildungsmusik (Summary: Rock Music and Educational Music; Sažetak: Rock glazba i obrazovna glazba), VIII/2 (1977) 237-251.

KNEIF, Tibor: Some Non-Communicative Aspects in Music (Sažetak: Neki nekomunikacijski aspekti u glazbi), V/1 (1974) 51-59.

KOGLER, Susanne: «Die Geige Spricht» - Zur Aktualität des Komponisten Louis Spohr (Summary: «The Violin is Talking» - On the Topicality of the Composer Louis Spohr; Sažetak: «Violina govori» - o aktualnosti skladatelja Louisa Spohra), 32/2 (2001) 169-177.

KOLLERITSCH, Otto: Franz Schuberts literarische Kultur (Summary: Franz Schubert's Culture of Literature; Sažetak: Književna kultura Franza Schuberta), 32/1 (2001) 33-46.

KOLLAND, Hubert: Zur Semantik der Leitmotive in Richard Wagners Ring des Nibelungen (Summary: On the Semantics of the Leading Motive in Richard Wagner's Ring of the Nibelungen; Sažetak: O semantici provodnog motiva u Prstenu Nibelunga Richarda Wagnera), IV/2 (1973) 197-212.

KONOLD, Wulf: Peter Cornelius und die Liedästhetik der Neudeutschen Schule (Sažetak: Peter Cornelius i estetika pjesme novonjemačke škole), I/2 (1970) 187-194.

KOS, Koraljka: Darstellung musikalischer «Alltagsgeschichte» am Beispiel einer Beschreibung aus 1863. (Summary: A Presentation of Musical «Everyday Life» on an Example from a 1863 Description; Sažetak: Prikaz glazbene «svakidašnjice» na primjeru jednog opisa iz 1863.), 34/2 (2003) 127-143.

KOS, Koraljka: Geschichte, Stand und Perspektiven der Forschungen zur mittelalterlichen Kirchenmusik in Kroatien (Summary: The Present Status and Perspectives of Research in Medieval Church Music in Croatia; Sažetak: Povijest, stanje i perspektive istraživanja srednjovjekovne crkvene glazbe u Hrvatskoj), VI/2 (1975) 289-306.

KOS, Koraljka: New Dimensions in Folk Music. A Contribution to the Study of Musical Tastes in Contemporary Yugoslav Society (Sažetak: Nova dimenzija u folklornoj muzici), III/1 (1972) 61-73.

KOS, Koraljka: Style and Sociological Background of Croatian Renaissance Music (Sažetak: Stil i sociološka pozadina hrvatske renesansne glazbe), 13/1 (1982) 55-82.

KOS, Koraljka: Style and Sociological Background of Croatian Renaissance Music (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, 13/1 (1982) 55-82) (Sažetak: Stil i sociološka pozadina hrvatske renesansne glazbe), 25/1-2 (1994) 203-231.

KOTEK, Josef: Die Rezeption der funktionalen Musik als gesellschaftlicher Aneignungsprozess (Summary: The Reception of Functional (Light) Music as a Social Assimilation Process; Sažetak: Primalaštvo funkcionalne (razonodne) glazbe kao društveni proces usvajanja), IX/2 (1978) 183-218.

KOVALEFF BAKER, Nancy: The Aesthetic Theories of Heinrich Christoph Koch (Sažetak: Estetičke teorije Heinricha Christopha Kocha), VIII/2 (1977) 183-202.

KRAVAR, Zoran: Esquisses pour une poétique historique du livret (Summary: An Outline of a Historical Poetics of Libretto; Sažetak: Skice za povijesnu poetiku libreta), 31/2 (2000) 111-125.

KREMER, Joachim: Kantorat und Musikunterricht zwischen 1766 und 1815 (Summary: The «Kantorat» and the Music Education between 1766 and 1815; Sažetak: Kantautorstvo i poduka glazbe između 1766. i 1815. godine), 22/1 (1991) 29-46.

KUČUKALIĆ, Zija: Die Identität des künstlerischen Musikwerks (Summary: The Identity of the Work of Art in Music; Sažetak: Identitet muzičkog umjetničkog djela), 18/2 (1987) 181-204.

KUČUKALIĆ, Zija: Romantic Solo-song in Serbia, VII/1 (1976) 103-112.

KUTSCHKE, Beate: Johann Mattheson's Writings on Music and the Ethical Shift around 1700 (Summary: Napisi Johanna Matthesona o glazbi i etički pomak oko 1700. godine), 38/1 (2007) 23-38.

LADJILI, Myriam: La musique arabe chez les compositeurs français du XIXe siècle saisis d'exotisme (1844-1914) (Summary: Arab Music by 19th Century French Composers Seized by Exoticism (1844-1914); Sažetak: Arapska glazba u francuskih skladatelja 19. stoljeća obuzetih egzotičnošću (1844-1914)), 26/1 (1995) 3-33.

LASKE, Otto E.: On Psychomusicology (Sažetak: O psihomuzikologiji), VI/2 (1975) 269- 281.

LASKE, Otto E.: On some Developmental Problems of Auditory Imagery (Sažetak: O nekim razvojnim problemima slušne slikovnosti), VII/1 (1976) 77-82.

LASKE, Otto E.: Verification and Sociological Interpretation in Musicology (Sažetak: Provjera i sociološka interpretacija u muzikologiji), VIII/2 (1977) 212-236.

LAUDON, Robert Tallant: The Elements of Expression in Music. A Psychological View (Sažetak: Elementi ekspresije u glazbi. Psihologijsko stajalište), 37/2 (2006) 123-133.

LENOIR, Yves: Folklore et transcendance dans l'oeuvre américaine de Béla Bartók (Summary: Folklore and Transcendentalism in the American Opus of Béla Bartók; Sažetak: Folklor i transcendentalnost u američkom opusu Béle Bartóka), 16/1 (1985) 211-220.

LEONI, Stefano A. E.: Kanz al-Tuhaf (Al-Musiqi). Tha Casket of (Music) Rarities: Ars Musica and Musica Practica between Islam amd Christianity (Sažetak: Kanz al-Tuhaf (Al-Musiqi) - kutija s (glazbenim) rijetkostima: Ars musica i Musica practica između islama i kršćanstva), 27/2 (1996) 167-183.

LESSEM, Alan: Bridging the Gap: Contexts for the Reception of Haydn and Bach (Sažetak: Premoštavanje jaza: konteksti za primalaštvo Haydna i Bacha), 19/2 (1988) 137-148.

LEWIS, George H.: Commitment and Involvement in Popular Music: An Argument for a Mass Behavioral Approach (Sažetak: Predavanje i uključenost u popularnu glazbu: predmet pristupa masovnom ponašanju), 11/2 (1980) 229-237.

LEWIS, George H.:Folk and Traditional Elements in an Emerging Professional Art World: Regional Music in the American State of Maine (Sažetak: Folklorni i tradicionalni elementi u jednom nastajućem profesionalnom umjetničkom svijetu: regionalna glazba u američkoj državi Maine), 21/2 (1990) 207-218.

LEWIS, George H.: Interpersonal Relations and Sex-Role Conflict in Modern American Country Music (Sažetak: Međuljudski odnosi i problematika uloge spolova u suvremenoj američkoj country glazbi), 20/2 (1989) 229-237.

LEWIS, George H.: Popular Music: Symbolic Resource and Transformer of Meaning in Society (Sažetak: Pop glazba: simboličko utočište i mjenjač značenja u društvu), 13/2 (1982) 183-189.

LEWIS, George H.: Taste Cultures and Culture Classes in Mass Society. Shifting Patterns in American Popular Music (Sažetak: Kulture ukusa i kulturne klase u masovnom društvu. Promjenjivi obrasci u američkoj pop glazbi), VIII/1 (1977) 39-48.

LEWIS, George H.: The Creation of Popular Music: A Comparison of the «Art Worlds» of American Country Music and British Punk (Sažetak: Stvaranje popularne glazbe: usporedba «umjetničkih svjetova» američke country music i britanskog punka), 19/1 (1988) 35-51.

LEWIS, George H.: The Role of Music in Popular Social Movements: a Theory and Case Study of the Island State of Hawaii, USA (Sažetak: Uloga glazbe u popularnim društvenim kretanjima: teorija i obrada slučaja otočne države Hawaii, SAD), 16/2 (1985) 153-162.

LISSA, Zofia: Einige kritische Bemerkungen zur Ingardenschen Theorie des musikalischen Werkes (Summary: Remarks on R. Ingarden's Conception of Musical Work; Sažetak: Napomene uz Ingardenovo shvaćanje glazbenog djela), III/1 (1972) 75-95.

LISSA, Zofia: Historical Awareness of Music and its Role in Present-day Musical Culture (Sažetak: Povijesna svijest glazbe i njezina uloga u suvremenoj muzičkoj kulturi), IV/1 (1973) 17-33.

LISSA, Zofia: Musik und Revolution (Summary: Music and Revolution, Sažetak: Muzika i revolucija), V/1 (1974) 113-123.

LISSA, Zofia: Prolegomena to the Theory of Musical Tradition (Sažetak: Uvod u teoriju muzičke tradicije), I/1 (1970) 35-54.

LORENZO, Oswaldo - HERRERA, Lucía - ANASTASIU, Ioana: Social Duffusion of Music in Spain Through the Popular Press (Sažetak: Društveno širenje glazbe u Španjolskoj putem popularnog tiska), 38/1 (2007) 71-89.

LUPPI, Andrea: A Myth Debunked: Music Subjected to Politics in Francesco Bocchi's View (1581) (Sažetak: Razgolićen mit: glazba podređena politici u nazorima Francesca Bocchija (1581)), 21/2 (1990) 129-139.

LUPPI, Andrea: Music and Poetry in Vincenzio Martinelli's Lettere familiari e critiche (London, 1758) (Sažetak: Glazba i pjesništvo u Lettere familiari e critiche (London, 1758) Vincenzija Martinellija), 19/2 (1988) 149-160.

LUPPI, Andrea: The Role of Music in Francis Bacon's Thought: A Survey (Sažetak: Uloga glazbe u misli Francisa Bacona: pregled), 24/2 (1993) 99-111.

MAGNANI, Luigi: Beethoven and the Aesthetic Thought of His Time (Sažetak: Beethoven i estetska misao njegova vremena), I/2 (1970) 125-136.

MAJER-BOBETKO, Sanja: Croatian Musical Criticism between the Two World Wars (Sažetak: Hrvatska glazbena kritika između dva svjetska rata), 18/1 (1987) 75-95.

MAJER-BOBETKO, Sanja: Croatian Musical Journals between the Two World Wars and the Musical Criticism (Sažetak: Hrvatski glazbeni časopisi između dva svjetska rata i glazbena kritika), 23/2 (1992) 177-188.

MAJER-BOBETKO, Sanja: Musico-Historical Themes in the Aesthetical System of the Croatian Philosopher Franjo Marković (1845-1914) (Sažetak: Glazbeno-povijesne teme u estetičkom sustavu hrvatskog filozofa Franje Markovića (1845-1914), 34/1 (2003) 33-44.

MALETIĆ, Mladen - HANŽEK, Branko - ROGINA, Mladen: Vinko Dvořák Sliding Tones: Do They Exist? (Sažetak: Postoje li klizni tonovi Vinka Dvořáka), 37/2 (2006) 225-232.

MANUEL, Peter: Formal Structure in Popular Music as a Reflection of Socio-Economic Change (Sažetak: Formalna struktura u popularnoj glazbi kao odraz društveno-ekonomskih promjena), 16/2 (1985) 163-180.

MARK, Desmond: John H. Mueller und sein Beitrag zur Musiksoziologie (Summary: John H. Mueller and His Contribution to the Sociology of Music; Sažetak: John H. Mueller i njegov doprinos sociologiji glazbe), VII/2 (1976) 187-202.

MARKS, Paul F.: The Rhetorical Element in Musical Sturm und Drang: Christian Gottfried Krause's Von der musikalischen Poesie (Sažetak: Retorički element u muzičkom Sturm und Drangu - Christian Gottfried Krause: Von der musikalischen Poesie), II/1 (1971) 49-64.

MAROŠEVIĆ, Grozdana: Culture as a Determinant of Folk-Singing-Style - Group and Solo Singing in the Karlovačko Pokuplje Region (Sažetak: Kultura kao odrednica stila folklornog pjevanja - grupno i solo pjevanje u Karlovačkom pokuplju), 23/2 (1992) 207-221.

MARTORELLA, Rosanne: Occupational Specialization and Aesthetic Change in Opera. Some Historical Inquiries (Sažetak: Stručna specijalizacija i estetičke promjene u operi. Neka povijesna istraživanja), X/1 (1979) 89-98.

MARTORELLA, Rosanne: The Structure of the Market and Musical Style. The Economics of Opera Production and Repertoire: An Exploration (Sažetak: Struktura tržišta i glazbeni stil), VI/2 (1975) 241-254.

MASATO, Yako: Possible Worlds in Musical Theory and Practice (Sažetak: Moguću svjetovi u glazbenoj teoriji i praksi), 33/2 (2002) 181-196.

MASATO, Yako:Recognition of Music and Beauty by the Language Game (Sažetak: Prepoznavanje glazbe i ljepote jezičnom igrom), 38/1 (2007) 3-21.

MASTNAK, Wolfgang: Non-Western Practices of Healing-Music and Applications for Modern Psychotherapy (Sažetak: Nezapadne prakse liječenja glazbom i primjene u modernoj psihoterapiji), 24/1 (1993) 77-84.

McCOLL, Sandra: Gerontius in the City of Dreams: Newman, Elgar, and the Viennese Critics (Sažetak: Gerontius u gradu snova: Newman, Elgar i bečki kritičari), 32/1 (2001) 47-64.

McCOLL, Sandra: Richard Wallaschek: Vienna's Most Uncomfortable Music Critic (Sažetak: Richard Wallaschek: najneugodniji glazbeni kritičar Beča), 29/1 (1998) 41-73.

McCREDIE, Andrew D.: Some Concepts, Constructs nad Techniques in Comparative Literature and Their Interface with Musicology (Sažetak: Neke ideje, konstrukcije i tehnike u komparativnoj književnosti i njihov odnos s muzikologijom), 14/2 (1983) 147-165.

McCREDIE, Andrew D.: Some Concepts, Constructs nad Techniques in Comparative Literature and Their Interface with Musicology (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, 14/2 (1983) 147-165) (Sažetak: Neke ideje, konstrukcije i tehnike u komparativnoj književnosti i njihov odnos s muzikologijom), 25/1-2 (1994) 251-269.

MENDOZA DE ARCE, Daniel: Contemporary Sociological Theories and the Sociology of Music (Sažetak: Suvremene sociološke teorije i sociologija glazbe), V/2 (1974) 231-249.

MENDOZA DE ARCE, Daniel: On Some of the Sociocultural Factors Affecting the General Characterictics of the Western Musical Styles During the Low Middle Ages (Sažetak: O utjecaju nekih društveno-kulturnih faktora na opće značajke stilova zapadne glazbe u doba kasnog srednjeg vijeka), 12/1 (1981) 51-63.

MICZNIK, Vera: Textual and Contextual Analysis: Mahler's Fifth Symphony and Scientific Thought (Sažetak: Tekstualna i kontekstualna analiza: Mahlerova Peta simfonija i znanstvena misao), 27/1 (1996) 13-29.

MILOŠEVIĆ, Miloš: Les Bugarštica à Perast (Summary: The Bugarštica at Perast. The Oldest Preserved Melographical Record of Folk Song in Boka Kotorska; Sažetak: Bugarštice u Perastu. Najstariji sačuvani melografski zapis narodne pjesme u Boki Kotorskoj), VIII/2 (1977) 255-261.

MILOŠEVIĆ, Miloš: Les plus ancient documents sur le passé musical de Kotor. Construction d'orgues du 15e au 17e siècles (Summary: The Earliest Archival Data Regarding Kotor's Musical Past. Organ Building form the 15th to 17th Century; Sažetak: Najstariji arhivski podaci iz muzičke prošlosti Kotora. Izgradnja orgulja od XV. do XVII. stoljeća), X/1 (1979) 113-132.

MONELLE, Raymond: Music and the Peircean Trichotomies (+ Sažetak), 22/1 (1991) 99- 108.

MONSON, Dale E.: The Classic-Romantic Dichotomy, Franz Grillparzer, and Beethoven (Sažetak: Klasičko-romantička dihotomija, Franz Grillparzer i Beethoven), 13/2 (1982)  161-175.

MONTAGNIER, Jean-Paul: Julien Tiersot: Ethnomusicologue a l'Exposition Universelle de 1889. Contribution à une histoire française de l'ethnomusicologie (Summary: Julien Tiersot: An Ethnomusicologist a the 1889. «Exposition Universelle». A Contribution to the French History of Ethnomusicology; Sažetak: Julien Tiersot: etnomuzikolog na «Exposition Universelle» godine 1889. Doprinos povijesti francuske etnomuzikologije), 21/1 (1990) 91-100.

MOORE, Alan F.: Serialism and Its Contradictions (Sažetak: Serijalnost i njezina protuslovlja), 26/1 (1995) 77-95.

MOORE, Robin: The Decline of Improvisation in Western Art Music: An Interpretation of Change (Sažetak: Sumrak improvizacije u zapadnoj umjetničkoj glazbi: interpretacija promjene), 23/1 (1992) 61-84.

MOTTE, Helga de la: Über die Gegenstände und Methoden der Musikpsychologie. Ein geschichtlicher Überblick (Sažetak: O predmetima i metodama psihologije muzike. Povijesni pregled), I/1 (1970) 83-89.

MUES, Albert: Zur Begründung des Oktavphänomens, der Konsonanz und Dissonanz. Die Herkunft der Ästhetik des Hörens (Sažetak: Uz utemeljenje fenomena oktave, konsonance i disonance. Podrijetlo estetike sluha), 17/1 (1986) 91-110.

MULLER, Stephanus J. v. Z.: Music Criticism and Adorno (Sažetak: Glazbena kritika i Adorno), 36/1 (2005) 101-116.

MÜLLER, Sven Oliver: Distinktion, Demonstration und Disziplinierung: Veränderungen im Publikumsverhalten in Londoner und Berliner Opernhäusern im 19. Jahrhunderts (Summary: Distinction, Demonstration and Enforcement of Discipline: Changes in Audience Behaviour in London and Berlin Opera Houses in the 19th Century; Sažetak: Distinkcija, predstavljanje i discipliniranje: promjene u ponašanju publike u opernim kućama Londona i Berlina u 19. stoljeću), 37/2 (2006) 167-187.

MÜLLER , Ulrich: Musikverstehen und Musikstruktur. Eine systematisch-hermeneutische Untersuchung zum Problem der Objektivität iin der Musikästhetik (Summary: Understanding Music and Musical Structure. A Systematical and Hermeneutical Investigation of the Problem of Objectivism in the Aesthetics of Music; Sažetak: Glazbeno razumijevanje i glazbena struktura. Sistematičko-hermeneutičko istraživanje problema objektivizma u glazbenoj estetici), 21/1 (1990) 47-69.

NAPIER, John: A «Failed» Unison or Conscious Differentiation: The Notion of «Heterophony» in North Indian Vocal Preformance (Sažetak: «Neuspjeli» unisono ili svjesno razlikovanje: pojam «heterofonije» u vokalnom izvodilaštvu Sjeverne Indije), 37/1 (2006) 85-108.

NATTIEZ, Jean-Jacques: Linguistics: A New Approach for Musical Analysis? (Sažetak: Lingvistika: novi put za muzičku analizu?, IV/1 (1973) 51-68.

NATTIEZ, Jean-Jacques: Sur les relations entre sociologie et sémiologie musicale (Summary: On the Relations between the Sociology and the Semiology of Music; Sažetak: O odnosima muzike i muzičke semiologije), V/1 (1974) 61-75.

NERCESSIAN, Andy: A Look at the Emergence of the Concept of National Culture in Armenia: The Former Soviet Folk Ensemble (Sažetak: Pogled na pojavu ideje o nacionalnoj kulturi u Armeniji: bivši sovjetski folklorni ansambl), 31/1 (2000) 79-94.

NETTHEIM, Nigel: How Musical Rythm Reveals Human Attitudes: Gustav Becking's Theory, (Sažetak: Kako glazbeni ritam otkriva ljudske stavove: teorija Gustava Beckinga), 27/2 (1996) 101-122.

NEWELL, Robert: Four Tiers on the Foundation of Time (Sažetak: Četiri načela utemeljenosti vremena), VII/2 (1976) 147-174.

NORRIS, Christopher: Music Theory, Analysis and Deconstruction: How They Might (Just) Get Along Together (Sažetak: Teorija glazbe, analiza i dekonstrukcija: kako bi se mogle (barem) slagati), 36/1 (2005) 37-82.

NOSKE, Frits: Forma formans (Sažetak: Forma formans), VII/1 (1976) 43-62.

NUTTING, Geoffrey: The Logic of Renaissance Harmony (Sažetak: Logika renesansne harmonije), V/2 (1974) 251-263.

OKUBO, Ken: On the Musical Work Game. An Essay on the Concept of the Musical Work (Sažetak: O igri glazbenog djela. Esej o pojmu glazbenog djela), 32/1 (2001) 65-92.

OFFER, John: An Exemination of Spencer's Sociology of Music and Its Impact on Music Historiography in Britain (Sažetak: Ispitivanje Spencerove sociologije glazbe i njezina utjecaja na glazbenu historiografiju u Velikoj Britaniji), 14/1 (1983) 33-52.

OLIVIER, Bert: Lacan and Critical Musicology (Sažetak: Lacan i kritička muzikologija), 36/1 (2005) 135-158.

ONO IMAAH, Napoleon: Music: A Source of Inspiration and Harmony in Architecture - An African View (Sažetak: Glazba kao izvor nadahnuća i harmonije u arhitekturi - jedan afrički pogled), 35/2 (2004) 169-182.

ORTAKOV, Dragoslav: Approaches to the Study of Macedonian Musical History (Sažetak: Prilog istraživanju makedonske glazbene povijesti), VI/2 (1975) 307-317.

OTTA, Mineo: Why is the «Spirit» of Folk Music so Important? On the Historical Background of Béla Bartók's Views of Folk Music (Sažetak: Zašto je «duh» folklorne glazbe tako važan? O povijesnoj pozadini nazora Béle Bartóka o folklornoj glazbi), 37/1 (2006) 33-46.

OTTENBERG, June C.: Musical Currents of the Scottish Enlightenment (Sažetak: Glazbeni tokovi škotskog prosvjetiteljstva, IX/1 (1978) 99-109.

OTTENBERG, June C.: Popularity of the Two Operas in Philadelphia in the 1970s (Sažetak: Popularnost dviju opera u Philadelphiji u devedesetim godinama 18. stoljeća), 18/2 (1987) 205-216.

PADOAN, Maurizio: Music, Language and Society in Antonio Planelli (Sažetak: Glazba, jezik i društvo u djelu Antonija Planellija), 19/2 (1988) 161-179.

PADOAN, Maurizio: Nature and Artifice in G. B. Doni's Thought (Sažetak: Priroda i umjetno u misli G. B. Donija), 23/1 (1992) 5-26.

PADOAN, Maurizio: Tradition and «Modernity» in Il corago (Sažetak: Tradicija i «modernost» u Il corago), 24/2 (1993) 113-127.

PARKER, Mildred: Some Speculations on the French Keyboard Suites of the Seventeenth and Early Eighteenth Centuries (Sažetak: Neke ideje o francuskoj suiti za glazbala s tipkama), VII/2 (1976) 203-218.

PAULUS, Irena: Du rôle de la musique dans le cinéma hollywoodien classique. Les fonctions de la musique dans le film Casablanca (1943) de Michael Curtiz) (Summary: The Role of the Music in a Classical Hollywood Film: Function of Music in Casablanca (1943) by Michael Curtiz; Sažetak: Uloga glazbe u klasičnom holivudskom filmu: funkcije glazbe u filmu Casablanca (1943) Michaela Curtiza)), 28/1 (1997) 63-110.

PAULUS, Irena: Music in Krzysztof Kieślowski's Film Three Colors: Blue. A Rhapsody in Shades of Blue: The Reflections of a Musician (Sažetak: Glazba u filmu Krzysztofa Kieślowskog Tri boje: Plavo. Rapsodija u nijansama plavog: razmišljanja jednog glazbenika), 30/1 (1999) 65-91.

PAULUS, Irena: Williams Versus Wagner or an Attempt at Linking Musical Epics (Sažetak: Williams protiv Wagnera ili pokušaj povezivanja glazbenih epova), 31/2 (2000) 153-184.

PELLIZZONI, Luigi: Fruition of the Musical Message and Perception of Its Structures (Sažetak: Ostvarenje glazbene poruke i percepcija struktura), 17/1 (1986) 73-90.

PETROVIĆ, Radmila: Folk Music of Eastern Yugoslavia: A Process of Acculturation (Sažetak: Narodna muzika istočne Jugoslavije: proces akulturacije, V/1 (1974) 217-224.

PICHAULT, Françoise: Vers une théorie sociologique de l'art. Elaboration d'un modèle d'explication et application à l'oeuvre musicale de Karlheinz Stockhausen (Summary: Towards a Musicological Theory of Art: Elaboration of an Explanatory Model and Its Application to the Musical Work of Karlheinz Stockhausen; Sažetak: Prema sociološkoj teoriji umjetnosti: razrada modela izlaganja i primjena na glazbenom djelu Karlheinza Stockhausena), 14/1 (1983) 53-77.

PICKERT, Dietmar: Ensembleaktivitäten in Musikleben. Strukturen nichtprofessioneller Musikausübung in der Öffentlichkeit (Summary: Activities of the Music Ensembles in Musical Life. Structures of Non-Professional Practice in Public; Sažetak: Aktivnosti ansambala u glazbenom životu. Strukture neprofesionalne glazbene prakse u javnosti), 28/1 (1997) 111-121.

PLAVŠA, Dušan: Intentionality in Music (Sažetak: Intencionalnost u muzici), 12/1 (1981) 65-74.

PLLANA, Shefqet: Das albanische Volkslied in Kosovo (Summary: On Folk Singing by the Albanians in Kosovo; Sažetak: O narodnom pevanju Albanaca na Kosovu), X/2 (1979) 215-236.

POLEDNÁK, Ivan: Zum Problem der Apperzeption der Musik (Summary: Around the Problem of Music Apperceptions; Sažetak: Uz probleme glazbene percepcije), 16/1 (1985) 43-56.

PREMUDA, Noemi: Luchino Visconti's «Musicism» (Sažetak: «Muzicizam» Luchinija Viscontija), 26/2 (1995) 189-210.

PRINZ, Mario: Der Orchestermusiker in historischen Kontext (Summary: The Orchestra Musician in the Historical Context; Sažetak: Orkestralni glazbenik u povijesnom kontekstu), 26/1 (1995) 61-76.

RANKOVIĆ, Milan: On the Unpopularity of New Music (Sažetak: O nepopularnosti nove muzike), X/2 (1979) 199-206.

REINECKE, Hans-Peter: Hermann von Helmholtz, Carl Stumpf und die Folegen. Von der musikalischen Akustik zur Tonpsychologie. Ganz persönliche Anmerkungen zu einem Kapitel Berliner Wissenschaftsgeschichte (Summary: Hermann von Helmholtz, Carl Stumpf and the Consequences. From Musical Acoustics to Tonal Psychology. Very Personal Remarks to One Chapter of Science History in Berlin; Sažetak: Hermann von Helmholtz, Carl Stumpf i posljedice. Od glazbene akustike do tonske psihologije. Vrlo osobne primjedbe na jedno poglavlje berlinske povijesti znanosti), 30/2 (1999) 95-109.

REINECKE, Hans-Peter: «Swingkultur» als «doppelter Boden» jugendlichen Lebensgefühls unter der NS-Diktatur - Hintergründe (Summary: The «Culture of Swing» as a «Double-Bottom» of Youthfull Feeling of Life Under the Nazi Dictatorship; Sažetak: «Kultura swinga» kao «dvostruko dno» mladenačkog životnog osjećaja pod nacističkom diktaturom), 34/1 (2003) 3-15.

REINECKE, Hans-Peter: Über Musik, Partituren and das Recht ihrer Autoren. Anmerkungen zu Erich Schulzes Lebenswerk (Summary: On Music, Scores and Rights of Their Authors. Remarks Concerning the Life Work of Erich Schulze; Sažetak: O glazbi, partiturama i pravima njihovih autora. Napomene uz životno djelo Ericha Schulzea), 29/2 (1998) 121-134.

RIJAVEC, Andrej: Notes towards the National and International in Music (Sažetak: Bilješke o nacionalnom i internacionalnom u glazbi), VII/1 (1976) 83-87.

RIJAVEC, Andrej: The Dimensions of Darijan Božič's Creativity (Sažetak: Kompozicijske tvorevine Darijana Božića), X/2 (1979) 237-248.

RINGER, Alexander L.: Musical Taste and the Industrial Syndrome. A Socio-Musicological Problem in Historical Analysis (Sažetak: Glazbeni ukus i industrijski sindrom. Sociološko-muzikološki problem u povijesnoj analizi), V/1 (1974) 139-153.

RINGER, Alexander L.: Musical Taste and the Industrial Syndrome. A Socio-Musicological Problem in Historical Analysis (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, V/1 (1974) 139-153) (Sažetak: Glazbeni ukus i industrijski sindrom. Sociološko-muzikološki problem u povijesnoj analizi), 25/1-2 (1994) 79-92.

ROMAN, Zoltan: (Musical) Jugendstil Revisited: Interspecific Conceptual Modelling and the Turn-of-the-Century «Peripheral» Arts (Sažetak: Ponovno o (glazbenom) Jugendstilu: interspecifično pojmovno modeliranje i «periferne» umjetnosti na razmeđi stoljeća), 30/2 (1999) 111-149.

RÖSING, Helmut: Der Musikalitätsbegriff und seine Abhängigkeit von kulturgeschichtlichen Normen. Zur Geschichte der Musikalitätstests (Summary: The Concept of Musical Talent and Its Dependence on Cultural-Historical Norms; Sažetak: Pojam muzikalnosti i njegova ovisnost o kulturno-povijesnim normama), IX/2 (1978) 161-181.

RÖSING, Helmut: Musik und bildende Kunst. Über Gemeinsamkeiten und Unterschiede beider Medien (Sažetak: Muzika i likovna umjetnost. O zajedničkom i različitom obih medija), II/1 (1971) 65-76.

RÖSING, Helmut: Musik und ihre Wirkungen auf den Rezipienten. Versuch einer Standortbestimmung (Summary: Music and Its Effects on the Recipient. An Attempt at a Definition of the Present State of Research; Sažetak: Glazba i njezino djelovanje na primaoca. Pokušaj određenja sadašnjeg stanja istraživanja), 12/1 (1981) 3-20.

RUT, Josef: Die Musik ind ihre Perspektive vom Gesichtspunkt der Reletivitätstheorie (Summary: Music and Its Perspective from the Standpoint of the Theory of Relativity; Sažetak: Glazba i njezina perspektiva sa stajališta teorije relativiteta), 11/1 (1980) 103-119.

SABBE, Herman: Musiques Savantes, Musiques Populaires (de Zappa à Zimmermann) (Summary: Art Musics, Popular Musics (from Zappa to Zimmermann); Sažetak: Umjetničke glazbe, popularne glazbe (od Zappe do Zimmermanna), 34/2 (2003) 161-172.

SAPUNDZIJEV, Mary: Motivation, Function and Value: The Choral Miniature Repertoire of First Generation Macedonian Composers (Sažetak: Motivacija, funkcija i vrijednost: repertoar zborskih minijatura prve generacije makedonskih skladatelja), 33/1 (2002) 57-93.

SARKISJAN, Swetlana (see also / vidi također SARKISYAN, Svetlana): Die Streichquartette Sofia Gubaidulinas als Versuch der Erschliessung des sonoristischen Raumes (Summary: String Quartets by Sofia Gubaidulina as a Attempt of Opening a Sonoric Space; Sažetak: Gudaći kvarteti Sofije Gubaiduline kao pokušaj otvaranja zvukovnog prostora), 36/2 (2005) 271-286.

SARKISYAN, Svetlana (see also / vidi također SARKISJAN, Swetlana): Le phénomène musical des films de Serguei Paradjanov (Summary: The Musical Phenomenon in the Films of Sergey Paradianov; Sažetak: Glazbeni fenomen u filmovima Sergeja Paradjanova), 38/1 (2007) 55-69.

SCHÄFER, Thomas: Anti-Moderne oder Avantgarde-Konzept? Überlegungen zur musikalischen Postmoderne (Summary: Reflections on Musical Postmodern: An Antimodern or Avantgarde Concept; Sažetak: Razmišljanja o glazbenoj postmoderni: nacrt za antimodernu ili avangardu), 26/2 (1995) 211-238.

SCHROEDER, David. P.: Audience Reception and Haydn's London Symphonies (Sažetak: Prihvaćanje publike i Haydnove londonske simfonije), 16/1 (1985) 57-72.

SCHUBERT, Giselher: Aspekte der Bekkerschen Musiksoziologie (Sažetak: Gledišta Bekkerove sociologije glazbe), I/2 (1970) 179-186.

SCHUTTE, Sabine: Kunstmusik und Trivialmusik (Summary: Art Music and «Trivial Music». A Sketch of the Problem; Sažetak: Umjetnička i «trivijalna» glazba. Skica jednog problema), IV/1 (1973) 81-94.

SCHVARZER, Alicia: L'industrie du disque en France (Summary: The Gramophone Record Industry in France; Sažetak: Industrija gramofonskih ploča u Francuskoj), IV/2 (1973) 257-277.

SEDAK, Eva: Zeichen einer kleinen Geschichte. Einige einführende Bemerkungen zur Geschichte der kroatischen Musik im 20. Jahrhundert (Summary: Signs of «Small History». Some Introductory Remarks to the History of Croatian Music in the 20th Century; Sažetak: Znakovi male povijesti. Neke uvodne napomene uz povijest hrvatske glazbe 20. stoljeća), 31/2 (2000) 127-151.

SEDAK, Eva: Das Zeitgenössische als Episode: zum Begriff des Fortschritts in der Musik am südlichen Rand Mitteleuropas zwischen den beiden Weltkriegen (Summary: Contemporary as an Episode: A Contribution to the Idea of Progress in the Music of the Central-European Southern Edge between Two World Wars; Sažetak: Suvremenost kao epizoda. prilog za poimanje napretka u međuratnoj glazbi s južnog ruba Srednje Europe), 24/2 (1993) 143-158.

SEDAK, Eva: Eine Ästhetik im Übergang. Versuch einer hypothetischen Gegenüberstellung: F. Busoni - J. Š. Slavenski (Summary: Slavenski and the Aesthetics of Music at the Turn of the Century; Sažetak: Slavenski i glazbena estetika s početka 20. stoljeća), 18/1 (1987) 97-116.

SEDAK, Eva: Some Problems in Contemporary Musical Criticism (Sažetak: Neki problemi suvremene muzičke kritike), I/2 (1970) 169-177.

SEIDEL, Wilhelm: Moritz Hauptmanns organische Lehre. Tradition, Inhalt und Geltung ihrer Prämisse (Summary: Moritz Hauptmann's Organic Learning. The Tradition, Content and Value of its Premise; Sažetak: Organsko učenje Moritza Hauptmanna. Tradicija, sadržaj i vrijednosti njegove perspektive), II/2 (1971) 243-266.

SELFRIDGE-FIELD, Eleanor: Canzona and Sonata: Some Differences in Social Identity (Sažetak: Canzona i sonata), IX/1 (1978) 111-119.

SHELDON, David A.: The Fugue as an Expression of Rationalist Values (Sažetak: Fuga kao izraz racionalističkih vrijednosti), 17/1 (1986) 29-51.

SHEPHERD, Gregory: «Nihonjinron»: Challenge to Academia (Sažetak: «Nihonjinron»: izazov akademskoj misli), 22/2 (1991) 187-192.

SHEPHERD, John: Un modèle théorique pour une analyse socio-musicologique des musiques populaires (Summary: A Sociological Theory for the Analysis of Afro-American Musics; Sažetak: Sociološka teorija za analizu afro-američkih glazbi), 15/2 (1984) 203-214.

SMITH, David: Colonial Encounters Through the Prism of Music: A Southern African Perspective (Sažetak: Kolonijalni susreti kroz prizmu glazbe: pogled iz Južne Afrike), 33/1 (2002) 31-55.

SPIETH-WEISSENBACHER , Christiane: Prosodes et symboles mélodiques dans le récitatif de Pelléas et Mélisande ou place du figuralisme dans l'écriture vocale de Debussy (Summary: Melodic Prosodes and Symbols in the Recitative of Pelleas et Melisande or the Place of Figuralism in Debussy's Vocal Writing; Sažetak: Melodijski prozodi i simboli u recitativu Pelleasa i Melisande ili mjesto figuralizma u Debussyjevu vokalizmu), 13/1 (1982) 83-92.

STAUBMANN, Helmut: The Concept of Norm in Sociological Theory and Its Application to Music (Sažetak: Pojam norme u sociološkoj teoriji i njezina primjena u glazbi), 22/2 (1991) 119-125.

STEFANI, Gino: Progetto semiotico di una musicologia sistematica (Summary: A Semiotical Project of Systematic Musicology; Sažetak: Semiološki projekt sistematske muzikologije), V/2 (1974) 277-289.

STEFANI, Gino: Sur l'approche fonctionnelle des pratiques musicales (Summary: On the Functional Approach to Musical Practice; Sažetak: O funkcionalnom pristupu muzičkoj praksi), V/1 (1974) 77-83.

STIPČEVIĆ, Ennio: La cultura musicale in Istria e in Dalmazia nel XVI e XVII secolo. Principali caratteristiche storiche, geopolitiche e culturali (Summary: Musical Culture in Istria and Dalmatia during the 16th and 17th Centuries: Its Basic Historical, Geo-political and Culturological Determinants; Sažetak: Glazbena kultura u Istri i Dalmaciji tijekom 16. i 17. stoljeća: temeljne povijesne, geopolitičke i kulturološke odrednice), 23/2 (1992) 141-152.

STIPČEVIĆ, Ennio: La serenissime, l'Istra e la Dalmazia - Contatti e interferenze musicali nel Cinque e Seicento (Summary: The Serenissima, Istria, and Dalmatia - Musical Contacts and Permeations of the 16th and 17th Centuries; Sažetak: Serenissima, Istra i Dalmacija - glazbeni kontakti i prožimanja (16-17. st.)), 24/1 (1993) 23-44.

STIPČEVIĆ, Ennio: The Social and Historical Status of Music and Musicians in Croatia in the Early Baroque Period (Sažetak: Društveno-povijesni položaj glazbe i glazbenika u Hrvatskoj u vrijeme ranog Baroka), 18/1 (1987) 3-17.

STOCKMANN, Doris: Musik - Sprache - Tierkommunikation (Summary: Music - Language - Animal Communication; Sažetak: Glazba - jezik - komunikacija u životinjskom svijetu), X/1 (1979) 5-45.

SUPIČIĆ, Ivan (vidi SUPIČIĆ, Ivo): De la Renaissance au Baroque. Quelques propos d'histoire sociale (Summary: From Renaissance to Baroque Times. Some Considerations of Social History; Sažetak: Od renesanse do baroka. Napomene iz socijale povijesti glazbe), 28/2 (1997) 133-142.

SUPIČIĆ, Ivo (vidi SUPIČIĆ, Ivan): Esthétique et art musical (Summary: Aesthetics and Musical Art; Sažetak: Estetika i glazbena umjetnost), 19/1 (1988) 3-34.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Expression and Meaning in Music (Sažetak: Izražaj i značenje u glazbi), II/2 (1971) 193-212.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Instead of an Introductory Word (Sažetak: Umjesto uvodne riječi), I/1 (1970) 3-14.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Les approches socio-historiques de l'oeuvre musicale (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, 17/2 (1986) 223-238) (Summary: Sociohistorical Approach of Musical Work; Sažetak: Socijalnopovijesni pristup glazbenom djelu), 25/1-2 (1994) 321-335.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Matter and Form in Music (Sažetak: Materija i forma u muzici), I/2 (1970) 149-158.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Music and Ceremony. Another Aspect (Sažetak: Glazba i ceremonija. Drugi aspekt), 13/1 (1982) 21-38.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Musique et fête: note sur le sacré et le profane (Summary: Music and Festivity: a Note on Sacred and Secular; Sažetak: Glazba i svečanost: bilješka o sakralnom i svjetovnom), 21/2 (1990) 179-187.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Perspectives pluridisciplinaries: difficultés d'approache (Summary: Plury-Disciplinary Perspectives: Difficulties of Approach; Sažetak: Pluridisciplinarne perspektive: poteškoće pristupa), 16/2 (1985) 125-151.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Sens et non-sens en musique (Summary: Sense and Nonsense in Music; Sažetak: Smisao i besmisao u glazbi), III/2 (1972) 187-197.

ŠEŠKAUSKAITĖ, Daiva: Sutartinės and Balkan Diaphonic Songs (Sažetak: Sutartinės i balkanske dijafonijske pjesme), 35/1 (2004) 71-92.

ŠIMUNDŽA, Mirjana: Messiaen's Rhythmical Organisation and Classical Indian Theory of Rhythm (I) (Sažetak: Organizacija ritma Oliviera Messiaena i klasična indijska teorija ritma (I)), 18/1 (1987) 117-144.

ŠIMUNDŽA, Mirjana: Messiaen's Rhythmical Organisation and Classical Indian Theory of Rhythm (II) (Sažetak: Organizacija ritma Oliviera Messiaena i klasična indijska teorija ritma (II)), 19/1 (1988) 53-73.

ŠKUNCA, Mirjana: Politische Aspekte des musikalischen Lebens von Split zur Zeit der kroatischen Wiedergeburt (1860-1882) (Summary: Political Aspect of Split Music Life in the Period of the National Revival in Dalmatia (1860-1882); Sažetak: Politički aspekti glazbenog života Splita u preporodno doba u Dalmaciji (1860-1882)), 20/2 (1989) 141-167.

TÄNZER, Peter: Orientierung in der Musik (Summary: Orientation in Music; Sažetak: Orijentacija u glazbi), VII/2 (1976) 175-183.

TARASTI, Eero: Music Models trough Ages: A Semiotic Interpretation (Sažetak: Glazbeni modeli kroz razdoblja: semiotička interpretacija), 17/1 (1986) 3-28.

TARASTI, Eero: Music Models trough Ages: A Semiotic Interpretation (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, 17/1 (1986) 3-28) (Sažetak: Glazbeni modeli kroz razdoblja: semiotička interpretacija), 25/1-2 (1994) 295-320.

TARASTI, Eero: Pour une narratologie de Chopin (Summary: For a Narratology of Chopin; Sažetak : Za jednu naratologiju Chopina), 15/1 (1984) 53-75.

TARASTI, Eero: Pour une narratologie de Chopin Interpretation (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, 15/1 (1984) 53-75) (Summary: For a Narratology of Chopin; Sažetak: Za jednu naratologiju Chopina), 25/1-2 (1994) 295-320.

TESSAROLO, Mariselda: Experiencing Dance (Sažetak: Doživljavanje plesa), 16/2 (1985) 201-210.

TICK, Judith: Musician and Mécène: Some Observations on Patronage in Late 18th-Century France (Sažetak: Muzičar i mecena. Neke napomene uz patronatstvo u Francuskoj u 18. stoljeću), IV/2 (1973) 245-256.

TISCHLER, Hans: A Proposal for a Multi-Relational Aesthetics (Sažetak: Prijedlog jedne multirelacione estetike), III/2 (1972) 141-160.

TITLESTAD, Michael - VILJOEN, Martina: Festive Critique and Agency in Felix Laband's 4/4 Down the Stairs (Sažetak: Svečarska kritika i djelovanje u djelu 4/4 Down the Stairs Felixa Labanda), 36/1 (2005) 199-220.

TOSCANO, Maria Manuela: Chemins vers une esthétique de l'inquiétude dans la musique de Gesualdo (Summary: Towards an Aesthetics of Disquietness in the Music of Gesualdo; Sažetak: Prema estetici nemira u Gesualdovoj glazbi), 30/1 (1999) 27-53.

TRÂN VÂN KHÊ: L'acculturation dans les traditions musicales de l'Asie (Summary: Acculturation in the Musical Traditions of Asia; Sažetak: Akulturacija u glazbenim tradicijama Azije), V/1 (1974) 182-190.

TUKSAR, Stanislav: Bedeutungstheorie in der Musik in Irene, ovvero della bellezza (1599) von Miho Monaldi. Ein Beitrag zur Geschichte der semiologischen Doktrinen in der Musik (Summary: The Theory of Meaning in Music in Irene, ovvero della bellezza (1599) by Miho Monaldi. A Contribution to the History of Semiological Doctrines; Sažetak: Teorija značenja u glazbi u Irene, ovvero della bellezza (1599) Mihe Monaldija. Prilog povijesti semioloških doktrina), VIII/2 (1977) 264-272.

TUKSAR, Stanislav: From Metaphysical Irrationalism to Contemporary Empiricism: An Aspect of Music (Sažetak: Od metafizičkog iracionalizma do suvremenog empirizma: jedan glazbeni aspekt), II/1 (1971) 77-87.

TUKSAR, Stanislav: Music Research Libraries, Archives and Collections in Croatia (Sažetak: Glazbene knjižnice, arhivi i zbirke u Hrvatskoj), 23/2 (1992) 119-140.

TUKSAR, Stanislav: Musico-theoretical Fragments by Two Mediaeval Scholars: Herman Dalmatinac and Petar Pavao Vergerije, Sr. (Sažetak: Glazbeno-teoretski fragmenti dvaju autora srednjeg vijeka: Hermana Dalmatinca i Petra Pavla Vergerija St.), 13/1 (1982) 93-105.

TUKSAR, Stanislav: Musique et politique à Dubrovnik à l'époque de la Renaissance (Summary: Music and Politics in Dubrovnik during the Renaissance; Sažetak: Politika i glazba u renesansnom Dubrovniku), X/1 (1979) 99-111.

TUKSAR, Stanislav: Musique et politique à Dubrovnik à l'epoque de la Renaissance (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music,  X/1 (1979) 99-111) (Summary: Music and Politics in Dubrovnik during the Renaissance; Sažetak: Politika i glazba u renesansnom Dubrovniku), 25/1-2 (1994) 191-202.

TURLEY, Alan C.: The Ecological and Social Determinations of the Production of Dixieland Jazz in New Orleans (Sažetak: Ekološke i društvene odrednice proizvodnje Dixieland jazza u New Orleansu), 26/1 (1995) 107-121.

VENDRIX, Philippe: Proportions harmoniques et proportions architecturales dans la théorie française des XVIIe et XVIIIe siècles (Summary: Harmonic and Architectural Proportions in the 17th and 18th-Century French Theory; Sažetak: Harmonijske i arhitekturalne proporcije u francuskoj teoriji 17. i 18. stoljeća), 20/7 (1989) 3-10.

VILJOEN, Martina: Ideology and Interpretation: A Figurative Semiotics of Musical Discourse (Sažetak: Ideologija i interpretacija: figurativna semiotika glazbenog diskursa), 36/1 (2005) 83-99.

VILJOEN, Martina: Questions of Musical Meaning: An Ideology-Critical Approach (Sažetak: Problemi glazbenog značenja: ideološko-kritički pristup), 35/1 (2004) 3-28.

VILLIERS HUMAN, Suzanne de: Explosions in Visual Art, Literature and Music (Sažetak: Prskanja u likovnim umjetnostima, književnosti i glazbi) 36/1 (2005) 179-197.

VISAGIE, Johann: Applying Critical Tools to Critical Theory - With Some Remarks on the Implications for Musicology (Sažetak: Primjenjujući kritička sredstva na kritičku teoriju. Uz nekoliko primjedbi na implikacije u muzikologiji), 36/1 (2005) 11-36.

VIRET, Jacques: Mélodie et «Gestalt». Pour une nouvelle approche de l'analyse mélodique (Summary: Melody and «Gestalt». Towards a New Approach to Melodic Analysis; Sažetak: Melodija i «Gestalt». Za novi pristup melodijskoj analizi), 13/1 (1982) 39-53.

VIRET, Jacques: Musique, nombres, cosmos: quelques réflexions «pythagoriciennes» (Summary: Music, Numbers, Space: Some «Pythagorean» Meditations; Sažetak: Glazba, brojevi, svemir: neka «pitagorejska» razmišljanja), 17/2 (1986) 147-161.

WAGNER, Günther: Exaktwissenschaftliche Musikanalyse und Informationsästhetik (Summary: Scientific Musical Analysis and Informational Aesthetics; Sažetak: Egzaktnoznanstvena muzička analiza i informacijska estetika), VII/1 (1976) 63-76.

WANGERMÉE, Robert: Notes sur l'économie des institutions musicales non-lucratives (Summary: Notes on the Economy of Non-Commercial Musical Institutions; Sažetak: Bilješke o ekonomiji nekomercijalnih glazbenih institucija), 13/2 (1982) 141-160.

WEBER, William: Mass Culture and the Reshaping of European Musical Taste, 1770-1870, (Sažetak: Masovna kultura i preoblikovanje evropskog glazbenog ukusa u razdoblju od 1770. do 1870. godine), VIII/1 (1977) 5-22.

WEBER, William: Mass Culture and the Reshaping of European Musical Taste, 1770-1870, (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music,  VIII/1 (1977) 5-22) (Sažetak: Masovna kultura i preoblikovanje evropskog glazbenog ukusa u razdoblju od 1770. do 1870. godine), 25/1-2 (1994) 175-190.

WELBURN, Ron: Duke Ellington's Music: The Catalyst for a True Jazz Criticism (Sažetak: Glazba Dukea Ellingtona: katalizator istinske jazz kritike), 17/1 (1986) 111-122.

WENK, Brian J.: Speech Patterns in Music: The French (Rythmic) Connection (Sažetak: Jezični obrasci u glazbi: francuska (ritmička) veza), 13/2 (1982) 191-197.

WHITE, Harry: Art Music and the Question of the Ethnicity: The Slavic Dimension of Czech Music from an Irish Point of View (Sažetak: Umjetnička glazba i problem etniciteta: slavenska dimenzija češke glazbe s irskog gledišta), 35/1 (2004) 29-46.

WHITE, Harry: Is This Song about You? Some Reflections on Music and Nationalism in Germany and Ireland (Sažetak: Je li ova pjesma o tebi? Neka razmišljanja o glazbi i nacionalizmu u Njemačkoj i Irskoj), 33/2 (2002) 131-147.

WHITE, Harry: The Need for a Sociology of Irish Folk Music. A Review of Writings on «Traditional» Music in Ireland, with some Responses and Proposals (Sažetak: Potrebe za sociologijom irske narodne glazbe. Pregled napisa o «tradicionalnoj» glazbi u Irskoj s nekoliko odgovora i prijedloga), 15/1 (1984) 3-13.

WHITE, Harry: The Preservation of Music and Irish Cultural History (Sažetak: Očuvanje glazbe i irska kulturna povijest), 27/2 (1996) 123-138.

WILSON, Dora: Löhlein's Klavierschule: Toward an Understanding of the Galant Style (Sažetak: Klavirska škola Georga S. Lohleina: prema razumijevanju galantnog stila), 12/2 (1981) 103-115.

WIORA, Walter: Der Grundbegriff Kunstwerk. Versuch einer wissenschaftlichen Klärung (Summary: A Fundamental Notion: The Work of Art. An Attempt of a Scholarly Explanation; Sažetak: Temeljni pojam umjetničkog djela. Pokušaj znanstvenog objašnjenja), 31/1 (2000) 7-51.

WIORA, Walter: Der musikalische Ausdruck von Ständen und Klassen in eigenen Stilen (Summary: The Musical Expression of Different Estates and Social Classes in Their Own Individual Styles; Sažetak: Glazbeni izraz različitih društvenih staleža i klasa u njihovim individualnim stilovima), V/1 (1974) 91-112.

WIORA, Walter: Der musikalische Ausdruck von Ständen und Klassen in eigenen Stilen (first published in: / prvi put objavljeno u: International Review of the Aesthetics and Sociology of Music, V/1 (1974) 91-112) (Summary: The Musical Expression of Different Estates and Social Classes in Their Own Individual Styles; Sažetak: Glazbeni izraz različitih društvenih staleža i klasa u njihovim individualnim stilovima), 25/1-2 (1994) 93-113.

YARUSTOVSKI, Boris: Quelques réflexions sur la musique et la société (Summary: Some Reflections About Music and Society), VI/2 (1975) 283-287.

YEOLAND, Rosemary - HAFEZ-ERGAUT, Agnès: Camille Mauclair: Critique et compétences (Summary: Camille Mauclair: Critique and Competences; Sažetak:  Camille Mauclair: kritika i kompetencije), 37/2 (2006) 213-224.

YOFFE, Aron M.: Plotinus's Theory of Mimesis, and Its Implications for the Actual Composing of Music (Sažetak: Plotinova teorija Mimezisa i njezine implikaciije za komponiranje glazbe), 11/1 (1980) 87-91.

YOSHIDA, Hiroshi: Eduard Hanslick and the Idea of «Public» in Musical Culture: Towards a Socio-Political Context of Formalistic Aesthetics (Sažetak: Eduard Hanslick i ideja «publike» u glazbenoj kulturi: k društveno-političkom kontekstu formalističke estetike), 32/2 (2001) 179-199.

ZENCK, Martin: Auswirkungen einer «musique informelle» auf die neue Music. Zu Theodor W. Adornos Formvorstellung (Summary: Influences of «musique informelle» on New Music. On Adorno's Concept of Form; Sažetak: Utjecaji «musique informelle» na novu glazbu. Uz Adornov pojam forme), X/2 (1979) 137-165.

2. REVIEW PAPERS  -  PREGLEDNI ČLANCI

DESCHNÊS, Bruno: Music and the New Scientific Theories (Sažetak: Glazba i nove znanstvene teorije), 22/2 (1991) 193-202.

DOUBRAVOVÁ, Jarmila: Music and Visual Art - Their Relation as a Topical Problem of the Contemporary Music in Czechoslovakia (Sažetak: Glazba i likovne umjetnosti. Njihov odnos kao aktualni problem suvremene glazbe u Čehoslovačkoj), 11/2 (1980) 219-228.

ESCAL, Françoise: Les «portraits» dans les quatre Livres de clavecin de Couperin (Summary: The «Portraits» in the Four Livres de clavecin by Couperin; Sažetak: «Portreti» u četiri Livres de clavecin F. Couperina), 11/1 (1980) 5-23.

HALBSCHEFFEL, Bernward: Zur Ontologie der Rockmusik, 14/1 (1983) 99-105.

ILLIASIEWICZ, Elżbieta: Polish Composers as a Social Group (Sažetak: Poljski kompozitori kao društvena grupa), 11/2 (1980) 239-251.

JAUK, Werner: Neue Musik und Musikkritik. Eine Längsschnittuntersuchung zur empirischen Rezeptionsgeschichte des Musikprotokolls seit dessen Bestehen (Summary: New Music and Musical Criticism. A Longitudinal Investigation of the Empirical History of the Calendar of Musical Events (Musikprotokoll) in Graz; Sažetak: Nova glazba i glazbena kritika. Uzdužni presjek u istraživanju empirijske povijesti primalaštva festivala «Musikprotokoll» u Grazu od njegova nastanka), 15/2 (1984) 215-236.

MARK, Desmond: Pop and Folk as a Going Concern for Sociological Research, 14/1 (1983) 93-98.

PEJOVIĆ, Roksanda: A Historical Survey of Musical Instruments as Portrayed in Mediaeval Art in Serbia and Macedonia (Sažetak: Povijesni pregled glazbenih instrumenata prikazan u srednjovjekovnoj umjetnosti u Srbiji i Makedoniji), 13/2 (1982) 177-182.

PLAVŠA, Dušan: La naissance de la musique de film avant l'apparition de l'art du film sonore (Summary: The Birth of Film Music before the Appearance of the Art of Sound Movie; Sažetak: Rađanje filmske glazbe prije nastanka tonfilmske umjetnosti), 20/2 (1989) 211-228.

PRINZ, Mario: Wenn ich die 7. Beethoven-Symphonie nicht mehr Spiele, ist es noch immer zu viel . Kreativität im grossen Orchester (Summary: Wenn ich die 7. Beethoven-Symphonie nicht mehr Spiele, ist es noch immer zu viel. Creativity in the Big Orchestra; Sažetak: Kada više ne sviram Beethovenovu 7. simfoniju, i tada je još previše. Kreativitet u velikom orkestru)), 24/1 (1993) 69-76.

SUPIČIĆ, Ivo (vidi SUPIČIĆ, Ivan): L'histoire sociale de la musique en France: Quelques apsects de base (I) (Summary: Social History of Music in France: Some Basic Aspects (I); Sažetak: Socijalna povijest glazbe u Francuskoj: nekoliko temeljnih aspekata (I)), 19/2 (1988) 229-258.

SUPIČIĆ, Ivo (vidi SUPIČIĆ, Ivan): L'histoire sociale de la musique en France: Quelques apsects de base (II) (Summary: Social History of Music in France: Some Basic Aspects (II); Sažetak: Socijalna povijest glazbe u Francuskoj: nekoliko temeljnih aspekata (II)), 20/1 (1989) 61-102.

TESSAROLO, Mariselda: The Musical Experience. The Semantic Differential as a Research Instrument (Sažetak: Glazbeni doživljaj), 12/2 (1981) 153-164.

3. CONFERENCE PAPERS  -  REFERATI

CVETKO, Dragotin: Notes sur la transplantation de la tradition musicale, populaire et artistique, des Slaves du Sud (Summary: Notes Towards the Question of the Transplantation of the South-Slavic Folk and Artistic Music Tradition; Sažetak: Bilješke o pitanju presađivanja južnoslavenske narodne i umjetničke glazbene tradicije), 11/1 (1980) 93-101.

BAES, Jonas: Marayaw and the Changing Context of Power among the Iraya of Mindoro, Philippines (Sažetak: Marayaw i promjenjivi kontekst moći u filipinskoj manjini Iraya u Mindoru), 19/2 (1988) 259-267.

BRANDL, Rudolf: Some Aspects of Oral History in the Consideration of Musical Traditions from Africa and Levante, Based on a Neurosemiotical Approach (Sažetak: Neki aspekti oralne povijesti s obzirom na glazbene tradicije Afrike i Levanta temeljeni na neurosemiotičkom pristupu), 16/1 (1985) 3-42.

KALEKIN-FISHMAN, Devorah - BRUEN, Hanah - BEN-PERETZ, Miriam: Perception and Interpretation of Vocal Music: Constructions of Social Groups (Sažetak: Percepcija i interpretacija vokalne glazbe: konstrukcije društvenih grupa), 17/1 (1986) 53-72.

KALISCH, Volker: Brauchen Wir Musik? (Summary: Do We Need Music?; Sažetak: Trebamo li glazbu?), 22/2 (1991) 133-145.

KATALINIĆ, Vjera: Croatian Musical Culture between 1750 and 1820: A Central-European and/or Mediterranean Issue? (Sažetak: Hrvatska glazbena kultura između 1750. i 1820. Srednjoeuropski i/ili mediteranski krug), 24/1 (1993) 3-12.

KEMPF, Davorin: What is Symmetry in Music (Sažetak: Simetrija u glazbi), 27/2 (1996) 155-165.

KOLLERITSCH, Otto: Total Quality in Teaching and Its Control - An Interdisciplinary Approach, 32/2 (2001) 201-207.

KOS, Koraljka: Aspekte des Volksmusizierens in der bildenden Kunst des 19. Jahrhunderts (Summary: Views of Folk Music Making in 19th-Century Visual Arts; Sažetak: Prizori narodnog muziciranja u likovnoj umjetnosti 19. stoljeća), 23/2 (1992) 153-169.

LAMBLIN, André: L'analyse tonale selon Schenker (Summary: Tonal Analysis According to Schenker; Sažetak: Tonalna analiza prema Schenkeru), 17/2 (1986) 187-202.

LORTAT-JACOB, Bernard: Méthodes d'analyse en ethnomusicologie (Summary: Methods of Analysis in Ethnomusicology; Sažetak: Metode analize u etnomuzikologiji), 17/2 (1986) 239-257.

MÂCHE, François-Bernard: L'analyse mélodique (Summary: The Melodic Analysis; Sažetak: Melodijska analiza), 17/2 (1986) 259-272.

MÂCHE, François-Bernard: Les procédures d'analyse sémiologique (Summary: Methods in a semiological analysis; Sažetak: Postupci u semiološkoj analizi), 17/2 (1986) 203-214.

MOLES, Abraham A.: Approche informationnelle de la perception et de la création musicale (Summary: Informational Approach of Perception and Creation in Music; Sažetak: Informatički pristup percepciji i stvaranju glazbe), 17/2 (1986) 273-297.

OSBORNE, Nigel: La forme musicale comme processus (Summary: Musical Form as Process; Sažetak: Glazbena forma kao proces), 17/2 (1986) 215-222.

REINECKE, Hans-Peter: Cybernetics and Musical Consciousness (Sažetak: Kibernetika i glazbena svijest), 24/1 (1993) 13-22.

REINECKE, Hans-Peter: «Musiktherapie» oder «Musiktherapeut»: Versuch einer kulturkritischen Ortsbestimmung, 18/2 (1987) 247-258.

RÖSING, Helmut: Populäre Musik und ihr Publikum (Summary: Popular Music and Its Public; Sažetak: Popularna glazba i njezina publika), 20/1 (1989) 11-42.

SADAĬ, Yizhak: Les aspects systémiques et énigmatiques de la musique tonale (Summary: The Systemic and Enigmatic Aspects of Tonal Music; Sažetak: Sistemički i enigmatski aspekti tonalne glazbe), 17/2 (1986) 299-332.

SUPIČIĆ, Ivo: Les approches socio-historiques de l'oeuvre musicale (Summary: Sociohistorical Approach of Musical Work; Sažetak: Socijalnopovijesni pristup glazbenom djelu), 17/2 (1986) 223-238.

TAYLOR, Timothy D.: Aesthetics and Cultural Issues in Schumann's Kinderszenen (Sažetak: Estetički i kulturni aspekti Schumannovih Kinderszenen), 21/2 (1990) 161-178.

TUKSAR, Stanislav: Eduard Hanslick, Franjo Ksaver Kuhač et alii and the «National- International» Relationship in the Croatian Fin-de-Siècle Musical Culture (Sažetak: Eduard Hanslick, Franjo Ksaver Kuhač i drugi te odnos «nacionalno-internacionalno» u hrvatskoj glazbenoj kulturi fin-de-sièclea), 29/2 (1998) 155-164.

VEBER, Zdenka (see also / vidi također WEBER, Zdenka): The Contemporary Musical Environment as an Impetus for the Development of Musical Creativity, 18/2 (1987) 269-275.

VENDRIX, Philippe: La notion de révolution dans les écrits théoriques concernant la             musique avant 1789 (Summary: The Concept of Revolution in the Theoretical Writings on Music before 1789; Sažetak: Pojam revolucije u teorijskim zapisima o glazbi prije 1789. godine), 21/1 (1990) 71-78.

WILLMS, Harm: Vom musikalisch Schönen und seiner Bedeutung für die menschliche

Seele, 18/2 (1987) 259-268.            

4. DISCUSSIONS -  RASPRAVE

ADAMIČ, Bojan: One of the Problems of Popular Music, II/2 (1971) 290-291.

ALBERSHEIM, Gerhard: Reflexionen über Musikwissenschaft und Soziologie, I/2 (1970) 200-208.

ALBERSHEIM, Gerhard: Zusätzliches zum Begriff des musikalischen Sinnes, III/1 (1972) 97-109.

BEAUD, Paul: Musique, Masses, Minorités, Marginaux, VI/1 (1975) 159-167.

BEAUFILS, Marcel: Questions, I/1 (1970) 101-104.

BENGTSSON, Ingmar: Some Comments and Another Discussion, I/2 (1970) 195-199.

BEZIĆ, Jerko: Die Akkulturation als eine Fortbestandsmöglichkeit der Volksmusik, VI/1 (1975) 172-174.

BROECKX, Jan L.: Music and Langugage. On the Pretended Inadequacy of Music As a Language of Feeling, 27/1 (1996) 87-93.

BROOK, Barry S.: The Symphonie Concertante: Its Musical and Sociological Bases, VI/1 (1975) 114-125.

BROWN, A. Malcolm: Teaching Music in the Twenty-First Century: The Questionable Fourth Ingredient (Sažetak: Glazbeni odgoj u dvadeset i prvom stoljeću), IV/2 (1973) 307-316.

BUJIĆ, Bojan: Letter to the Editor, V/2 (1974) 331.

CIPRA, Milo: Discussion, II/2 (1971) 288-290.

CORRÊA DE AZEVEDO , Luis Heitor: Le national dans la création musicale, I/1 (1970) 99- 101.

CUPERS, Jean-Louis: De la nécessité de la sympathie critique ou quelques considérations sur des opinions émises à propos de Félix Mendelssohn (Summary: About the Necessity for Sympathy in Criticism, or Opinions about Felix Mendelssohn; Sažetak: Potreba razumijevanja u kritici ili mišljenja o Felixu Mendelssohnu), V/2 (1974) 311-325.

CVETKO, Dragotin: Die sociologischen und nationalen Bedingungen für die Wandlungen in der musikalischen Situation bei den Südslawen im 19. Jahrhundert, VI/1 (1975) 111-114.

DAHLHAUS, Carl: Das musikalische Kunstwerk als Gegenstand der Soziologie, VI/1 (1975) 67-79.

DE JAGER, Hugo: Some Sociological Remarks on Innovaiton in Musik, III/2 (1972) 252- 258.

DELIÈGE, Célestin: Les techniques du rétrospectivisme, VI/1 (1975) 99-100.

DESCHÊNES, Bruno: Un processus d'identification, 21/2 (1990) 219-222.

DETONI, Dubravko: The Value of Artistic Experiment in Modern Times, II/1 (1971) 111- 113.

DEVČIĆ, Natko: Some Problems in Developing Young Composers, II/2 (1971) 285-287.

DIESEN, Rolf - HOLEN, Arne - SELVIK, Randi Margrete: Das Musikleben in einer Landgemeinde, VI/1 (1975) 152-159.

DUNSBY, Jonathan: Reply to André Lamblin, 19/1 (1988) 117-119.

ENRIKO, Josif: Music Teaching as the Foundation of the Development of Musical Creativity, II/2 (1971) 287.

ETZKORN, K. Peter: On Music, Social Structure and Sociology, VI/1 (1975) 79-90.

FINSCHER, Ludwig: Die «Entstehung des Komponisten», VI/1 (1975) 135-142.

FIRCA, Clémence-Liliane: La culture et la disponibilité psycho-esthétique. Facteurs de l'accessibilité en musique, V/2 (1974) 325-328.

FIRCA, Gheorghe: Struktur und Strukturalismus in der Musikforschung, III/2 (1972) 247- 252.

FUBINI, Enrico: Estetica e sociologia della musica nell' Università italiana (Summary. Aesthetics and Sociology of Music in the Italian University; Sažetak: Estetika i sociologija glazbe na talijanskom sveučilištu), IV/1 (1973) 95-99.

FUBINI, Enrico: Implicazioni sociologiche nella creazione e nella fruizione della musica d'avanguardia, VI/1 (1975) 142-146.

FUBINI, Enrico: Music Aesthetics and Philosophy, I/1 (1970) 94-97.

GAGNARD, Madeleine: Le discours des compositeurs, 12/2 (1981) 189-198.

HARDMAN, C. B.: «Josquin, Leonardo and the Scala Peccatorum», V/2 (1974) 329-331.

JUVARA, Filippe: Interpretazione e storia: un rapporto problematico (Summary: Interpretation and History: A Problematic Relation; Sažetak: Interpretacija i povijest: problematski odnos), IV/1 (1973) 99-103.

KADEN, Christian: Musikalische Normenbildung und ihre sozialen Grundlagen, VI/1 (1975) 174-181.

KNEIF, Tibor: Some Non-Communicative Aspects in Music, VI/1 (1975) 95-99.

KOSTIĆ, Vojislav: From the Introduction, II/2 (1971) 267-268.

KREK, Uroš: Organization of Work in the Association of Slovene Composer, II/2 (1971) 298.

KREMLEV, Julij A.: A propos de quelques problèmes des «Discussions» exposés dans le 1er No, I/2 (1970) 208-209.

KUČUKALIĆ, Zija: Contemporary Trends in Yugoslav Music, II/2 (1971) 271-273.

LAMBLIN, André: Réplique à Jonathan Dunsby, 19/1 (1988) 119.

LESURE, François: Un moteur pour la musicologie, I/1 (1970) 91-92.

LIPPMAN, Edward A.: The Dilemma of Musical Meaning, 12/2 (1981) 181-189.

MAHLING, Christoph-Hellmut: Soziologie der Musik und musikalische Sozialgeschichte, I/1 (1970) 92-94.

MIHELČIĆ, Pavel: Musical Criticism and Modern Music, II/2 (1971) 280.

MILOŠEVIĆ, Predrag: Music Broadcast on Yugoslav Radio Stations in Figures and Percentages, II/2 (1971) 291-293.

NATTIEZ, Jean-Jacques: Sur les relations entre sociologie et sémiologie musicales, VI/1 (1975) 90-95.

NOSKE, Frits: «Art Music» and «Trivial Music»: Anatomy of a False Argument (Sažetak: «Umjetnička glazba» i «trivijalna glazba». Anatomija jedne krive argumentacije), IV/2 (1973) 287-293.

OSMOND-SMITH, David: Music as Communication: Semiology or Morphology?, II/1 (1971) 108-111.

PAVLOVIĆ, Aleksandar: Composers, Interpreters and Musical Institutions, II/2 (1971) 281- 282.

Perspectives in the Sociology of Music , VI/1 (1975) 182-193.

PETRIĆ, Ivo: The Musician and His Role in the Establishment of Yugoslav Music, II/2 (1971) 284-285.

PETROVIĆ, Radmila: Folk Music of Eastern Yugoslavia: A Process of Acculturation, VI/1 (1975) 167-172.

PROŠEV, Toma: Composers, Performers and Musical Institutions, II/2 (1971) 282-284.

RAČIĆ, Ladislav: On the Aesthetics of Rock-Music, 12/2 (1981) 199-202.

RADOVANOVIĆ, Vladan: Theory and Criticism with Reference to Creativity in Music, II/2 (1971) 275-280.

RINGER, Aleksander L.: Musical Taste and the Industrial Syndrome, VI/1 (1975) 125-135.

SAKAČ, Branimir: The Status of a Composer and His Work, II/2 (1971) 268-271.

SOURIAU, Ettiene: La musique est-elle un langage?, I/1 (1970) 97-99.

STEFANOVIĆ, Pavle: Autour de la Tribune musicale yougoslave, II/1 (1971) 107-108

SUPIČIĆ, Ivo: Aesthetic Attitudes in Croatian Music... and a Talk with Milo Cipra, II/1 (1971) 97-107.

ŠIPUŠ, Krešimir: A. D. 1973: Music on the Threshold of Nothingness. Has Music Any Meaning Today? (Sažetak: A: D. 1973: Glazba na pragu ništavila. Ima li glazba danas neki smisao?), IV/2 (1973) 293-307.

TRÂN VÂN KHÊ: L'acculturation dans les traditions musicales de i'Asie, VI/1 (1975) 146- 152.

TURKALJ, Nenad: Discussion, II/2 (1971) 274-275.

UKMAR, Vilko: Stylistic and Aesthetic Questions in Modern Music, III/1 (1972) 109-117.

ULRICH, Boris: Organizational Problems of Contemporary Yugoslav Music, II/2 (1971) 294-295.

VULJEVIĆ, Ivo: Some Organizational Problems in Contemporary Yugoslav Music, II/2 (1971) 295-298.

WIORA, Walter: Der musikalische Ausdruck von Ständen und Klassen in eigenen Stilen, VI/1 (1975) 100-111.

5. REVIEWS AND INFORMATION ON BOOKS  -  RECENZIJE I OBAVIJESTI O KNJIGAMA

ANDREIS, Josip

- Epochen der Musikgeschichte in Einzeldarstellungen, Vorwort F. Blume, Bärenreiter-Verlag - Deutscher Taschenbuch Verlag, Kassel - München 1974, pp. 468, V/2 (1974) 344-345.

- TUKSAR, Stanislav: Croatian Renaissance Music Theorists (originally published under the title Hrvatski renesansni teoretičati glazbe by the Yugoslav Academy of Science and Arts, Zagreb 1978), Music Information Center, Zagreb 1980, pp. 151, 13/1 (1982) 122-124.

BLAŽEKOVIĆ, Zdravko

- LIPOVČAN, Srećko (ed.): Glazbena baština naroda i narodnosti Jugoslavije od 16. do 19. stoljeća (The Musical Heritage of the Nations and Nationalities of Yugoslavia from the 16th to the 19th Centuries), vol. I, Music Information Center - Varaždin Baroque Evenings, Zagreb - Varaždin 1980, pp. 251 + XXII (bilingual, Craotian - English), 13/1 (1982) 125-126.

- TUKSAR, Stanislav (ed.): Ivan Mane Jarnović- hrvatski skladatelj (Ivan Mane Jarnović - A Croatian Composer), vol. II, Music Information Center - Music Evenings in Osor, Zagreb - Osor 1980, pp. 227 (bilingual, Craotian - English), 13/1 (1982) 131-132.

- ŽUPANOVIĆ, Lovro (ed.): Spomenici hrvatske glazbene prošlosti (Monuments of Croatian Musical Past), vols. 1-10, Zagreb 1970-1979, 13/1 (1982) 126-127.

BREITENFELD, Darko

- GOUK, Penelope (ed.): Musical Healing in Cultural Context, Ashgate Publishing, Aldershot - Brookfield - Singapore - Sydney 2000, 31/2 (2000) 206-209.

- HORDEN, Peregrine (ed.): Music as Medicine. The History of Music Therapy since Antiquity, Ashgate, Aldershot - Brookfield - Singapore - Sydney 2000, 31/1 (2000) 100-101.

BREKO KUSTURA, Hana

- KLAPER, Michael: Die Musikgeschichte der Abtei Reichenau im 10. und 11. Jahrhundert. Ein Versuch (Beihefte zum Archiv für Musikwissenschaft, Bd. 52, Hrsg. Albrecht Riethmüller), Franz Steiner Verlag, Wiesbaden 2003, 35/2 (2004) 214-216.

BRELET, Gisèle

- BOUCOURECHLIEV, André: Beethoven («Solfeges»), Editions du Seuil, Paris 1963, pp. 189, I/2 (1970) 214-218.

BUCHNER, Antoni

- LISSA, Zofia: Aufsätze zur Musikästhetik, Henschelverlag, Berlin 1969, S. 299, I/2 (1970) 221-228.

CVETKO, Dragotin

- HELM, Everett: Composer - Performer - Public. A Study in Communication, Leo Olschki, Florence 1970, pp. 212, II/1 (1971) 135-137.

- KELEMEN, Milko: Klanglabyrinthe - Reflexionen eines Komponisten über die Neue Musik (mit einem Interview von Joachim Kaiser), R. Pipet & Co. Verlag, München 1981, pp. 186, 12/1 (1981) 78-81.

- SCHENK, Erich: Mozart / Sein Leben - Seine Welt, Amalthea-Verlag, Wien 1975, S. 748, VI/2 (1975) 318-320.

DAHLHAUS, Carl

- KNEIF, Tibor: Musiksoziologie (Theoretica, Bd. 9), Musikverlag Hans Gerig, Köln 1971, S. 152, II/1 (1971) 137.

DAVIDOVIĆ, Dalibor

- THORAU, Christian: Semantisierte Sinnlichkeit: Studien zur Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners (Beihefte zum Archiv für Musikwissenschaft, Bd. 50), Franz Steiner, Stuttgart 2003, S. 296, 36/2 (2005) 305-312.

- WILLIAMS, Alistair: Constructing Musicology, Ashgate Publishing Company, Aldershot - Burlington 2000, 34/1 (2003) 79-88.

- WIGHTMAN, Alistair: Karol Szymanovski: His Life and Work, Ashgate, Aldershot - Brookfield - Singapore - Sydney 1999, 31/1 (2000) 101-103.

DE CLERCQ, Jacqueline

- THOVERON, Gabriel: Radio et télévision dans la vie quotidienne, Editions de l'Institut de Sociologie, Centre d'etude des techniques de diffusion collective, Bruxelles 1971, pp. 882, III/1 (1972) 133-136.

Editorial

- BIANCONI, Lorenzo e coll.: La drammaturgia musicale, Il Mulino, Bologna 1986, pp. 450, 19/2 (1988) 280.

- BLAUKOPF, Kurt: Beethoven Erben in der Mediamorphose. Kulture- und Medienpolitik für die elektronische Ära, Verlag Arthur Niggli AG, CH-9410 Heiden 1989, pp. XII + 175, 20/2 (1989) 239.

- BLAUKOPF, Kurt: Musik im Wandeln der Gesellschaft, Piper, München - Zürich 1982, S. 383,  19/1 (1988) 131-132.

- BRODY, Elaine: The Musical Kaleidoscope (1870-1925), George Braziller, New York 1987, pp. XVI + 360, 20/2 (1989) 241-242.

- HASELAUER, Elisabeth: Handbuch der Musiksoziologie, Herman Böhlaus Nachf., Wien - Köln - Graz 1980, S. 232, 19/2 (1988) 278.

- KELKEL, Manfred: Naturalisme, vérisme et réalisme dans l'opéra de 1890 à 1930, LIbrairie J. Vrin, Paris 1984, pp. 529, 19/2 (1988) 278.

- LE MOIGNE-MUSSAT, Marie-Cleire: Musique et Société à Rennes aux XVIIIe et XIXe siècles, Editions Minkoff, Genève 1988, pp. 448, ill. 142, 20/2 (1989) 240-241.

- LEPPERT, Richard D.: Arcadia at Versailles. Noble Amateur Musicians and Their Musettes and Hurdy-gurdies at the French Court (c. 1660-1789). A Visual Study, Swets & Zeitlinger B. V., Amsterdam - Lisse 1978, pp. VIII + 137, ill. 60, bbg., 19/2 (1988) 277.

- LIPPMAN, Edward A.: A Humanistic Philosophy of Music, New York Press, New York 1977, pp. X + 356, 19/1 (1988) 132-133.

- RUMMENHÖLLER, Peter: Einführung in die Musiksoziologie, Heinrichshofen's Verlag, Wilhelmshaven 1978, S. 280, 19/2 (1988) 278.

- SALMEN, Walter: Das Konzert. Eine Kulturgeschichte, Verlag C. H. Beck, München 1988, S. 245, ill., Bbg., 19/2 (1988) 279.

- SUPIČIĆ, Ivo: Music in Society. A Giude to the Sociology of Music (Sociology of Music Series, No. 4), Pendragon Press, New York 1987, pp. XIV + 488, 19/1 (1988) 133-134.

- VANHULST, Henri - HAINE, Malou (éd.): Musique et Sociéte. Hommages à Robert Wangermée, Editions de l'Université de Bruxelles, Bruxelles 1988, pp. 278, 19/2 (1988) 280.

- WIORA, Walter: Das musikalische Kunstwerk, Schneider, Tutzing 1983, S. 168, 19/1 (1988) 133.

ESCAL, Françoise

- KINTZLER, Catherine: Poétique de l'opéra français de Corneille à Rousseau, (collections «Voies de l'histoire», série «Culture et sociéte»), Éditions Minerve, 1991, pp. 583, 22/1 (1991) 109-111.

FÉDOROV, Vladimir

- CVETKO, Dragotin (ed.): Reports on the Tenth Congress, Ljubljana 1967, Intenational Musicological Society, Bärenreiter - University of Ljubljana, Kassel - Ljubljana 1970, pp. 508, pl. h. t., fig., musique, II/1 (1971) 131-135.

FERREIRA DE CASTRO, Paulo

- NOSKE, Frits: The Signifier and the Signified. Studies in the Operas of Mozart and Verdi, Martinus Nijhoff, The Hague 1977, pp. XII + 418, 15/1 (1984) 77-79.

FLOTZINGER, Rudolf

- BLAUKOPF, Kurt: Beethovens Erben in der Mediamorphose. Kultur und Medienpolitik für die elektronische Ära, Arthur Niggli, Heiden 1989, S. 175, 21/2 (1990) 225-228.

FOCHT, Ivan

- LIESS, Andreas: Der Weg nach innen (Ortung ästhetischen Denkens heute), Verlag San Michele, Zürich 1973, pp. 134, V/2 (1974) 346-350.

FULCHER, Jane

- Review Essay: the sociological and the Empirical prespective on the «Social History» of Music. BLOOM, Peter (ed.): Music in Paris in Eighteen Thirties, Pendragon Press, New York 1987, 21/1 (1990) 101-113.

GLIGO, Nikša

- BEICHE, Michael - RIETHMÜLLER, Albrecht (Hrsg.): Musik - Zu Begriff und Konzepten. Berliner Symposion zum Andenken an Hans Heinrich Eggebrecht, Franz Steiner Verlag, Stuttgart 2006, 38/1 (2007) 114-120.

- BERGER, Karol: A Theory of Art, Oxford University Press, New York - Oxford 2000, 31/2 (2000) 203-206.

- BEYER, Anders: The Voice of Music. Conversations with Composers of Our Time, Ashgate Publishing Company, Aldershot - Burlington 2000, 201-203.

- BUCKLAND, Sidney - CHIMÈNES, Myriam (eds.): Francis Poulenc. Music, Art and Literature, Ashgate, Aldershot - Brookfield - Singapore - Sydney 1999, 31/1 (2000) 95-97.

- CLAYTON, Martin - HERBERT, Trevor - MIDDLETON, Richard (eds.): The Cultural Study of Music. A Critical Introduction, Routledge, New York - London 2003, 35/1 (2004) 104-117.

- CUSTODIS, Michael: Die soziale Isolation der neuen Musik. Zum Kölner Musikleben nach 1945 (Beihefte zum Archiv für Musikwissenschaft, Bd. 54), Franz Steiner Verlag, Stuttgart 2004, 36/2 (2005) 303-305.

- DALE, Catherine: Schoenberg's Chamber Symphonies: The Crystallization and Rediscovery of a Style, Ashgate, Aldershot etc. 2000, 31/2 (2000) 209-213.

- EGGEBRECHT, H. H. (Hrsg.): Handwörterbuch der musicalischen Terminologie (18. Auslieferung). BANDUR, M.: Gassenhauer; BLUMRÖDER, Ch. von: Leitmotiv; MASSOW, A. von: Live-elektronische Musik, Live-Elektronik; SYDOW-SAAK, B.: Musica falsa / musica ficta; HINTON, S.: Neue Sachlichkeit; BANDUR, M.: Vaudeville; SCHMITZ, F.: Villenella, Franz Steiner Verlag, Stuttgart 1990, 24/1 (1993) 85-86.

- EGGEBRECHT, Hans Heinrich (Hrsg.): Handwörterbuch der musikalischen Terminologie (22. Auslieferung). MASSOW, A. v.: Absolute Musik; MASSOW, A. von: Autonome Musik; SCHIMA, C.: Estampie; MASSOW, A. von: Funktionale Musik; SCHMUSCH, R.: Klangfarbenmelodie; BANDUR, M.: Neoklassizismus; BEICHE, M.: Polytonalität, Franz Steiner Verlag, Stuttgart 1994, 26/2 (1995) 260-262.

- EMMERSON, Simon (ed.): Music, Electronic Media and Culture, Ashgate Publishing Company, Aldershot - Burlington 2000, 33/2 (2002) 207-212.

- ETTER, Brian K.: From Classicism to Modernism. Western Musical Culture and the Metaphysics of Order, Ashgate Publishing Company, Aldershot - Burlington 2001, 33/1 (2002) 116-120.

- FLOROS, Constantin: Musik als Botschaft, Breitkopf & Härtel, Wiesbaden 1989, 23/1 (1992) 101-102.

- Karlheinz Stockhausen bei den Internetionalen Ferienkursen für Neue Musik in Darmstadt 1951-1996. Dokumente und Briefe . Im Auftrag der Stockhausen-Stiftung für Musik zusammengestellt und kommentiert von Imke Misch und Markus Bandur, Stockhausen-Verlag, Kürten 2001, 34/1 (2003) 93-95.

- KLÜPPELHOLZ, W. (Hrsg.), Kagel... /1991, DuMont Buchverlag, Köln 1991; KLÜPPELHOLZ, W. (Hrsg.): Maurizio Kagel: Skizzen, Korrekturen, Partituren. Eine Ausstellung der KölnMusic und der Stadt Gütersloh, DuMont Buchverlag, Köln 1991; KAGEL, M.: Worte über Musik, Piper - Schott, München - Mainz 1991, 24/1 (1993) 86.

- MUNGEN, Anno: «BilderMusik». Panoramen, Tableaux vivants und Lichtbilder als multimediale Darstellungsformen in Theater- und Musikaufführungen vom 19. bis zum früher 20. Jahrhundert (2 Bände), Gardez! Verlag, Remscheid 2006, 38/1 (2007) 120-124.

- SCHER, S. P. (ed.): Music nad Text: Critical Inquiries, Cambridge University Press, Cambridge 1992, 23/1 (1992) 102-105.

- NAUCK, Gisela: Dieter Schnebel. Lesegänge durch Leben und Werk, Schott, Mainz 2001, 34/1 (2003) 88-93.

- NICHOLLS, David: American Experimental Music, 1890-1940, Cambridge University Press, Cambridge 1990, 23/1 (1992) 105-106.

- NICHOLLS, David (ed.): The Cambridge Companion to John Cage, Cambridge University Press, Cambridge 2000, 34/1 (2003) 71-79.

- NORMAN, Katharine: Sounding Art. Eight Literary Excursions through Electronic Music (with CD), Ashgate Publishing Company, Aldershot - Burlington 2004, 36/2 (2005) 301-303.

- RAFFETY, Pauline - HIDDERLEY, Rob: Indexing Multimedia and Creative Works. The Problems of Meaning and Interpretation, Ashgate Publishing, Aldershot - Burlington, 36/2 (2005) 313-315.

- RIETHMÜLLER, Albrecht (Hrsg.): Handwörterbuch der musikalischen Terminologie (30. Auslieferung). MISCH, Imke: Minimal music; BANDUR, Markus: Musica poetica; HENTSCHEL, Frank: Sonus; BEICHE, Michael: Trias, Dreiklang, Franz Steiner Verlag, Stuttgart 2000, 33/1 (2002) 113-116.

- SCHLÜTER, Bettina: «Hugo Distler». Musikwissenschaftliche Untersuchungen in systemtheoretischer Perspektivierung (Monolithographien I, CD-ROM), Franz Steiner Verlag, Stuttgart 2000, 33/2 (2002) 203-207.

- TARASTI, Eero (ed.): Musical Signification. Essays in the Semiotic Theory and Analysis of Music (Approaches to Semiotics, 121, ed. by Thomas A. Sebeok, Roland Posner and Alain Rey), Mouton de Gruyter, Berlin - New York 1995, 28/1 (1997) 124-129.

- BALABAN, Mira - EBCIOGLU, Kemal - LASKE, Otto (eds.): Understanding Music with AI: Perspectives on Music Cognition, The AAAI Press - The MIT Press, Cambridge, Mass. - Menlo Park - London 1992, 24/2 (1993) 184-185.

- ZON, Bennett: Music and Metaphor in Nineteenth-Century British Musicology, Ashgate Publishing Company, Aldershot - Burlington 2000, 33/2 (2002) 197-201.

GREEN, Edward

- BUTLER, Christopher: Pleasure and the Arts: Enjoying Literature, Painting, and Music, Oxford University Press, Oxford 2004, pp. 236, 14 black and white illustrations, 14 color plates, chapter-by-chapter endnotes, and final index, 35/2 (2004) 211-214.

- CLARK, Caryl (ed.): The Cambridge Companion to Haydn, Cambridge University Press, Cambridge 2005, 37/1 (2006) 109-113.

HOSOKAWA, Shuhei

- Asian Musics in an Asian Perspective (Report of Asian Traditional Performing Arts 1976). Ed. by Fumio Koizumi, Yoshihiko Tokumaru and Osamu Yamaguchi, The Japan Foundation (Heibonsha Limited Publishers), Tokyo 1977, pp. 375 + XVI, 11/2 (1980) 257-260.

- IMBERTY, Michel: Entendre la musique. Sémantique psychologique de la musique, Dunot, Paris 1979, pp. 236, 12/1 (1981) 82-86.

- TARASTI, Eero: Myth and Music. A Semiotic Approach to the Aesthetics of Myth in Music, especially that of Wagner, Sibelius and Stravinsky, Mouton, The Hague - Paris - New York 1979, pp. 364, 11/2 (1980) 262-265.

JUVARA, Filippe

- LEIBOWITZ, René: Le compositeur et son double. Essais sur l'interprétation musicale, Gallimard, Bibliothèque des Idées, Paris 1971, pp. 500, IV/1 (1973) 141-143.

KATALINIĆ, Vjera

- FINSCHER, Ludwig (ed.): Die mannheimer Hofkapelle im Zeitalter Carl Theodors, Palatinum Verlag im J&J Verlag, Mannheim 1992, pp. 267, 24/1 (1993) 88-91.

KLEBE, Dorit

- Kosovo Roma (CD-ROM with 18 audio field-recordings (65'11'') and multimedia part). Recordings and annotation by Svanibor Pettan. Booklet: 24-page commentary in Slovene and English, including 1 map and 18 color photograpfs of performers. Multimedia part: 2 essays in English, song lyrics with translations into Slovene and English, a bibliography, 23 color photographs and the video sequences with 10 versions of the tune Lambada, Nika / Arhefon af 01, Ljubljana, Slovenia 2001, 33/1 (2002) 122-125.

KOS, Koraljka

- BLAUKOPF, Kurt (Hrsg.): Zum Bestimmung der klanglichen Erfahrung der Musikstudierenden (ein Forschungsbericht) («Musik und Gesellschaft», H. 2), G. Braun, Karlsruhe 1968, II/1 (1971) 138-139.

- CVETKO, Dragotin: Musikgeschichte der Südslawen, Bärenreiter-Verlag, Kassel – Založba Obzorja, Maribor 1975, S. 270, VII/1 (1976) 113-114.

- Der Sozialstatus des Berufsmusikers von 17. bis 19. Jahrhunderts (gesammelte Beiträge im Auftrag von Walter Salmen), Bärenreiter-Verlag, Kassel 1971, S. 146, IV/1 (1973) 133-134.

- FEIL, Arnold: Metzler Musik Chronik vom frühen Mittelalter bis zur Gegenwart, Verlag J. B. Metzler, Stuttgart - Weimar 1993, S. 836, 28/1 (1997) 123-124.

- HAMMERSTEIN, Reinhold: Diabolus in musica. Studien zur Ikonographie der Musik im Mittelalter (Neue Heidelberger Studien zur Musikwissenschaft, hsgb. von Reinhold Hammerstein, B. 6), Francke Verlag, Bern - München 1974, S. 144, Abbildung. 199, VI/2 (1975) 320-322.

- HOLLANDER, Hans: Musik und Jugendstil, Atlantis Verlag, Zürich - Freiburg 1975, S. 143, Abbildung. 15, Notenbeisp. 28, VII/2 (1976) 274-276.

- SEEBASS, Tilman: Musikdarstellung und Psalterillustration im früheren Mittelalter. Studien ausgehend von einer Ikonologie der Handschrift Paris Bibliothèque Nationale Fonds Latin 1118,  Francke Verlag, Bern 1973, Textband S. 211, Bildband Abbildung. 130, VI/2 (1975) 322-323.

- STÄBLEIN, Bruno: Schriftbild der einstimmigen Musik (Musikgeschichte in Bildern, Bd. III: Musik des Mittelalters und der Renaissance, Lfg. 4), VEB Deutscher Verlaf für Musik, Leipzig 1975, S. 258, Abbildung. 100, Notenbeisp., Tabellen, Textillustr., VII/2 (1976) 276-278.

- SUPPAN, Wolfgang: Der musizierende Mensch. Eine Anthropologie der Musik (Musipädagogik. Forschung und Lehre, Bd. 10, hrsg. von Sigrid Abel-Struth), B. Schott's Söhne, Mainz 1984, S. 223, 18/1 (1987) 169.

- TUKSAR, Stanislav: Hrvatska glazbena terminologija u razdoblju baroka. Nazivlje glazbala i instrumentalne glazbe u tiskanim rječnicima od 1649. do 1742. godine (Croatian Music Terminology in the Baroque Period. The Terms for Instruments and Instrumental Music in Dictionaries Published between 1649 to 1742), Croatian Musicological Society - Music Information Center, Zagreb 1992, pp. 674, 24/2 (1993) 182-184.

KRISTL, Ljiljana

- BAUMOL, William J. - BOWEN, William G.: The Performing Arts - The Economic Dilemma, The I. M. T. Press, Cambridge (Mass.) 1966, pp. XIV + 582, IV/1 (1973) 137-139.

- UE Report: SCHAFER, R. Murray: The Public of the Music Theatre - Louis Riel: a Case Study, UE 26702, Universal Edition A. G., Wien 1972, pp. 32; UE Report: Artistic Traditional and Audio-Visual Media, EU 26703, Universal Edition A. G., Wien 1972, IV/1 (1973) 139-141.

LÉDERLÉ, Agnès

- BAUDOT, Alain: Musiciens romains de l'antiquité, Presses de l'Université de Montréal, Montréal 1973, pp. 158, 15/1 (1984) 80-81.

LESURE, François

- ESCARPIT, Robert (éditeur): Le littéraire et le social, Eléments pour une sociologie de la littérature, Flammarion, Paris 1970, pp. 315, I/2 (1970) 220-221.

LUPPI, Andrea

- BAILHACHE, Patrice: Leibniz et la théorie de la musique, Klincksieck, Paris 1992, pp. 158, 26/2 (1995) 251-253.

- CAVALLINI, Ivano: I due volti di Nettuno. Studi su teatro e musica a Venezia e in Dalmazia dal Cinquecento al Settecento, Libreria Musicale Italiana, Lucca 1994, pp. 163, 26/2 (1995) 254-256.

- VENDRIX, Philippe: Aux origines d'une discipline historique. La musique et son histoire en France aux XVIIe siècles, Librairie Droz, Genève 1993, pp. 418, 26/2 (1995) 256-260.

MARIĆ, Domagoj

- BARHAM, Jeremy (ed.): Perspectives on Gustav Mahler, Ashgate Publishing, Aldershot - Burlington 2005, 38/1 (2007) 109-111.

MILOJKOVIĆ-DJURIĆ, Jelena

- BERGAMO, Marija: Elementi ekspresionističke orijentacije u srpskoj muzici do 1945. (Elements of Expressionistic Orientation in Serbian Music to 1945), Serbian Academy of Sciences and Arts, Belgrade 1980, pp. 292, 13/1 (1982) 134-135.

- MILOJKOVIĆ-ĐURIĆ, Jelena (author's abstract): Muzika kao deo srpske kulture između dva svjetska rata (Music as Part of Serbian Culture in the Period between the Two World Wars), University of Belgrade, Belgrade 1981, pp. 249, 13/1 (1982) 135.

- SESSIONS, Roger: Questions about Music, Harvard University Press, Cambridge (Mass.) 1970, pp. 166, III/1 (1972) 139.

- ZDRAVKOVIĆ, Živojin - ĐURIĆ-KLAJN, Stana - PEJOVIĆ, Roksanda: Beogradska filharmonija 1927-1973 (The Belgrade Philharmonic, 1927-1973), The Belgrade Philharmonic, Belgrade 1977, pp. 144, 13/1 (1982) 134.

MIKLAUŠIĆ-ĆERAN, Snježana

- BLANKEN, Christine: Franz Schuberts «Lazarus» und das Wiener Oratorium zu Beginn des 19. Jahrhunderts, Steiner, Stuttgart 2002, 35/1 (2004) 93-96.

PASTICCI, Susanna

- DALMONTE, Rosanna - BARONI, Mario (eds.): Second European Congress of Music Analysis. Proceedings from the Symposium 24-27 October 1991, Università degli Studi di Trento, Trento 1991, pp. 733 (compact disc enclosed), 24/2 (1993) 178-182.

PAULUS, Irena

- GROVER-FRIEDLANDER, Michal: Vocal Apparations: The Attraction of Cinema to Opera, Princeton University Press, Princeton and Oxford 2005, 38/1 (2007) 112-114.

PEJOVIĆ, Roksanda

- PEJOVIĆ, Roksanda (author's abstract): Predstave muzičkih instrumenata na umjetničkim spomenicima u Srbiji i Makedoniji (The Representation of Musical Instruments on Artistic Monuments in Serbia and Macedonia); work in progress, included in the publishing plan ot the Department of Fine Arts and Music, Serbian Academy of Science and Arts and Institute of Musicology, Belgrade, 13/1 (1982) 137.

PERIČIĆ, Vlastimir

- DESPIĆ, Dejan: Teorija tonaliteta (Theorie der Tonalität), Umetnička akademija, Beograd 1971, S. 77, Zeichnung. 29, Notenbeisp. 3, Tabell. 3, VIII/1 (1977) 90-91.

PETROVIĆ, Ankica

- PETROVIĆ, Ankica (author's abstract): Ganga - forma tradicionalnog seoskog pjevanja u Jugoslaviji (Ganga, a Form of Traditional Rural Singing in Yugoslavia); thesis submitted to the Department of Social Anthropology, in Faculty of Arts, of the Queen's University of Belfast, in fulfilment of the requirements for the degree of Doctor of Philosophy (mentor: Prof. John Blacking), Belfast 1977, to be published by Svjetlost, Sarajevo, 13/1 (1982) 136-137.

PETROVIĆ, Danica

- PETROVIĆ, Danica (author's abstract): Osmoglasnik u muzičkoj tradiciji Južnih Slovena (Octoechos in the Musical Tradition of the Southern Slavs), monographs: vol. 16/I and 16/II (transcriptions and fascimiles), Institute of Musicology, Serbian Academy of Science and Arts, Belgrade, to be published in 1982, 13/1 (1982) 136.

- Studies in Eastern Chant (Vols. II, III), Oxford University Press, London 1971, 1973, pp. 197, photogr. 9; pp. 187, photogr. 5, VIII/1 (1977) 92-95.

PIŠKOR, Mojca:

- FLOYD, Malcom (ed.): Composing the Music of Africa - Composition, Interpretation and Realisation, Ashgate, Aldershot - Brookfield - Singapore - Sydney 1999, 31/1 (2000) 98-99.

- GARNETT, Liz: The British Barbershopper. A Study in Socio-Musical Values, Ashgate Publishing Limited, Aldershot - Burlington 2005, 37/1 (2006) 113-116.

- JÄGER, Ralf M.: Die Musikhandschrift des Rupen Hagopiyan aus Armaş: Osmanische Kunstmusik in einer armenischen Quelle des ausgehenden 19. Jahrhunderts: Faksimile mit einer Bewertung und Dokumentation (Epizentralarchiv I, CD-ROM), Franz Steiner Verlag, Stuttgart 2000, 33/1 (2002) 120-122.

PIZÀ, Antoni

- NATTIEZ, Jean-Jacques: Music nad Discourse: Toward a Semiology of Music, translated from the French by Carolyn Abbate, Princeton University Press, Princeton, 1990, pp. XV  + 272, bibliography, index, musical examples, 22/1 (1991) 111-113.

POPIN, Marie-Danielle

- LÜTOLF, Max (éd.): Das Graduale von Santa Cecilia in Trastevere (Cod. Bodmer 74), 2 vol., I Commentaire et Index, Fondation Martin Bodmer, Cologny - Genève 1987, pp. 224, Facsimile, f. 126 + 2, 20/2 (1989) 242-243.

RONFORT, Jean-Christophe

- GUT, Serge: Franz Liszt. Les éléments du langage musical, Université de Lille III, Lille 1977, pp. 508, 15/1 (1984) 81-83.

ROŽIĆ, Vesna

- LEVINSON, Jerrold (ed.): The Oxford Handbook of Aesthetics, Oxford University Press, New York 2003, 35/1 (2004) 99-103.

- SCRUTON, Roger: Death - Devoted Heart. Sex and Sacred Wagner's Tristan and Isolde, OUP, New York 2004, 35/2 (2004) 217-220.

SIMON, Xavier

- SOURIS, André: Conditions de la musique et autres écrits, Université de Bruxelles & CNRS, Paris 1976, pp. 311, 14/2 (1983) 191-192.

SMOJE, Dujka

- COLLINS, Fletcher Jr.: The Production of Medieval Church Music-Drama, The University Press of Virginia, Charlottesville 1972, pp. 356, ill. 75, IV/1 (1973) 134-136.

STANLEY, Glenn

- DAHLHAUS, Carl: Beethoven und seine Zeit, Laaber-Verlag, Laaber 1987, pp. 320, 22/2 (1991) 203-216.

STEFANIJA, Leon

- BEK, Mikuláš: Konzervatoř Evropy? K sociologii české hudebnosti (Conservatory of Europe? A Contribution to the Sociology of the Czech Musicality), KLP - Koniasch Latin Press (Department of Musicology, Faculty of Arts, Masaryk University, Brno), Prague 2003, pp. 278, 35/1 (2004) 97-99.

STEFANOVIĆ, Dimitrije

- CVEJIĆ, Branko: Triod (Hymns for the Triodion), ed. Sava Vuković, Belgrade 1973, pp. II + 248, 13/1 (1982) 120.

- CVEJIĆ, Branko: Pentikostar (Hymns for the Pentekostarion), ed. Sava Vuković, Belgrade 1973, pp. II + 196, 13/1 (1982) 120.

- Specimina Notationum Antiquiorum, Monumenta Musicae Byzantinae (vol. VII). Pars Principalis and Pars Suppletoria, ed. by Oliver Strunk, Copenhagen 1966; Triodium Athoum, Monumenta Musicae Byzantinae (vol. IX). Pars Principalis and Pars Suppletoria, ed. by Enrica Follieri and Oliver Strunk, Copenhagen 1975, VII/2 (1976) 271-274.

- STEFANOVIĆ, Dimitrije (author's abstract): Stara srpska Muzika (Old Serbian Music), Institute of Musicology, Belgrade 1975, 2 vols.: I - pp. 220, II - pp. 134 (unpaginated), 13/1 (1982) 135.

STIPČEVIĆ, Ennio

- Musica e cultura a Napoli dal XV al XIX secolo (Quaderni della rivista Italiana di Musicologia, a cura della Società Italiana di Musicologia 9, ed. Lorenzo Bianconi e Renato Bosa), Leo S. Olschki, Firenze 1983, pp. 385, 17/1 (1986) 141-143.

- Musica e storia tra Medio Evo a Età moderna (a cura di F. Alberto Gallo), Il Mulino, Bologna 1986; Beethoven (a cura di Giorgio Pestelli), Il Mulino, Bologna 1988; CORAZZOL GUARNIERI, Adriana: Tristano, mio Tristano. Gli scrittori italiani e il caso Wagner, Il Mulino, Bologna 1988; Il madrigale tra Cinque e Seicento (a cura di Paolo Fabbri), Il Mulino, Bologna 1988; FABRI, Paolo: Il secolo cantate. Per una storia del libretto d'opera nel Seicento, Il Mulino, Bologna 1990, 22/2 (1991) 216-219.

- PALISCA, Claude V.: Humanism in Italian Renaissance Musical Thought, Yale University Press, New Haven - London 1985, pp. 471, 19/1 (1988) 127-129.

SUPIČIĆ, Ivan (see also / vidi također SUPIČIĆ, Ivo)

- BLAUKOPF, Kurt: Musical Life in a Changing Society, Amadeus Press, Portland (Oregon) 1992, pp. XVI + 308, 24/2 (1993) 177-178.

- KATZ, Ruth - DAHLHAUS, Carl (eds.): Contemplating Music. Source Readings in the Aesthetics of Music. Volume II: Import, Pendragon Press, Stuyvesant 1989, pp. XVI + 797; LIPPMAN, Edward (ed.): Musical Aesthetics: A Historical Reader. Volume III: Twentieth Century, Pendragon Press, Stuyvesant 1990, pp. XVI + 515, 24/2 (1993) 175-177.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan)

- ATTALI, Jacques: Bruits. Essai sur l'economie politique de la musique, P. U. F., Paris 1977, pp. 303, 17/1 (1986) 138-140.

- BEAUD, Paul - WILLENER, Alfred: Musique et vie quotidienne, Mame, Paris 1973, pp. 272, V/2 (1974) 340-341.

- BENOÎT, Marcelle: Versailles et les musiciens du roi (1661-1733). Etude institutionnelle et sociale, Picard, Paris 1971, pp. 474; Musiques de Cour, Chapelle, Chambre, Ecurie (1661-1733). Recueil de documents, Picard, Paris 1971, pp. 553, 17/1 (1986) 131-136.

- BERTHIER, Nicole: Mélomanes et culture musicale. Etude d'un statut socioculturel, Université des Sciences Sociales de Grenoble, Grenoble 1975, pp. 350, 18/1 (1987) 170.

- BLAUKOPF, Kurt: Musical Life in a Changing Society, Amadeus Press, Portland (Oregon) 1992, pp. XVI + 308, 24/2 (1993) 177-178.

- BLAUKOPF, Kurt - MARK, Desmond (eds.): The Cultural Behaviour of Youth, Universal Edition, Vienna 1976, pp. 136, VIII/1 (1977) 89.

- BONTINCK, Irmgard (ed.): New Patterns of Musical Behaviour. A Survey of Youth Activities in Eighteen Countries, Universal Edition A. G., Wien 1974, pp. 240, VII/2 (1976) 280-282.

- BRÉVAN, Bruno: Les changements de la musicale parisienne de 1774 à 1799, P. U. F., Paris 1980, pp. 200, 18/1 (1987) 170-173.

- CORVISIER, André: Arts et sociétés dans l'Europe du XVIIIe siècle, P. U. F., Paris 1978, pp. 244, 17/1 (1986) 136-137.

- DE COSTER, Michel: Le disque, art ou affaires? - Analyse sociologique d'une industrie culturelle, Presses Universitaires de Grenoble, Grenoble 1976, pp. 221, VII/2 (1976 ) 282-283.

- DUFOURT, Hugues - FAUQUET, Joël-Marie (dir.): La Musique et le Pouvoir, Aux Amateurs de Livres, Paris 1987, pp. 201, 21/2 (1990) 228-230.

- EMERY, Eric: Temps et Musique («Dialectica»), L'Age d'Homme, Lausanne 1975, pp. 696, VII/2 (1976) 278-280.

- ESCAL, Françoise: Escapes sociaux, escapes musicaux, Payot, Paris 1979, pp. 250, 18/1 (1987) 175-177.

- Essays in Musicology in Honor of Dragan Plamenac , ed. by Gustave Reese and Robert J. Snow, University of Pittsburgh Press, Pittsburgh 1969, pp. XVI + 391; Arti Musices, 3, Muzikološki Zavod Muzičke Akademije u Zagrebu, Zagreb 1972, pp. 148, IV/1 (1973) 131-133.

- FORSTER, Arnold W. - BLAU, Judith R.: Art and Society. Readings in the Sociology of the Arts, State University of New York Press, Albany 1989, pp. XI + 513, 21/2 (1990) 230-232.

- FUBINI, Enrico: Gli enciclopedisti e la musica, Einaudi, Torino 1971, pp. 243, III/1 (1972) 138.

- FUBINI, Enrico: Les philosophes et la musique, Champion, Paris 1983, pp. 290, 19/1 (1988) 124-125.

- FULCHER, Jane: Le Grand Opéra en France: un art politique (1820-1870), Belin, Paris 1988, pp. 203, 21/2 (1990) 233-234.

- GOLUB, Ivan: Juraj Križanić glazbeni teoretik 17. stoljeća (Georgius Crisanius, Music Theorist of the 17th Century), Jugoslavenska akademija znanosti i umjetnosti, Zagreb, 1981, pp. V + 209, 13/1 (1982) 120-122.

- GUT, Serge (dir.): Actes du Colloque International Franz List (La Revue musicale, 1987, triple numéro 405-406-407), pp. 367; CHAILLEY, Jacques - VIRET, Jacques: Le symbolisme de la gamme (La Revue musicale, 1988, double numéro 408-409), pp.150, 19/1 (1988) 129-131.

- HARRISON, Frank: Time, Place and Music, Frits Knuf, Amsterdam 1973, pp. 221, ill., V/2 (1974) 342.

- JULIEN, Jean-Rémy: Musique et Publicité. Du Cri de Paris... aux messages publicitaires radiophoniques et télévisés, Flammarion, Paris 1989, pp. 336, ill., ex mus., 20/2 (1989) 246-248.

- KATZ, Ruth - DAHLHAUS, Carl (eds.): Contemplating Music. Source Readings in the Aesthetics of Music. Vol. II: Import, Pendragon Press, Stuyvesant 1989, pp. XVI + 797; LIPPMAN, Edward (ed.): Musical Aesthetics: A Historical Reader. Volume III: The Twentieth Century, Pendragon Press, Stuyvesant 1990, pp. XVI + 515, 24/2 (1983) 175-177.

- LE HURAY, Peter - DAY, James (eds.): Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries, Cambridge University Press, Cambridge 1981, pp. XVI + 597, 19/1 (1988) 122-123.

- LESURE, François: Musica e società, Istituto Editoriale Italiano, Milano 1966, pp. 63, ill. 96, bbg., I/1 (1970) 119-121.

- LIPPMAN, Edward A. (ed.): Musical Aesthetics: A Historical Reader. Vol. I: From Antiquity to the Eighteenth Century, Pendragon Press, New York 1986, pp. XVI + 430, 19/1 (1988) 121-122.

- MASSIP, Catherine: La vie des musiciens de Paris au temps de Mazarin (1643-1661). Essai d'étude sociale, Picard, Paris 1976, pp. 186, 17/1 (1986) 129-131.

- MENGER, Pierre-Michel: Le paradoxe du musicien. Le compositeur, le mélomane et l'Etat dans la société contemporaine, Flammarion, Paris 1983, pp. 396, 17/1 (1986) 140-141.

- MONGREDIEN, Jean: La musique en France des Lumières au Romantisme (1789-1830), Flammarion, Paris 1986, pp. 370, ill., ex. mus., 20/2 (1989) 243-244.

- Musik und Verstehen. Aufsätze zur semiotischen Theorie, Ästhetik und Soziologie der musikalischen Rezeption , hrsb. von Peter Faltin und Hans-Peter Reinecke, Arno Volk Verlag - Hans Gering KG, Köln 1973, pp. 340, V/2 (1974) 341-342.

- Perspectives in Musicology , edit. by Barry S. Brook, Edward O. D. Downes and Shermann Van Solkema, W. W. Norton & Company, Inc., New York 1972, pp. XV-363, V/2 (1974) 338-340.

- PISTONE, Danièle: La musique en France de la Révolution à 1900, Honoré Champion, Paris 1979, pp. 243, 18/1 (1987) 173-175.

- SALMEN, Walter (ed.): The Social Status of the Professional Musician from the Middle Ages to the 19th Century (Sociology of Music Series, No. 1), Pendragon Press, New York 1983, pp. IX + III + 281, 19/1 (1988) 125-126.

- SILBERMANN, Alphons: Empirische Kunstsoziologie. Eine Einführung mit kommentierter Bibliographie, Ferdinand Enke Verlag, Stuttgart 1973, pp. XII + 238, VIII/1 (1977) 88.

- STEFANI, Gino: Musica barocca, Poetica e ideologia, Bompiani, Milano 1974, pp. 262, V/2 (1974) 342.

- TATARKIEWICZ, Wladyslaw: History of Aesthetics; Ancient Aesthetics (Vol. I); Medieval Aesthetics (Vol. II), Mouton - Polish Scientific Publishers, The Hague - Paris - Warszawa 1970, pp. 352 + 315, III/1 (1972) 136-137.

- TATARKIEWICZ, Wladyslaw: History of Aesthetics; Modern Aesthetics (Vol. III), edit. by D. Petsch, Mouton - Polish Scientific Publishers, The Hague - Paris - Warszawa 1974, pp. XX + 481, V/2 (1974) 343.

- KNEIF, Tibor (Hrsg.): Texte zum Musiksoziologie, Vorwort von Carl Dahlhaus, Arno Volk Verlag, Köln 1975, pp. 274, VI/2 (1975) 324-325.

- WEBER, Edith: La musique mesurée à l'antique en Allemagne (2 vols.); Le théâtre humaniste et scolaire dans les Pays Rhénans (1 vol.), Klicksieck, Paris 1974, pp. IV-1009 + 376, VII/2 (1976) 117.

THOVERON, Gabriel

- DE CLERCQ, Jacqueline: La profession de musicien - Une enquête, Editions de l'Institut de Sociologie de l'Universiteté Libre de Bruxelles, Bruxelles 1970, pp. 166, I/2 (1970) 218-220.

TUKSAR, Stanislav

- DEMOVIĆ, Miho: Musik und Musiker in der Republik Dubrovnik vom Anfang des 11. Jahrhunderts bis zur Mitte des 17. Jahrhunderts (originally published in Croatia under the title Glazba i glazbenici u Dubrovačkoj Republici od početka XI. do polovine XVII. stoljeća, Yugoslav Academy of Science and Arts, Zagreb 1981), Musikinformationszentrum, Zagreb 1981, pp. 417, 13(1 (1982) 127-130.

- DURAKOVIĆ, Lada: Pulski glazbeni život u razdoblju fašističke diktature 1926.-1943. (Music Life in Pulla During the Period of the Fascist Dictatorship, 1926-1943), Hrvatsko muzikološko društvo (Croatian Musicological Society), Zagreb 2003, pp. 233, 35/1 (2004) 117-122.

- THOMSON, J. M. (ed.): Early Music (Vol. I), Oxford University Press, London 1973. pp. 260, VI/2 (1975) 325-327.

- ØRBAEK JENSEN, Anne - KONGSTED, Ole (eds.): Heinrich Schütz und die Musik in Dänemark zur Zeit Christians IV, Engstrøm & Sødring, Kopenhagen 1989, pp. 326, 24/1 (1993) 91-95.

- KAYSER, Hans: Akróasis, Die Lehre von der Harmonik der Welt, Schwabe & Co., Basle-Stuttgart 1976, 3rd ed., pp. 181,  11/2 (1980) 253-256.

- MAJER-BOBETKO, Sanja: Estetika glazbe u Hrvatskoj u 19. stoljeću (Aesthetics of Music in 19th-Century Croatia), Yugoslav Academy of Sciences and Arts, Zagreb 1979, pp. 99, 13/1 (1982) 132-134.

- WALKER, D. P.: Studies in Musical Science in the Late Renaissance, The Warburg Institute / University of London - E. J. Brill, London - Leiden 1987, pp. 174, 12/1 (1981) 75-78.

VEBER, Zdenka (see also / vidi također WEBER, Zdenka)

- WENK, Arthur B.: Claude Debussy and the Poets, University of California Press, Berkeley - Los Angeles - London 1976, pp. 345, 12/1 (1981) 86-87.

WEBER, Zdenka (see also / vidi također VEBER, Zdenka)

- WIORA, Walter: Ergebnisse und Aufgaben vergleichender Musikforschung, Wissenschaftliche Buchgesellschaft, Darmstadt 1975, pp. 108, VII/1 (1976) 115-116.

- GEORGIADES, Thrasybulos G.: Musik und Sprache, Springer-Verlag, Berlin - Heidelberg - New York 1974, pp. 142, VIII/1 (1977) 95-96.

VIRET, Jacques

- GUT, Serge: Liszt, Editions de Fallois / L'Age d'Homme, Lausanne - Paris 1989, pp. 665 avec nombreux tableaux, exemples musiciaux et illustrations, 21/2 (1990) 223-225.

6. REPORTS AND NEWS  -  IZVJEŠTAJI I NOVOSTI

ALER, Jan: The Seventh International Congress of Aesthetics, I/2 (1970) 210-211.

ANDREIS, Josip: Symposium on the First Croatian Philosopher of Music, III/2 (1972) 259- 260.

ANDREIS, Josip: The Institute of Musicology in 1970, II/1 (1971) 115-117.

ANDREIS, Josip: The Zagreb Institute of Musicology, I/1 (1970) 105-106.

BERGAMO, Marija: Ethno-National Interrelationships in Central-European Music, Brno, Czech Republic, 1992, 27/2 (1996) 208-209.

BLAUKOPF, Kurt: L'Institut International de Musique, Danse et Théâtre dans le moyens audio-visuels (IMDT), I/1 (1970) 107-110.

BLAUKOPF, Kurt: Three Years of IMDT Research, III/1 (1972) 126-129.

BONTINCK, Irmgard: New Patterns of Musical Behaviour of the Young Generation in Industrial Societies, III/2 (1972) 263-271.

BONTINCK, Irmgard - ETZKORN, K. Peter: Changes in Professional Profiles of Music Educators Prompted by Technological Innovation, Report on a Seminar organised by the ISME Commision for Music in Cultural Educational and Mass Media Policies, in cooperation with MEDIA-CULT, Byron Bay, New South Wales, Australia, 1988, 19/2 (1988) 269-272.

BREITENFELD, Darko: New Developments in Musik Therapy, I/2 (1970) 212-213.

BREKO, Hana: Der lateinische Hymnus im Mittelalter: Überlieferung - Ästhetik – Ausstrahlung, Erlangen, Germany, 1995, 29/2 (1998) 169-170.

BREKO, Hana: Mediaeval Music in Slovenia nad Its European Connections, Ljubljana, Slovenia, 1997, 31/2 (2000) 217-219.

BROOK, Barry S.: A Seminar in 18th-Century Music and Sociology, IV/2 (1973) 319-323.

BROOK, Barry S. - BAIN, David: Music in the Life of Man: Theoretical and Practical Foundation for a World History, 16/1 (1985) 103-121.

CERIBAŠIĆ, Naila: Music and Gender Study Group Meeting (ICTM): Theory and Method of the Gender-Based Studies in Music, Turku, Finland, 1994, 27/2 (1996) 187-190.

CERIBAŠIĆ, Naila: 34th World Conference of the International Council for Traditional Music (ICTM), Nitra, Slovakia, 1997, 31/2 (2000) 219-220.

DE CLERCQ, Jacqueline: Le Centre de Sociologie de la Musique à Bruxelles, I/2 (1970) 211.

DOLINER, Gorana: ICTM: Music and Gender Study Group Meeting - Music, Violence, War, and Gender, Punat (Island of Krk), Croatia, 1995, 29/2 (1998) 178-179.

DOLINER, Gorana: Salzburg Seminar. Music for a New Millennium: The Classical Genre in Contemporary Society (Session 352), Schloss Leopoldskron, Salzburg, Austria, 19997, 31/2 (2000) 222-223.

Editorial: XIV International Congress of the International Musicological Society, Bologna, 1987, 16/2 (1985) 221-222.

GOLUB, Ivan: On the Manuscript of Juraj Križanić's De Musica, 17/1 (1986) 123-128.

GOLUB, Ivan: On the Manuscript of Juraj Križanić's De Musica (II), 18/1 (1987) 163-168.

GORTAN-CARLIN, Ivana: The 2nd International Meeting «From the Istrian Music Treasury»: Antonio Smareglia and His Time, Novigrad, Croatia, 1999, 31/2 (2000) 235.

HEIMES, Klaus F.: 88: The George Herzog International Forum for Socio-Musical Sciences, Tel Aviv (Ramat Gan), 1988, 19/2 (1988) 272-273.

IKONOMOVA, Vera: Music and the Audience (Social Determinants of Musical Tastes - A Draft Plan of Research), III/1 (1972) 121-126.

JOHNSTON, Thomas F.: The Social Determinants of Tsonga Musical Behaviour, IV/1 (1973) 108-130.

KAPKO-FORETIĆ, Zdenka: Stockhausen 70, Köln, Germany, 1998, 31/2 (2000) 223-228.

KARBUSICKÝ, Vladimir: Empirische Musiksoziologie in der Tschechoslowakei, I/1 (1970) 113-116.

KATALINIĆ, Vjera: Gegenreformation und Barock in Mitteleuropa / in der Slowakei, Bratislava, Slovakia, 1999, 31/2 (2000) 236-237.

KATALINIĆ, Vjera: Musik der geistlichen Orden in Mitteleuropa zwischen Tridentinum und Josephinismus, Trnava, Slovakia, 1996, 29/2 (1998) 188-190.

KATALINIĆ, Vjera: Off-Mozart. Musical Culture and the «Kleinmeister» in Central Europe 1750-1820, Zagreb, Croatia, 1992, 27/2 (1996) 206-298.

KATALINIĆ, Vjera: Pietro Alessandro Guglielmi (1728-1804). Musicista Italiano nel Settecento Europeo, Massa, Italy, 2001, 33/2 (2002) 234-236.

KATALINIĆ, Vjera: 32nd National Convention of the American Association for the Advancement of Slavic Studies (AAASS), Denver, U. S. A., 2000, 33/2 (2002) 223.

KENDRICK, Robert L.: X. Convegno internazionale di studi - La musica e il sacro: prospettive e intertestualità nel Barocco lombardo-padano, 2001, 33/2 (2002) 228-230.

KNEIF, Tibor: Ein Bericht aus der BRD, I/1 (1970) 110-113.

KOS, Koraljka: Glasbeni barok na Slovenskem in evropska glasba / Musical Baroque in Slovenia and European Music, Ljubljana, Slovenia, 1994, 27/2 (1996) 193-194.

KOS, Koraljka: International Musicological Conference «International Relations in Central- European Music of the 16th and 17th Centuries», Budapest, Hungary, 1993, 27/2 (1996) 200-201.

KOS, Koraljka: International Musicological Conference «Stredoeurópske kontexty barokovej hudbi / Central-European Context of Baroque Music», Bratislava, Slovakia, 1994, 27/2 (1996) 185-186.

KOS, Koraljka: Schriftenreihe Musik und Gesellschaft (Verlag G. Braun, Karlsruhe), I/2 (1970) 211-212.

KOS, Koraljka: The Dilemmas of Current Musicology, III/2 (1972) 260-263.

KRISTL, Ljiljana: The First International Congress of the Semiotics of Music, V/2 (1974) 334-337.

KUČUKALIĆ, Zija: Collaboration avec Zvuk, II/1 (1971) 118.

LING, Jan: A Musico-Sociological Conference in Gothenburg, IV/2 (1973) 323-329.

LING, Jan: Music-Sociological Projects in Gothenburg, II/1 (1971) 119-130.

LIVLJANIĆ, Katarina: Musica mediaval y camino de Santiago, Villafranca del Bierzo, Leon, Spain, 1993, 27/2 (1996) 202-204.

LOCKWOOD, Lewis: The Twelfth Congress of the IMS, V/2 (1974) 332-333.

MAJER-BOBETKO, Sanja: Fifth Conference of the International Society of European Ideas (ISSEI): Memory, History and Critique - European Identity at Millenium, Utrecht, The Netherlands, 1996, 29/2 (1998) 186-188.

MAJER-BOBETKO, Sanja: International Musicological Society. 16th International Congress - Musicology and Sister Disciplines: Past, Present and Future, London, U. K., 1997, 31/2 (2000) 220-222.

MAJER-BOBETKO, Sanja: The Socio-Musikological Conference in Gothenburg, 1988, 19/2 (1988) 274-276.

MAJER-BOBETKO, Sanja: 200th Anniversary Celebration of the Birth of Ivan Padovec (1800-73), Zagreb - Varaždin, Croatia, 2000, 33/2 (2002) 220-222.

MAROŠEVIĆ, Grozdana: ICTM: Conference of the Study Group on Historical Sources of Folk Music, Copenhagen, Denmark, 1995, 29/2 (1998) 165-166.

MIHOLIĆ, Irena: United Europe - United Music?, Ljubljana, Slovenia, 2001, 33/2 (2002) 230-231.

MIHOLIĆ, Irena: 14th Meeting of the Study Group on Folk Musical Instruments, ICTM, Markneukirchen, Germany, 2000, 33/2 (2002) 213-236.

PETTAN, Svanibor: Aspects on Music and Multiculturalism, Falun, Sweden, 1995, 29/2 (1998) 171-172.

PETTAN, Svanibor: Künste und Bildung zwischen Ost und West: Polyästhetische Erziehung und europäische Integration, Mittersil, Austria, 1993, 27/2 (1996) 196-197.

PETTAN, Svanibor: Musicisti del Mediterraneo: storia e antropologia, Bari Molfetta, Italy, 1996, 29/2 (1998) 183-184.

PETTAN, Svanibor: Passato e presente: Prospettive per l'antropologia della musica mediterranea, Venice, Italy, 1995, 29/2 (1998) 170-171.

PETTAN, Svanibor: The 46th Annual Meeting of the Society for Ethnomusicology, Southfield, U. S. A., 2001, 33/2 (2002) 231-232.

PETTAN, Svanibor: Thirty-Second World Conference of the ICTM, Berlin, Germany, 1993, 27/2 (1996) 194-196.

PETTAN, Svanibor: 22nd ISME World Conference, Amsterdam, The Netherlands, 1996, 29/2 (1998) 184-186.

SEDAK, Eva: Banned Music: Composers in the Dictatorship of the 20th Century, Dresden, Germany, 1993, 27/2 (1996) 209-210.

SEDAK, Eva: The International Congress «New Music and Its Criticism», I/2 (1970) 213.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Colloque de la Société Internationale de Musicologie consacré à la sociologie de la musique, IV/1 (1973) 106-107.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Das Symposion der Internationalen Gesellschaft für Musikwissenschafte über Musiksoziologie, IV/1 (1973) 107-108.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Hommage à Gisèle Brelet, IV/2 (1973) 317-319.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Musique et Technologie - un Colloque de l'UNESCO, II/1 (1971) 117.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): The IMS Inquiry, VII/2 (1976) 265- 267.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): The International Musicological Society's Symposium on the Sociology of Music, IV/1 (1973) 105-106.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): The 2nd Symposium of the IMS in Zagreb, V/2 (1974) 333.

TUKSAR, Stanislav: Austria, 996-1996: Music in a Changing Society, Ottawa, Canada, 1996, 180-182.

TUKSAR, Stanislav: Broadway an der Ruhr: das Musical im neuen Jahrhundert, Dortmund, Germany, 2000, 33/2 (2002) 215-217.

TUKSAR, Stanislav: Civiltà musicali a confronto: tendenze del periodo barocco a Venezia e in Dalmazia, Venezia, Italy, 1999, 31/2 (2000) 228-229.

TUKSAR, Stanislav: Fifteenth International Research Seminar of the ISME (International  Society for Music Education) Research Commission, Coral Gables, Floria, U. S. A., 1994, 27/2 (1996) 186-187.

TUKSAR, Stanislav: First International Musicological Symposium «The Present Sate of Systematic Musicology», Moravany, Slovakia, 1993, 27/2 (1996) 198-200.

TUKSAR, Stanislav: La musica nelle cappelle in area lombardo-padana nel Barocco, Brescia, Italy, 1999, 31/2 (2000) 229-232.

TUKSAR, Stanislav: Mediaeval Musical Cultures on the Eastern and Western Shores of the Adriatic Until the Beginning of the 15th Century, Split, Croatia, 1997, 31/2 (2000) 215-217.

TUKSAR, Stanislav: Musica, scienza e idee nella Serenissima del Seicento, Venezia, Italy, 1993, 27/2 (1996) 201-202.

TUKSAR, Stanislav: Musical Cultures in the Adriatic Region During the Age of Classicism: Reflections and Contacts, Dubrovnik, Croatia, 2001, 33/2 (2002) 224-225.

TUKSAR, Stanislav: Seminario di studio: La musica delle antiche civiltà mediterranee – Civiltà musicali a confronto. Istria e Dalmazia nella dominazione veneziana del Cinquecento e del Seicento, Venice, Italy, 1995, 29/2 (1998) 167-169.

TUKSAR, Stanislav: VI Convegno internazionale: Relazioni musicali tra Italia e Germania nell'età barocca, Como-Loveno di Menaggio, Italy, 1995, 29/2 (1998) 173-176.

TUKSAR, Stanislav: Zagreb and Croatia Lands as a Bridge between Central-European and Mediterranean Musical Cultures, Zagreb, Croatia, 1994, 27/2 (1996) 190-193.

TUKSAR, Stanislav: Zagreb Institute of Musicology in 1971, III/1 (1972) 119-120.

TUKSAR, Stanislav: XV Congreso de la Sociedad Internacional de Musicologia, Madrid, Spain, 1992, 27/2 (1996) 204-206.

TUKSAR, Stanislav: 1. Internationale Andreas-Werckmeisterkonferenz: Theorie und Praxis der Musik im Zeitalter von Andreas Werckmeister, Halberstadt, Germany, 1995, 29/2 (1998) 176-178.

TUKSAR, Stanislav: 26th Annual Congress of the Musicological Society of Southern Africa, Department of Music, University of the Orange Free State, Bloemfontein, South Africa, 31/2 (2000) 232-234.

TUKSAR, Stanislav: 300 Years of Academia Philharmonicorum Labacensium 1701-2001, Ljubljana, Slovenia, 2001, 33/2 (2002) 232-234.

TURKALJ, Nenad: Ein Festival der Neuen Musik in Jugoslawien, I/1 81970) 116-118.

ZEBEC, Tvrtko: 21th Symposium of the Ethnochoreographical Study Group, ICTM, Korčula, Croatia, 2000, 33/2 (2002) 217-219.

ZENKL, Ludek: Das Publikum des Musiktheaters in der ČSSR, III/1 (1972) 129-132.

ZLOKOVIĆ, Nada: Towards Synthesis... (Open Forum of the Institute of Musicology of the Serbian Academy of Arts and Science), VII/2 (1976) 267-270.

ZUBOVIĆ, Alma: 36th World Conference of the ICTM, Rio de Janeiro, Brazil, 2001, 33/2 (2002) 225-228.

ZWEERS, Willem: An Investigation among Dutch Composers, I/1 (1970) 106-107.

7. MISCELLANEA

ANDREIS, Josip: Un compositeur croate en Alsace et trois musiciens français à Dubrovnik, 13/1 (1982) 107-110.

BLAUKOPF, Kurt: Democratisation of the Musical Theatre of Our Days, 13/2 (1982) 199- 200.

BLOOM, Peter: Letter to the Editor, 22/1 (1991) 115-116.

CVETKO, Dragotin: Slovene Musicology 1977-1982. Achievements and Plans, 13/1 (1982) 116-119.

DEMOVIĆ, Miho: Un compositeur croate en Alsace et trois musiciens français à Dubrovnik, 13/1 (1982) 110-116.

Das Organisationskomitee des Symposiums der IGMw: Vorwort, V/1 (1973) 7-8.

Die kroatische Gesellschaft für Musikwissenschaft: Vorwort, 23/1 (1992) 118.

Hrvatsko muzikološko društvo : Uvodna napomena, 23/1 (1992) 4.

Hrvatsko muzikološko društvo : Uvodna riječ, 23/2 (1992) 118.

La société Croate de musicologie : Introductory Word, 23/1 (1992) 3-4.

La société Croate de musicologie : Note liminaire, 23/2 (1992) 117-118.

Le Comité d'Organisation du Colloque de la SIM: Préface, V/1 (9174) 6-7.

Organizacijski odbor Simpozija IMD-a : Predgovor, V/1 (1974) 9.

Organizing Committee of the Symposium of IMS: Foreword, V/1 (1974) 5-6.

SUPIČIĆ, Ivan (see also / vidi također SUPIČIĆ, Ivo): Dragotin Cvetko (1911-1993), 24/2 (1993) 186-187.

SUPIČIĆ, Ivan (see also / vidi također SUPIČIĆ, Ivo): Introductory Word - Uvodna riječ, 25/1-2 (1994) 3-4.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Foreword - Preface - Vorwort, 13/1 (1982) 3-4.

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Foreword - Préface - Vorwort – Predgovor, VI/1 (1975) 7-8.

The Croatian Musicological Society : Introductory Note, 23/1 (1992) 3.

The Croatian Musicological Society : Introductory Word, 23/2 (1992) 115-116.

TUKSAR, Stanislav: Editor's Note, 31/1 (2000) 3-4.

TUKSAR, Stanislav:Uvodna riječ, 31/1 (2000) 5-6.

VILJOEN, Martina: Introduction: Critical Theories and Musicology, 36/1 (2005) 3-6.

VILJOEN, Martina: Uvod: Kritičke teorije i muzikologija, 36/1 (2005) 7-10.

8. BIBLIOGRAPHIES -  BIBLIOGRAFIJE

SUPIČIĆ, Ivo (see also / vidi također SUPIČIĆ, Ivan): Sociology of Music - Selected Bibliography 1950-1970, I/2 (1970) 229-240.

Editorial: Bibliography and Publications Received, 12/2 (1981) 203-211.

Editorial: Bibliography and Publications Received, 15/1 (1984) 85-87.

Editorial: Index nominorum IRASM 31/1 & 31/2 - 2000, 31/2 (2000) 239-259.

Editorial: Index nominorum IRASM 32/1 & 32/2 - 2001, 32/2 (2001) 213-223.

Editorial: Index nominorum IRASM 33/1 & 33/2 - 2002, 33/2 (2002) 239-256.

Editorial: Index nominorum IRASM 34/1 & 34/2 - 2003, 34/2 (2003) 197-207.

Editorial: Index - Indeks 1970-1979, offprint, pp. 16.

Editorial: Publications Received, VII/1 (1976) 118.

Editorial: Publications Received - Bibliography, II/2 (1971) 299-302.

Editorial: Publications Received - Bibliography, III/2 (1972) 273-277.

Editorial: Publications Received - Bibliography, IV/2 (1973) 331-334.

Editorial: Publications Received - Bibliography, V/2 (1974) 351-352.

Editorial: The Sociology of Music - A Selected Bibliography (A to F), VII/2 (1976) 284-342.

Editorial: The Sociology of Music - A Selected Bibliography (G to M), VIII/1 (1977) 97- 154.

Editorial: The Sociology of Music - A Selected Bibliography (N to Z), VIII/2 (1977) 273- 325.

Editorial: The Sociology of Music - A Supplement, IX/1 (1978) 131-146.

Editorial: The Sociology of Music - A Supplement II, X/2 (1979) 249-268.

Editorial: The Sociology of Music - A Supplement III, 14/1 (1983) 107-115.