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 HMD - Arti musices

International Review of the Aesthetics and Sociology of Music (IRASM)

International Review of the Aesthetics and Sociology of Music (IRASM)

IRASM je jedini časopis za estetiku i sociologiju glazbe u svijetu. Izlazi kontinuirano od 1970. U njemu je dosad objavljeno preko 640 članaka više od stotinu istaknutih svjetskih i domaćih muzikologa, sociologa i estetičara iz 27 zemalja. Članci se objavljuju na engleskom, francuskom i njemačkom sa sažecima na hrvatskom jeziku.

IRASM is the only world journal specialized for the aesthetics and sociology of music. It has been published continuously since 1970, with more than 640 articles by over 100 outstanding musicologists, sociologists and aestheticians coming from 27 countries all over the world. Articles are published in English, French and German, with summaries in Croatian.


Submission guidelines for the International Review of the Aesthetics and Sociology of Music (IRASM)

Manuscripts in English, French or German (with a half-page abstract in the language of the article, and a one-page summary in English) in two clear copies typed with double spacing between all lines, including footnotes, illustrations and music examples (both ready to print), together with a computer diskette or CD-ROM in Word for Windows or Macintosh, should be sent to: IRASM, Opatička 18, HR-10000 Zagreb, Croatia.

Articles can also be preliminary announced and/or submitted by e-mail on: tuxar@hazu.hr (for: Stanislav Tuksar, Editor-in-Chief of the IRASM).

Authors are responsible for obtaining permission to publish each of their illustrations and music examples.

All articles are reviewed.

Articles are reported in:
  • Arts and Humanities Citation Index
  • RILM (Répertoire International de la Littérature Musicale)
  • Bibliographie des Musikschrifttums
  • The Music Index
  • Zeitschriftendienst Musik, Deutsches Bibliothekinstitut

ISSN 0351-5796
Sv. / Vol. 32, br. / Nos 1&2, 2001
Sv. / Vol. 33,br. / Nos 1&2, 2002
Kn 390,00 + tuzemna poštarina

US$ 60.00 + postage
(US$ 10-14 per volume air mail)

(i svesci ranijih godina/and back issues annualy):

  1. IRASM, Vol. 42 No. 1, pp. 3-215 Zagreb, June 2011

    UDC: 78.01:78.06   CODEN: IRAMDA  ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Lee Blackstone (USA): Remixing the Music of the Spheres: Listening to the Relevance of an Ancient Doctrine for the Sociology of Music 3-31
      Heather Platt (USA): Probing the Meaning of Brahms’s Allusions To Haydn 33-58
      Edward Green (USA): Steiner, Korngold and the Musical Expression of Physical Space – A Preliminary Note 59-78
      Lee G. Barrow (USA): Guilt by Association: The Effect of Attitudes toward Fascism on the Critical Assessment of the Music of Ottorino Respighi 79-95
      Koray Degirmenci (Turkey): 'Local Music From Out There': Roman (Gypsy) Music as World Music in Turkey 97-124
      Oswaldo Lorenzo – Lucía Herrera – Roberto Cremades (Spain): Influence on the Musical Preferences of Spanish Adolescents: A Sociological Analysis 125-144
      Mutasem Adileh (Jerusalem): Arabic Music between the Hammer of Technological Creativity and the Anvil of Cultural Identity (A Critical Study) 145-163
      Simon McKerrell (UK): Sound Performing: Sound Aesthetics among Competitive Pipers 165-187
      Imani Sanga (Tanzania): Mzungu Kichaa and the Figuring of Identity in Bongo Fleva Music in Tanzania 189-208
    • Contributors – Autori
      209-215

    Contents fixed: March 22, 2011
    Redakcija zaključena: 22. ožujka 2011.

  2. IRASM, Vol. 41 No. 2, pp. 161-394 Zagreb, December 2010

    UDC: 78.01:78.06   CODEN: IRAMDA   ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Carla Bromberg: A Preliminary Study of the Origin of Music in Cinquecento Musical Treatises 161-183
      Sažetak: Uvodna studija o podrijetlu glazbe u glazbenim traktatima 16. stoljeća 183
      Lale Babaoglu Balkiş: Defining the Turk: Construction of Meaning in Operatic Orientalism 185-193
      Sažetak: Definiranje Turčina: konstruiranje značenja u opernom orijentalizmu 193
      Boris Voigt: Das Scherzo der fünften Symphonie Gustav Mahlers als Reflexion auf die gesellschaftliche Moderne 195-239
      Summary: Gustav Mahler's Fifth Symphony Scherzo as a Reflection of the Social Modernity 238
      Sažetak: Scherzo Pete simfonije Gustava Mahlera kao odraz društvenog moderniteta 239
      Barbara Barry: Chronicles and Witnesses: A Survivor from Warsaw through Adorno’s Broken Mirror 241-263
      Sažetak: Kronike i svjedoci: Preživjeli iz Varšave kroz Adornovo slomljeno zrcalo 263
      Murray Dineen: Lexicon for a Leftist Aesthetics of Music: Hans Wind’s Chart of the Gesetze der Kunst 265-291
      Sažetak: Leksikon ljevičarske estetike glazbe: nacrt Hansa Winda za zakone umjetnosti 291
      Willemien Froneman: “Composing According to Silence”: Undecidability in Derrida and Cage’s Roaratorio 293-317
      Sažetak: „Skladanje prema tišini“: neodredljivost u Derridainu i Cageovu djelu Roaratorio 317
      Michael Saffle – Hon-Lun Yang: Aesthetic and Social Aspects of Emerging Utopian Musical Communities 319-341
      Sažetak: Estetički i društveni aspekti nastajućih utopijskih glazbenih zajednica 341
    • CHOPIN 1810-2010
      Barbara Pabjan: Reception of Chopin and his Music in Polish Society 342-378
      Sažetak: Recepcija Chopina i njegove glazbe u Poljskoj 378
      Edward Green: Greatness in Music, Aesthetic Realism, and Chopin's Waltz in Ab, Op. 69, #1 379-388
      Sažetak: Uzvišenost u glazbi, estetičkom realizmu i Chopinovu valceru u As-duru, op. 69, br. 1 388
    • Contributors – Autori
      389-394

    Contents fixed: October 15, 2010
    Redakcija zaključena: 15. listopada 2010.

  3. IRASM, Vol. 41 No. 1, pp. 3-XXX Zagreb, June 2010

    UDC: 78.01:78.06    CODEN: IRAMDA    ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Susan Calkins: Modernism in Music and Erik Satie’s Parade 3-19
      Sažetak: Modernizam u glazbi i Parade Erika Satiea 19
      Anna G. Piotrowska: Individual Strategies of Seeking Employment Among Early 20th-century American and European Composers 21-36
      Sažetak: Pojedinačne strategije u traženju zaposlenja među američkim i europskim skladateljima početkom 20. stoljeća 36
      Michael J. Thompson: Th. W. Adorno Defended Against His Critics, and Admirers: A Defense of the Critique of Jazz 37-49
      Sažetak: Th. W. Adorno obranjen pred njegovim kritičarima i poštovateljima: obrana kritike jazza 49
      Ian Inglis: The Politics Of Stardust Or The Politics Of Cool: Popular Music And The British Honours System 51-71
      Sažetak: Politika zvjezdane prašine ili politika 'cool' stava: popularna glazba i sustav britanskih počasti 71
      Jingshu Liu: Introduction to the Structural History of Music 73-89
      Sažetak: Uvod u strukturalnu povijest glazbe 89
      Rubén Figaredo: Today’s Dissonance, Tomorrow’s Consonance: A New Pact between Composer and Public 91-116
      Sažetak: Današnja disonanca, sutrašnja konsonanca: novi dogovor između skladatelja i publike 116
      Rebecca Cypess: The Community as Ethnographer: Views of Classical Music in the English-Speaking Orthodox Jewish Community 117-139
      Sažetak: Zajednica kao etnograf: pogledi na klasičnu glazbu u ortodoksnoj židovskoj zajednici engleskog govornog izričaja 139
    • Reviews and Information on Publications – Recenzije i obavijesti o izdanjima
      Marta Blažanović: Janet K. HALFYARD (ed.), Berio´s Sequenzas. Essays on Performance, Composition and Analysis (2007) 141-143
      Naila Ceribašić: Ivan RAYKOFF and Robert Deam TOBIN (eds.), A Song for Europe. Popular Music and Politics in the Eurovision Song Contest (2007) 144-146
      Matteo Sansone: Juliana Ličinić van WALSTIJN: „Teatro di poesia“ in the Opera House: The Collaboration of Antonio Smareglia and Silvio Benco (2009) 146-149
    • Publications Received
      151-154
    • Contributors – Autori
      155-159

    Contents fixed: March 6, 2010
    Redakcija zaključena: 6. ožujka 2010.

  4. IRASM, Vol. 40 No. 2, pp. 177-367 Zagreb, December 2009

    UDC: 78.01:78.06    CODEN: IRAMDA    ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Karsten Mackensen: System und Kritik. Zur Krise des Musikwissens bei Johann Mattheson 179-205
      Summary: System and Critique. The Crisis of Musical Knowledge in the Writings of Johann Mattheson 204
      Sažetak: Sistem i kritika.Kriza glazbenoga znanja u Johanna Matthesona 205
      Benedict Taylor: The Lost Chord: Sentimentality, Sincerity, and the Search for ‘Emotional Depth’ in 19th-Century Music 207-233
      Sažetak: Izgubljeni akord – Sentimentalnost, iskrenost i potraga za ‘osjećajnom dubinom’ u glazbi 19. stoljeća 233
      Charlotte Segond-Genovesi: La question du sens dans les passacailles de Chostakovitch: vers une interprétation socio-politique 235-268
      Summary: The Question of Sense in the Passacaglias by Shostakovich: Towards a Socio-Political Interpretation 268
      Sažetak: Pitanje smisla u passacagliama Dmitrija D. Šostakoviča: prema jednoj društveno-političkoj interpretaciji 268
      Kathleen Coessens: Musical Performance and 'Kairos': Exploring the Time and Space of Artistic Resonance 269-281
      Sažetak: Glazbena izvedba i kairos: istraživanje vremena i prostora umjetničke rezonancije 281
      Murray Dineen: The ‘Cellist’s Predicament, or Imagination, Ethics, and Musical Performance 283-297
      Sažetak: Violončelistova neprilika, ili zamišljaj, etika i glazbena izvedba 297
      Luiz E. Casteloes: A Catalogue of Musical Onomatopoeia 299-347
      Sažetak: Katalog glazbene onomatopeje 347
    • A Musicological Jeu d’esprit
      Edward Green: Haydn and Ellington: Parallel Lives? 349-351
    • Reviews and Information on Publications – Recenzije i obavijesti o izdanjima
      Edward Green: Karol BERGER, Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity (2007) 353-359
      Ennio Stipčević: Giulia NUTI, The Performance of Italian Basso Continuo. Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries (2007) 360-361
      Stanislav Tuksar: Robert Tallant LAUDON, The Era after the Baroque. Music and the Fine Arts 1750-1900 (2008) 361-362
    • CONTRIBUTORS - AUTHORI
      363-366
    • Erratum
      367

    Contents fixed: August 25, 2009
    Redakcija zaključena: 25. kolovoza 2009.

  5. IRASM, Vol. 40 No. 1, pp. 3-175 Zagreb, June 2009

    UDC: 78.01:78.06    CODEN: IRAMDA    ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Maciej Jochymczik: Musical Rhetoric in the Oeuvre of Father Amando Ivanschiz on Example of Selected Works 3-29
      Sažetak: Glazbena retorika u opusu oca Amanda Ivančića (Amando Ivanschiz) na primjeru nekih odabranih djela 29
      Damien Sagrillo: Joseph Haydns Volksliedbearbeitungen. Stilistische Beobachtungen. Bedeutung für sein Gesamtwerk 31-62
      Summary: Joseph Haydn’s Folksong Arrangements. Stylistic Remarks and Their Meaning within the Totality of His Oeuvre 60-61
      Sažetak: Haydnove obradbe narodnih pjesama. Stilske napomene i njihovo značenje u cjelini njegova opusa 61-62
      Eve Norah Pauset: Proust musicologue? Le positivisme ambigu ou: de sentir pour ecrire a sentir est ecrire 63-79
      Summary: Proust as Musicologist? An Ambiguous Positivism or from ‘Feeling for Writing’ to a ‘Feeling is Writing’ 79
      Sažetak: Proust kao muzikolog? Dvosmisleni pozitivizam ili: od osjećanja za pisanjem do osjećanja kao pisanja 79
      Barbara R. Barry: In Adorno’s Broken Mirror: Towards a Theory of Musical Reproduction 81-98
      Sažetak: U Adornovu slomljenom zrcalu: prema teoriji glazbene reprodukcije 98
      Irena Paulus: Stanley Kubrick’s Revolution in the Usage of Film Music: 2001: A Space Odyssey (1968) 99-126
      Sažetak: Revolucija Stanleya Kubricka u uporabi filmske glazbe: 2001: Odiseja u svemiru (1968) 127
      Oliver Kautny: Technoide Zeitparasiten – Die Überlastung der beschleunigten Welt 129-154
      Summary: Technoid Parasites of Time – Outwitting the Speed-up World 153-154
      Sažetak: Tehnoidni vremenski paraziti – nadmudrivanje jednog ubrzavajućeg svijeta 154
    • Reports on Scholarly Meetings – Izvještaji sa znanstvenih skupova
      157-159
      Pilar Ramos: Valencia (Spain) – Cours Vicente Ripollés (1867-1943) et l’historiographie musicale de son temps (2005) 155-157
      Ivan Ćurković: Budapest (Hungary) – Bartók’s Orbit. The Context and Sphere of Influence of His Work (2006)
      Stanislav Tuksar: Warsaw (Poland) – 12th Biennial International Conference on Baroque Music (2006) 159-161
      Katarina Šter: Ljubljana (Slovenia) – Functional and Autonomous in Music: Patterns and Meanings (2006) 161-164
      Vjera Katalinić: Zagreb (Croatia) – Musical Theatre as High Culture? Discourse on Opera and Operetta during the Late 19th Century (2006) 164-167
      Stanislav Tuksar: Bratislava (Slovakia) – Aurora musas nutrit. Die Jesuiten und die Kultur Mitteleuropas im 16.-18. Jahrhundert (2007) 167-169
      Ivan Ćurković: Leeds (U.K.) – 13th Biennial International Conference on Baroque Music (2008) 169-171
    • CONTRIBUTORS - AUTHORI
      173-175

    Contents fixed: February 15, 2009
    Redakcija zaključena: 15. veljače 2009.

  6. IRASM, Vol. 39 No. 2, pp. 137-272, Zagreb, December 2008

    UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Nicole GRIMES: In Search of Absolute Inwardness and Spiritual Subjectivity? The Historical and Ideological Context of Schumann’s ‘Neue Bahnen’ 139-163
      Sažetak: U potrazi za apsolutnom biti i duhovnom subjektivnošću? Povijesni i ideologijski kontekst Schumannova članka 'Novi putevi' ('Neue Bahnen') 163
      Zoltan ROMAN: The Rainbow at Sunset: The Quest for Renewal, and Musico-Poetic Exoticism in the Viennese Orbit from the 1890s to the 1920s 165-238
      Sažetak: Duga na zalasku sunca: zahtjev za obnovom i glazbeno-pjesnički egzoticizam u bečkom krugu u godinama 1890-1920. 238
      Edward GREEN: Music and the Victorian Mind: The Musical Aesthetics of the Rev. H.R. Haweis 239-256
      Sažetak: Glazba i viktorijanski um: estetika glazbe Vlč. H.R. Haweisa 256
    • REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
      Vjera KATALINIĆ, Violinski koncerti Ivana Jarnovića: glazbeni aspekt i društveni kontekst njihova uspjeha u 18. stoljeću (Violin Concertos by Ivan Jarnović/Giovanni Giornovichi: Musical Aspects and the Social Context of Their Success in the 18th Century (Ivano CAVALLINI) 257-261
      Peter Hill – Nigel Simeone: Oliver Messiaen: Oiseaux exotiques. Landmarks in Music since 1950 (Nina ČALOPEK) 261-263
      Simon FRITH, Taking Popular Music Seriously (Ozren BITI) 264-265
      Allan F. Moore (ed.), Critical Essay in Popular Musicology (Jana BOSANAC) 266-269
    • CONTRIBUTORS - AUTHORI
      133-135

    Contents fixed: October 4, 2008
    Redakcija zaključena: 4. listopada 2008.

  7. IRASM, Vol. 39 No. 1, pp. 3-135, Zagreb, June 2008

    UDC: 78.01:78.06    CODEN: IRAMDA    ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Peter HAUGE: Robert Fludd (1574-1637) – A Musical Charlatan? A Contextual Study of His Temple of Music (1617-18) 3-29
      Sažetak: Robert Fludd (1574-1637) – glazbeni šarlatan? Kontekstualno istraživanje njegova djela Temple of Music (1617-18) 29
      Mara PARKER: Le plus dous moment de ma vie“: Carlo Graziani and the Quest for Ideal Employment 31-56
      Sažetak: Najslađi trenutak mojega života“: Carlo Graziani i potraga za idealnim zaposlenjem 55-56
      Beverly Lewis PARKER: Art, Culture and Authenticity in South African Music 57-71
      Sažetak: Umjetnost, kultura i autentičnost u južnoafričkoj glazbi 71
      Jean-Nicolas DE SURMONT: From Oral Tradition to Commercial Industry: The Misunderstood Path of Popular Song 73-92
      Sažetak: Od usmene tradicije do komercijalne industrije: krivo shvaćeni putevi popularne pjesme 92
    • REPORTS – IZVJEŠTAJI
      David G. HEBERT: Reflections on Teaching the Aesthetics and Sociology of Music Online 93-103
    • REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
      Mark Evan BONDS, Music as Thought: Listening to the Symphony in the Age of Beethoven (Edward GREEN) 105-111
      Abigail CHANTLER, E. T. A. Hoffmann's Musical Aesthetics (Marta BLAŽANOVIĆ) 112-115
      Vedat KOSAL, Western Classical Music in the Ottoman Empire (Z. Gulcin OZKISI) 116-119
      Federico CELESTINI, Die Unordnung der Dinge: Die musikalische Groteske in der Wiener Moderne (1885–1914) (Nina ČALOPEK) 119-121
      Giles HOOPER, The Discourse of Musicology (Nikša GLIGO) 121-128
      Simon EMMERSON, Living Electronic Music (Nikša GLIGO) 129-132
    • CONTRIBUTORS - AUTHORI
      133-135

    Contents fixed: March 17, 2008
    Redakcija zaključena: 17. ožujka 2008.

  8. IRASM, Vol. 38 No. 2, pp. 131-272, Zagreb, December 2007

    UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Elvira PANAIOTIDI: The Myth of the Isomorphism 133-142
      Sažetak: Mit o izomorfnosti 142
      Edward GREEN: What Is Chapter 17 of Guido’s Micrologus About? – A Proposal for a New Answer 143-170
      Sažetak: O čemu se radi u 17. poglavlju Guidova Micrologusa? Prijedlog za novi odgovor 170
      Stefano A.E. LEONI: Western Middle-East Music Imagery in the Face of Napoleon's Enterprise in Egypt: From Mere Eurocentric Exoticism, to Very Organized Orientalistic Ears 171-196
      Sažetak: Zapadne glazbene slike Srednjega istoka u svjetlu Napoleonova pohoda na Egipat: od obične eurocentrične egzotike do vrlo organiziranih istočnjačkih ušiju 196
      Sanja MAJER-BOBETKO: Words on Music in Northern Croatia and Slavonia During the 19th Century and Until the World War I 197-216
      Sažetak: Riječi o glazbi u sjevernoj Hrvatskoj i Slavoniji tijekom 19. stoljeća i do Prvog svjetskog rata 215-216
      Eve-Norah PAUSET: Réenchanter la musicologie : un probleme français ? 217-228
      Summary: Re-enchant Musicology: A French Problem? 228
      Sažetak: Ponovno očarati muzikologiju: je li to francuski problem? 228
      Anna G. PIOTROWSKA: Modernist Composers and the Concept of Genius 229-242
      Sažetak: Skladatelji Moderne i pojam genija 242
    • REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
      Theophil ANTONICEK – Gernot GRUBER (Hrsg.), Musikwissenschaft als Kulturwissenschaft damals und heute (Nikša GLIGO) 243-249
      Cliff EISEN – Simon P. KEEFE (eds.), The Cambridge Mozart Encyclopedia (Edward GREEN) 249-253
      Miguel MERA – David BURNARD (eds.), European Film Music (Irena PAULUS) 253-255
      Anthony GRITTEN – Elaine KING (eds.), Music and Gesture (Vesna ROŽIĆ) 256-260
      Björn HEILE, The Music of Mauricio Kagel (Nikša GLIGO 261-265
      Norton DUDEQUE, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874 - 1951) (Marija BENIĆ ZOVKO) 265-268
    • CONTRIBUTORS - AUTHORI
      269-272

    Contents fixed: August 31, 2007
    Redakcija zaključena: 31. kolovoza 2007.

  9. IRASM, Vol. 38 No. 1, pp. 1-123, Zagreb, June 2007

    UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Masato YAKO: Recognition of Music and Beauty by Language Game 3-21
      Sažetak: Spoznaja glazbe i ljepote jezičnom igrom 21
      Beate KUTSCHKE: Johann Mattheson's Writings on Music and the Ethical Shift around 1700 23-38
      Sažetak: Sažetak: Napisi Johanna Matthesona o glazbi i etički pomak oko 1700. godine
      Marija BENIĆ-ZOVKO: Twelve-tone Technique and its Forms: Variation Techniques of Arnold Schoenberg's Variations for Orchestra Op. 31 39-53
      Sažetak: Dvanaesttonska tehnika i njezine forme: Varijacijske tehnike u Varijacijama za orkestar op. 31 Arnolda Schönberga 53
      Svetlana SARKISYAN: Le phénomene musical des films de Serguei Paradjanov 55-69
      Summary: The Musical Phenomenon in the Films of Sergey Paradianov 68
      Sažetak: Glazbeni fenomen u filmovima Sergeja Paradjanova 68-69
      Oswaldo LORENZO, Lucía HERRERA, Ioana ANASTASIU: Social Diffusion of Social Diffusion of Music in Spain Through the Popular Press 71-86
      Sažetak: Društveno širenje glazbe u Španjolskoj putem popularnog tiska 86
      Giles HOOPER: Nevermind Nirvana: A Post-Adornian Perspective 87-103
      Sažetak: Postadornovska perspektiva Nirvanina albuma Nevermind 103
    • REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
      Jeremy BARHAM (ed.), Perspectives on Gustav Mahler (Domagoj MARIĆ) 105-107
      Michal GROVER-FRIEDLANDER, Vocal Apparitions: The Attraction of Cinema to Opera (Irena PAULUS) 108-110
      Michael BEICHE - Albrecht RIETHMÜLLER (Hg.), Musik - Zu Begriff und Konzepten. Berliner Symposion zum Andenken an Hans Heinrich Eggebrecht (Nikša GLIGO) 110-116
      Anno MUNGEN, "BilderMusik". Panoramen, Tableaux vivants und Lichtbilder als multimediale Darstellungsformen in Theater- und Musikaufführungen vom 19. bis zum frühen 20. Jahrhundert (Nikša GLIGO) 116-120
    • CONTRIBUTORS - AUTHORI
      121-123

    Contents fixed: November 23, 2006
    Redakcija zaključena: 23. studenog 2006.

  10. IRASM, Vol. 37 No. 2, pp. 121-237, Zagreb, December 2006

    UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Robert Tallant LAUDON: The Elements of Expression in Music. A Psychological View 123-133
      Sažetak: Elementi ekspresije u glazbi. Psihologijsko stajalište 133
      Candace BAILEY: Orlando Gibbons, Keyboard Music, and the Beginnings of the Baroque: New Considerations of a Musical Style 135-156
      Sažetak: Orlando Gibbons, glazba za instrumente s tipkama i početci baroka: nova razmatranja o glazbenom stilu 156
      Edward GREEN: Biography as Ethics: A Study in the Combat Between Respect and Contempt in the Mind of Felix Mendelssohn 157-166
      Sažetak: Biografija kao etika: Istraživanje sukoba između poštovanja i prijezira u svijesti Felixa Mendelssohna 166
      Sven Oliver MÜLLER: Distinktion, Demonstration und Disziplinierung: Veränderungen im Publikumsverhalten in Londoner und Berliner Opernhäusern im 19. Jahrhundert 167-187
      Summary: Distinction, Demonstration and Enforcement of Discipline: Changes in Audience Behaviour in London and Berlin Opera Houses in the 19th Century 186
      Sažetak: Distinkcija, predstavljanje i discipliniranje: Promjene u ponašanju publike u opernim kućama Londona i Berlina u 19. stoljeću 186-187
      Dorothiya FABIAN: The Recordings of Joachim, Ysaye and Sarasate in Light of their Reception by Nineteenth-Century British Critics 189-211
      Sažetak: Snimke Josepha Joachima, Eugenea Ysayea i Pabla Sarasatea u svijetlu njihove recepcije kod britanskih kritičara 19. stoljeća 211
      Rosemary YEOLAND – Agnes HAFEZ ERGAUT: Camille Mauclair: Critique et compétences 213-224
      Summary: Camille Mauclair: Critique and Competences 223
      Sažetak: Camille Mauclair:Kritičar i kompetencije 224
      Mladen MALETIĆ – Branko HANŽEK – Mladen ROGINA: Vinko Dvořák Sliding Tones: Do They Exist? 225-232
      Sažetak: Postoje li klizni tonovi Vinka Dvořáka 232
    • CONTRIBUTORS - AUTHORI
      233-237

    Contents fixed: September 30, 2006
    Redakcija zaključena: 30. rujna 2006.

  11. IRASM, Vol. 37 No. 1, pp. 3-XXX, Zagreb, June 2006

    UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Richard CARLTON:Changes in Status and Role-Play: The Musician at the End of the Eighteenth Century 3-16
      Sažetak: Promjene u statusu i ulozi: Glazbenik krajem osamnaestog stoljeća 16
      Amy GRAZIANO - Julene JOHNSON:The Influence of Scientific Research on Nineteenth-Century Musical Thought: The Work of Richard Wallaschek 17-32
      Sažetak: Utjecaj znanstvenog istraživanja na glazbenu misao 19. stoljeća: djelo Richarda Wallascheka 32
      Mineo OTA:Why is the 'Spirit' of Folk Music so Important? On the Historical Background of Béla Bartók's Views of Folk Music 33-46
      Sažetak: Zašto je 'duh' folklorne glazbe tako važan? O povijesnoj pozadini nazora Béle Bartóka o folklornoj glazbi 46
      Koray DEGIRMENCI:On the Pursuit of a Nation: The Construction of Folk and Folk Music in the Founding Decades of the Turkish Republic 47-65
      Sažetak: U potrazi za nacijom: Konstrukcija naroda i folklorne glazbe u osnivačkim desetljećima Turske republike 65
      Bojan BUJIĆ:"Navigating through the past": Issues Facing an Historian of Music in Bosnia 67-84
      Sažetak: 'Plovljenje kroz prošlosti': Problemi s kojima se suočava historičar glazbe u Bosni 84
      John NAPIER:A "Failed" Unison or Conscious Differentiation: The Notion of "Heterophony" in North Indian Vocal Performance 85-108
      Sažetak: "Neuspjeli" unisono ili svjesno razlikovanje: pojam "heterofonije" u vokalnom izvodilaštvu sjeverne Indije 108
    • REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
    • CONTRIBUTORS - AUTHORI

    Contents fixed: March 24, 2006.
    Redakcija zaključena: 24. ožujka 2006.

  12. IRASM, Vol. 36 No. 2, pp. 227-319, Zagreb, December 2005

    UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Edward GREEN:Donald Francis Tovey, Aesthetic Realism, and the Need for a Philosophic Musicology 227-248
      Sažetak: Donald Francis Tovey, estetički realizam i potreba za filozofijskom muzikologijom 248
      Liz GARNETT:Choral Singing as Bodily Regime 249-269
      Sažetak: Zborsko pjevanje kao tjelesni režim 269
      Swetlana SARKISJAN:Die Streichquartette S. Gubaidulinas als Versuch der Erschliessung des sonoristischen Raumes 271-286
      Summary: String Quartets by Sofia Gubaidulina as an Attempt of Opening a Sonoric Space 284-285
      Sažetak: Gudaći kvarteti Sofije Gubaiduline kao pokušaj otvaranja zvukovnog prostora 285-286
      Dunja DEGMEČIĆ, Ivan POŽGAIN & Pavo FILAKOVIĆ:Music as a Therapy 287-300
      Sažetak: Glazba kao terapija 300
    • REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
      Katharine NORMAN, Sounding Art. Eight Literary Excursions through Electronic Music (Nikša GLIGO) 301-303
      Michael CUSTODIS, Die soziale Isolation der neuen Musik. Zum Kölner Musikleben nach 1945 (Nikša GLIGO) 303-305
      Christian THORAU, Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners (Dalibor DAVIDOVIĆ) 305-312
      Pauline RAFFERTY - Rob HIDDERLEY, Indexing Multimedia and Creative Works. The Problems of Meaning and Interpretation (Nikša GLIGO) 313-315
    • CONTRIBUTORS - AUTHORI
      317-319

    Contents fixed: September 1, 2005.
    Redakcija zaključena: 1. rujna 2005.

  13. IRASM, Vol. 36 No. 1, pp. 3-224, Zagreb, June 2005

    UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796

    CONTENTS - SADRŽAJ

      Introduction: Critical Theories and Musicology (Martina VILJOEN) 3-6
      Uvod: Kritičke teorije i muzikologija (Martina VILJOEN) 7-10
    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Johann VISAGIE: Applying Critical Tools to Critical Theory - With Some Remarks on the Implications for Musicology 11-36
      Sažetak: Primjenjujući kritička sredstva na kritičku teoriju. Uz nekoliko primjedbi na implikacije u muzikologiji 35-36
      Christopher NORRIS: Music Theory, Analysis and Deconstruction: How They Might (Just) Get along Together 37-82
      Sažetak: Glazbena teorija, analiza i dekonstrukcija: kako bi se mogle (barem) slagati 81-82
      Martina VILJOEN: Ideology and Interpretation: A Figurative Semiotics of Musical Discourse 83-99
      Sažetak: Ideologija i interpretacija: figurativna semiotika glazbenog diskursa 88-89
      Stephanus J.v.Z. MULLER: Music Criticism and Adorno 101-116
      Sažetak: Glazbena kritika i Adorno 116
      Shirli GILBERT: Music as Historical Source: Social History and Musical Texts 117-134
      Sažetak: Glazba kao povijesni izvor: socijalna povijest i glazbeni tekstovi 134
      Bert OLIVIER: Lacan and Critical Musicology 135-158
      Sažetak: Lacan i kritička muzikologija 157-158
      Andrea HURST: Derrida's Quasi-Transcendental Interwaving of Invention and Interpretation 159-178
      Sažetak: Kvazi transcendentalna protkanost invencije i interpretacije Jacquesa Derridae 178
      Suzanne de VILLIERS HUMAN: Explosions in Visual Art, Literature and Music 179-197
      Sažetak: Prskanja u likovnim umjetnostima, književnosti i glazbi 197
      Michael TITLESTAD & Martina VILJOEN: Festive Critique and Agency in Felix Laband's 4/4 Down the Stairs 199-220
      Sažetak: Svečana kritika i djelovanje u djelu 4/4 Down the Stairs Felixa Labanda 220
    • CONTRIBUTORS - AUTHORI
      221-224

    Contents fixed: January 14, 2005
    Redakcija zaključena: 14. siječnja 2005.


  14. IRASM, Vol. 35 No. 2, pp. 127-223, Zagreb, December 2004

    35/2 - December / prosinac 2004:
    UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Hellmut FEDERHOFER: Theodor W. Adornos Beethoven-Deutung 127-137
      Summary: Beethoven-Meaning by Theodor W. Adorno 136-137
      Sažetak: Beethovenovo značenje kod Adorna 137
      Richard A. CARLTON: The 'Satanic' in Opera and in Popular Belief 139-150
      Sažetak: 'Sotonsko' u operi i popularnom vjerovanju 149
      Howard IRVING: 'The Necessity of Giving Continual and Fatiguing Lessons':
      William Crotch on Music Teaching in London      		 151-167
      Sažetak: 'Nužnost davanja stalnih i zamarajućih satova':
      William Crotch o podučavanju glazbe u Londonu      		 167
      Napoleon ONO IMAAH: Music - A Source of Inspiration and Harmony to Architecture - An African View 169-182
      Sažetak: Glazba kao izvor nadahnuća i harmonije u arhitekturi - jedan afrički pogled 181-182
      Branko HANŽEK: The Genealogy of Science and Acoustics - A Supplement to the Description of the Role of Vinko Dvořák 183-210
      Sažetak: Genealogija znanosti i akustika. Uz prikaz uloge Vinka Dvořáka 209-210
    • REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
      Christopher BUTLER, Pleasure and the Arts: Enjoying Literature, Painting, and Music (Edward GREEN) 211-214
      Michael KLAPER, Die Musikgeschichte der Abtei Reichenau im 10. und 11. Jahrhundert. Ein Versuch (Hana BREKO KUSTURA) 214-216
      Roger SCRUTON, Death - Devoted Heart. Sex and the Sacred in Wagner's Tristan and Isolde (Vesna ROŽIĆ) 217-220
    • CONTRIBUTORS - AUTHORI
      221-223

    Contents fixed: October 30, 2004
    Redakcija zaključena: 30. listopada 2004.


  15. IRASM, Vol. 35 No. 1, pp. 3-124, Zagreb, June 2004

    35/1 - June / lipanj 2004:
    UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796

    CONTENTS - SADRŽAJ

    • ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
      Martina VILJOEN: Questions of Musical Meaning: An Ideology-Critical Approach 3-28
      Sažetak: Pitanja glazbenog značenja: ideologijsko-kritički pristup 27-28
      Harry WHITE: Art Music and the Question of Ethnicity: the Slavic Dimension of Czech Music from an Irish Point of View 29-46
      Sažetak: Umjetnička glazba i problem etniciteta: slavenska dimenzija češke glazbe s irskog motrišta 45-46
      Timothy A. COLLINS: Musica secreta strumentali. The Aesthetics and Practice of Private Solo Instrumental Performance in the Age of Monody (ca. 1580 - ca. 1610) 47-62
      Sažetak: Musica secreta strumentali. Estetika i praksa privatnih solističkih izvedbi u razdoblju monodije (oko 1580. do oko 1610.) 62
      William A. EVERETT: Opera and National Identity in Nineteenth-Century Croatian and Czech Lands 63-69
      Sažetak: Opera i nacionalni identitet u 19. stoljeću u hrvatskim i češkim zemljama 69
      Daiva ŠEŠKAUSKAITE: Sutartines and Balkan Diaphonic Songs 71-92
      Sažetak: Sutartines i balkanske dijafonijske pjesme 92
    • REVIEWS AND INFORMATION ON PUBLICATIONS - RECENZIJE I OBAVIJESTI O IZDANJIMA
      Christine BLANKEN, Franz Schuberts 'Lazarus' und das Wiener Oratorium zu Beginn des 19. Jahrhunderts (Snježana MIKLAUŠIĆ-ĆERAN) 93-96
      Mikuláš BEK, Konzervatoř Evropy? K sociologii české hudebnosti (Conservatory of Europe? A contribution to the sociology of the Czech musicality) (Leon STEFANIJA) 97-99
      Jerrold LEVINSON (ed.), The Oxford Handbook of Aesthetics (Vesna ROŽIĆ) 99-103
      Martin CLAYTON - Trevor HERBERT - Richard MIDDLETON (Eds.), The Cultural Study of Music (Nikša GLIGO) 104-117
      Lada DURAKOVIĆ, Pulski glazbeni život u razdoblju fašističke diktature 1926.-1943. (Music Life in Pula During the Period of the Fascist Dictatorship, 1926-1943) (Stanislav TUKSAR) 117-122
    • CONTRIBUTORS - AUTHORI
      123-124

    Contents fixed: April 23, 2004
    Redakcija zaključena: 23. travnja 2004.
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Glagoljaško pjevanje u Kraljevici Gorana Doliner
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Najstarija misna knjiga srednjovjekovne Pule Hana Breko Kustura
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Lada Duraković: Ideologija i glazbeni život Lada Duraković
Ideologija i glazbeni život:
Pula 1945.-1966.

Ivano Cavallini – Harry White, ur. / eds.: Musicologie sans frontieres <br> Muzikologija bez granica <br> Musicology without Frontiers Ivano Cavallini – Harry White, ur. / eds.
Musicologie sans frontieres
Muzikologija bez granica
Musicology without Frontiers
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Essays in Honour of Stanislav Tuksar

Lada Duraković: Ideologija i glazbeni život dr. sc. Grozdane Marošević
Glazba četiriju rijeka
Povijest glazbe Karlovačkog Pokuplja

Juliana Ličinić Van Walstijn: TEATRO DI POESIA Juliana Ličinić Van Walstijn
"Teatro di poesia" in the Opera House:
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Sanja Majer-Bobetko, Zdravko Blažeković, Gorana Doliner: TEATRO DI POESIA Sanja Majer-Bobetko
Zdravko Blažeković
Gorana Doliner
Hrvatska glazbena historiografija
u 19. stoljeću
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