International Review of the Aesthetics and Sociology of Music (IRASM)
International Review of the Aesthetics and Sociology of Music (IRASM)
IRASM je jedini časopis za estetiku i sociologiju glazbe u svijetu. Izlazi kontinuirano od 1970. U njemu je dosad objavljeno preko 640 članaka više od stotinu istaknutih svjetskih i domaćih muzikologa, sociologa i estetičara iz 27 zemalja. Članci se objavljuju na engleskom, francuskom i njemačkom sa sažecima na hrvatskom jeziku.
IRASM is the only world journal specialized for the aesthetics and sociology of music. It has been published continuously since 1970, with more than 640 articles by over 100 outstanding musicologists, sociologists and aestheticians coming from 27 countries all over the world. Articles are published in English, French and German, with summaries in Croatian.
Submission guidelines for the International Review of the Aesthetics and Sociology of Music (IRASM)
Manuscripts in English, French or German (with a half-page abstract in the language of the article, and a one-page summary in English) in two clear copies typed with double spacing between all lines, including footnotes, illustrations and music examples (both ready to print), together with a computer diskette or CD-ROM in Word for Windows or Macintosh, should be sent to: IRASM, Opatička 18, HR-10000 Zagreb, Croatia.
Articles can also be preliminary announced and/or submitted by e-mail on: tuxar@hazu.hr (for: Stanislav Tuksar, Editor-in-Chief of the IRASM).
Authors are responsible for obtaining permission to publish each of their illustrations and music examples.
All articles are reviewed.
- Articles are reported in:
-
- Arts and Humanities Citation Index
- RILM (Répertoire International de la Littérature Musicale)
- Bibliographie des Musikschrifttums
- The Music Index
- Zeitschriftendienst Musik, Deutsches Bibliothekinstitut
ISSN 0351-5796
Sv. / Vol. 32, br. / Nos 1&2, 2001
Sv. / Vol. 33,br. / Nos 1&2, 2002
(i svesci ranijih godina/and back issues annualy):
Kn 390,00 + tuzemna poštarina
US$ 60.00 + postage
(US$ 10-14 per volume air mail)
IRASM, Vol. 38 No. 1, pp. 1-123, Zagreb, June 2007
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Masato YAKO: Recognition of Music and Beauty by Language Game |
3-21 |
| Sažetak: Spoznaja glazbe i ljepote jezičnom igrom |
21 |
| Beate KUTSCHKE: Johann Mattheson's Writings on Music and the Ethical Shift around 1700 |
23-38 |
| Sažetak: Sažetak: Napisi Johanna Matthesona o glazbi i etički pomak oko 1700. godine |
|
| Marija BENIĆ-ZOVKO: Twelve-tone Technique and its Forms: Variation Techniques of Arnold Schoenberg's Variations for Orchestra Op. 31 |
39-53 |
| Sažetak: Dvanaesttonska tehnika i njezine forme: Varijacijske tehnike u Varijacijama za orkestar op. 31 Arnolda Schönberga |
53 |
| Svetlana SARKISYAN: Le phénomene musical des films de Serguei Paradjanov |
55-69 |
| Summary: The Musical Phenomenon in the Films of Sergey Paradianov |
68 |
| Sažetak: Glazbeni fenomen u filmovima Sergeja Paradjanova |
68-69 |
| Oswaldo LORENZO, Lucía HERRERA, Ioana ANASTASIU: Social Diffusion of Social Diffusion of Music in Spain Through the Popular Press |
71-86 |
| Sažetak: Društveno širenje glazbe u Španjolskoj putem popularnog
tiska |
86 |
| Giles HOOPER: Nevermind Nirvana: A Post-Adornian Perspective |
87-103 |
| Sažetak: Postadornovska perspektiva Nirvanina albuma Nevermind |
103 |
- REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
| Jeremy BARHAM (ed.), Perspectives on Gustav Mahler (Domagoj MARIĆ) |
105-107 |
| Michal GROVER-FRIEDLANDER, Vocal Apparitions: The Attraction of Cinema to Opera (Irena PAULUS) |
108-110 |
| Michael BEICHE - Albrecht RIETHMÜLLER (Hg.), Musik - Zu Begriff und Konzepten.
Berliner Symposion zum Andenken an Hans Heinrich Eggebrecht (Nikša
GLIGO) |
110-116 |
| Anno MUNGEN, "BilderMusik". Panoramen, Tableaux vivants und Lichtbilder als
multimediale Darstellungsformen in Theater- und Musikaufführungen vom
19. bis zum frühen 20. Jahrhundert (Nikša GLIGO) |
116-120 |
- CONTRIBUTORS - AUTHORI
121-123
Contents fixed: November 23, 2006
Redakcija zaključena: 23. studenog 2006.
IRASM, Vol. 37 No. 2, pp. 121-237, Zagreb, December 2006
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Robert Tallant LAUDON: The Elements of Expression in Music. A Psychological View |
123-133 |
| Sažetak: Elementi ekspresije u glazbi. Psihologijsko stajalište |
133 |
| Candace BAILEY: Orlando Gibbons, Keyboard Music, and the Beginnings of the Baroque: New Considerations of a Musical Style |
135-156 |
| Sažetak: Orlando Gibbons, glazba za instrumente s tipkama i početci baroka: nova razmatranja o glazbenom stilu |
156 |
| Edward GREEN: Biography as Ethics: A Study in the Combat Between Respect and Contempt in the Mind of Felix Mendelssohn |
157-166 |
| Sažetak: Biografija kao etika: Istraživanje sukoba između poštovanja i prijezira u svijesti Felixa Mendelssohna |
166 |
| Sven Oliver MÜLLER: Distinktion, Demonstration und Disziplinierung: Veränderungen im Publikumsverhalten in Londoner und Berliner Opernhäusern im 19. Jahrhundert |
167-187 |
| Summary: Distinction, Demonstration and Enforcement of Discipline: Changes in Audience Behaviour in London and Berlin Opera Houses in the 19th Century |
186 |
| Sažetak: Distinkcija, predstavljanje i discipliniranje: Promjene u ponašanju publike u opernim kućama Londona i Berlina u 19. stoljeću |
186-187 |
| Dorothiya FABIAN: The Recordings of Joachim, Ysaye and Sarasate in Light of their Reception by Nineteenth-Century British Critics |
189-211 |
| Sažetak: Snimke Josepha Joachima, Eugenea Ysayea i Pabla Sarasatea u svijetlu njihove recepcije kod britanskih kritičara 19. stoljeća |
211 |
| Rosemary YEOLAND – Agnes HAFEZ ERGAUT: Camille Mauclair: Critique et compétences |
213-224 |
| Summary: Camille Mauclair: Critique and Competences |
223 |
| Sažetak: Camille Mauclair:Kritičar i kompetencije |
224 |
| Mladen MALETIĆ – Branko HANŽEK – Mladen ROGINA: Vinko Dvořák Sliding Tones: Do They Exist? |
225-232 |
| Sažetak: Postoje li klizni tonovi Vinka Dvořáka |
232 |
- CONTRIBUTORS - AUTHORI
233-237
Contents fixed: September 30, 2006
Redakcija zaključena: 30. rujna 2006.
IRASM, Vol. 37 No. 1, pp. 3-XXX, Zagreb, June 2006
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Richard CARLTON:Changes in Status and Role-Play: The Musician at the End of the Eighteenth Century |
3-16 |
| Sažetak: Promjene u statusu i ulozi: Glazbenik krajem osamnaestog stoljeća |
16 |
| Amy GRAZIANO - Julene JOHNSON:The Influence of Scientific Research on Nineteenth-Century Musical Thought: The Work of Richard Wallaschek |
17-32 |
| Sažetak: Utjecaj znanstvenog istraživanja na glazbenu misao 19. stoljeća: djelo Richarda Wallascheka |
32 |
| Mineo OTA:Why is the 'Spirit' of Folk Music so Important? On the Historical Background of Béla Bartók's Views of Folk Music |
33-46 |
| Sažetak: Zašto je 'duh' folklorne glazbe tako važan? O povijesnoj pozadini nazora Béle Bartóka o folklornoj glazbi |
46 |
| Koray DEGIRMENCI:On the Pursuit of a Nation: The Construction of Folk and Folk Music in the Founding Decades of the Turkish Republic |
47-65 |
| Sažetak: U potrazi za nacijom: Konstrukcija naroda i folklorne glazbe u osnivačkim desetljećima Turske republike |
65 |
| Bojan BUJIĆ:"Navigating through the past": Issues Facing an Historian of Music in Bosnia |
67-84 |
| Sažetak: 'Plovljenje kroz prošlosti': Problemi s kojima se suočava historičar glazbe u Bosni |
84 |
| John NAPIER:A "Failed" Unison or Conscious Differentiation: The Notion of "Heterophony" in North Indian Vocal Performance |
85-108 |
| Sažetak: "Neuspjeli" unisono ili svjesno razlikovanje: pojam "heterofonije" u vokalnom izvodilaštvu sjeverne Indije |
108 |
- REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
- CONTRIBUTORS - AUTHORI
Contents fixed: March 24, 2006.
Redakcija zaključena: 24. ožujka 2006.
IRASM, Vol. 36 No. 2, pp. 227-319, Zagreb, December 2005
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Edward GREEN:Donald Francis Tovey, Aesthetic Realism, and the Need for a Philosophic Musicology |
227-248 |
| Sažetak: Donald Francis Tovey, estetički realizam i potreba za filozofijskom muzikologijom |
248 |
| Liz GARNETT:Choral Singing as Bodily Regime |
249-269 |
| Sažetak: Zborsko pjevanje kao tjelesni režim |
269 |
| Swetlana SARKISJAN:Die Streichquartette S. Gubaidulinas als Versuch der Erschliessung des sonoristischen Raumes |
271-286 |
| Summary: String Quartets by Sofia Gubaidulina as an Attempt of Opening a Sonoric Space |
284-285 |
| Sažetak: Gudaći kvarteti Sofije Gubaiduline kao pokušaj otvaranja zvukovnog prostora |
285-286 |
| Dunja DEGMEČIĆ, Ivan POŽGAIN & Pavo FILAKOVIĆ:Music as a Therapy |
287-300 |
| Sažetak: Glazba kao terapija |
300 |
- REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
| Katharine NORMAN, Sounding Art. Eight Literary Excursions through Electronic Music (Nikša GLIGO) |
301-303 |
| Michael CUSTODIS, Die soziale Isolation der neuen Musik. Zum Kölner Musikleben nach 1945 (Nikša GLIGO) |
303-305 |
| Christian THORAU, Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners (Dalibor DAVIDOVIĆ) |
305-312 |
| Pauline RAFFERTY - Rob HIDDERLEY, Indexing Multimedia and Creative Works. The Problems of Meaning and Interpretation (Nikša GLIGO) |
313-315 |
- CONTRIBUTORS - AUTHORI
317-319
Contents fixed: September 1, 2005.
Redakcija zaključena: 1. rujna 2005.
IRASM, Vol. 36 No. 1, pp. 3-224, Zagreb, June 2005
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
| Introduction: Critical Theories and Musicology (Martina VILJOEN) |
3-6 |
| Uvod: Kritičke teorije i muzikologija (Martina VILJOEN) |
7-10 |
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Johann VISAGIE: Applying Critical Tools to Critical Theory - With Some Remarks on the Implications for Musicology |
11-36 |
| Sažetak: Primjenjujući kritička sredstva na kritičku teoriju. Uz nekoliko primjedbi na implikacije u muzikologiji |
35-36 |
| Christopher NORRIS: Music Theory, Analysis and Deconstruction: How They Might (Just) Get along Together |
37-82 |
| Sažetak: Glazbena teorija, analiza i dekonstrukcija: kako bi se mogle (barem) slagati |
81-82 |
| Martina VILJOEN: Ideology and Interpretation: A Figurative Semiotics of Musical Discourse |
83-99 |
| Sažetak: Ideologija i interpretacija: figurativna semiotika glazbenog diskursa |
88-89 |
| Stephanus J.v.Z. MULLER: Music Criticism and Adorno |
101-116 |
| Sažetak: Glazbena kritika i Adorno |
116 |
| Shirli GILBERT: Music as Historical Source: Social History and Musical Texts |
117-134 |
| Sažetak: Glazba kao povijesni izvor: socijalna povijest i glazbeni tekstovi |
134 |
| Bert OLIVIER: Lacan and Critical Musicology |
135-158 |
| Sažetak: Lacan i kritička muzikologija |
157-158 |
| Andrea HURST: Derrida's Quasi-Transcendental Interwaving of Invention and Interpretation |
159-178 |
| Sažetak: Kvazi transcendentalna protkanost invencije i interpretacije Jacquesa Derridae |
178 |
| Suzanne de VILLIERS HUMAN: Explosions in Visual Art, Literature and Music |
179-197 |
| Sažetak: Prskanja u likovnim umjetnostima, književnosti i glazbi |
197 |
| Michael TITLESTAD & Martina VILJOEN: Festive Critique and Agency in Felix Laband's 4/4 Down the Stairs |
199-220 |
| Sažetak: Svečana kritika i djelovanje u djelu 4/4 Down the Stairs Felixa Labanda |
220 |
- CONTRIBUTORS - AUTHORI
221-224
Contents fixed: January 14, 2005
Redakcija zaključena: 14. siječnja 2005.
IRASM, Vol. 35 No. 2, pp. 127-223, Zagreb, December 2004
35/2 - December / prosinac 2004:
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Hellmut FEDERHOFER: Theodor W. Adornos Beethoven-Deutung |
127-137 |
| Summary: Beethoven-Meaning by Theodor W. Adorno |
136-137 |
| Sažetak: Beethovenovo značenje kod Adorna |
137 |
| Richard A. CARLTON: The 'Satanic' in Opera and in Popular Belief |
139-150 |
| Sažetak: 'Sotonsko' u operi i popularnom vjerovanju |
149 |
Howard IRVING: 'The Necessity of Giving Continual and Fatiguing Lessons':
William Crotch on Music Teaching in London |
151-167 |
Sažetak: 'Nužnost davanja stalnih i zamarajućih satova':
William Crotch o podučavanju glazbe u Londonu |
167 |
| Napoleon ONO IMAAH: Music - A Source of Inspiration and Harmony to Architecture - An African View |
169-182 |
| Sažetak: Glazba kao izvor nadahnuća i harmonije u arhitekturi - jedan afrički pogled |
181-182 |
| Branko HANŽEK: The Genealogy of Science and Acoustics - A Supplement to the Description of the Role of Vinko Dvořák |
183-210 |
| Sažetak: Genealogija znanosti i akustika. Uz prikaz uloge Vinka Dvořáka |
209-210 |
- REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
| Christopher BUTLER, Pleasure and the Arts: Enjoying Literature, Painting, and Music (Edward GREEN) |
211-214 |
| Michael KLAPER, Die Musikgeschichte der Abtei Reichenau im 10. und 11. Jahrhundert. Ein Versuch (Hana BREKO KUSTURA) |
214-216 |
| Roger SCRUTON, Death - Devoted Heart. Sex and the Sacred in Wagner's Tristan and Isolde (Vesna ROŽIĆ) |
217-220 |
- CONTRIBUTORS - AUTHORI
221-223
Contents fixed: October 30, 2004
Redakcija zaključena: 30. listopada 2004.
IRASM, Vol. 35 No. 1, pp. 3-124, Zagreb, June 2004
35/1 - June / lipanj 2004:
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Martina VILJOEN: Questions of Musical Meaning: An Ideology-Critical Approach |
3-28 |
| Sažetak: Pitanja glazbenog značenja: ideologijsko-kritički pristup |
27-28 |
| Harry WHITE: Art Music and the Question of Ethnicity: the Slavic Dimension of Czech Music from an Irish Point of View |
29-46 |
| Sažetak: Umjetnička glazba i problem etniciteta: slavenska dimenzija češke glazbe s irskog motrišta |
45-46 |
| Timothy A. COLLINS: Musica secreta strumentali. The Aesthetics and Practice of Private Solo Instrumental Performance in the Age of Monody (ca. 1580 - ca. 1610) |
47-62 |
| Sažetak: Musica secreta strumentali. Estetika i praksa privatnih solističkih izvedbi u razdoblju monodije (oko 1580. do oko 1610.) |
62 |
| William A. EVERETT: Opera and National Identity in Nineteenth-Century Croatian and Czech Lands |
63-69 |
| Sažetak: Opera i nacionalni identitet u 19. stoljeću u hrvatskim i češkim zemljama |
69 |
| Daiva ŠEŠKAUSKAITE: Sutartines and Balkan Diaphonic Songs |
71-92 |
| Sažetak: Sutartines i balkanske dijafonijske pjesme |
92 |
- REVIEWS AND INFORMATION ON PUBLICATIONS - RECENZIJE I OBAVIJESTI O IZDANJIMA
| Christine BLANKEN, Franz Schuberts 'Lazarus' und das Wiener Oratorium zu Beginn des 19. Jahrhunderts (Snježana MIKLAUŠIĆ-ĆERAN) |
93-96 |
| Mikuláš BEK, Konzervatoř Evropy? K sociologii české hudebnosti (Conservatory of Europe? A contribution to the sociology of
the Czech musicality) (Leon STEFANIJA) |
97-99 |
| Jerrold LEVINSON (ed.), The Oxford Handbook of Aesthetics (Vesna ROŽIĆ) |
99-103 |
| Martin CLAYTON - Trevor HERBERT - Richard MIDDLETON (Eds.), The Cultural Study of Music (Nikša GLIGO) |
104-117 |
| Lada DURAKOVIĆ, Pulski glazbeni život u razdoblju fašističke diktature 1926.-1943. (Music Life in Pula During the Period of the Fascist Dictatorship, 1926-1943) (Stanislav TUKSAR) |
117-122 |
|
|
- CONTRIBUTORS - AUTHORI
123-124
Contents fixed: April 23, 2004
Redakcija zaključena: 23. travnja 2004.
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