International Review of the Aesthetics and Sociology of Music (IRASM)
International Review of the Aesthetics and Sociology of Music (IRASM)
IRASM je jedini časopis za estetiku i sociologiju glazbe u svijetu. Izlazi kontinuirano od 1970. U njemu je dosad objavljeno preko 640 članaka više od stotinu istaknutih svjetskih i domaćih muzikologa, sociologa i estetičara iz 27 zemalja. Članci se objavljuju na engleskom, francuskom i njemačkom sa sažecima na hrvatskom jeziku.
IRASM is the only world journal specialized for the aesthetics and sociology of music. It has been published continuously since 1970, with more than 640 articles by over 100 outstanding musicologists, sociologists and aestheticians coming from 27 countries all over the world. Articles are published in English, French and German, with summaries in Croatian.
Submission guidelines for the International Review of the Aesthetics and Sociology of Music (IRASM)
Manuscripts in English, French or German (with a half-page abstract in the language of the article, and a one-page summary in English) in two clear copies typed with double spacing between all lines, including footnotes, illustrations and music examples (both ready to print), together with a computer diskette or CD-ROM in Word for Windows or Macintosh, should be sent to: IRASM, Opatička 18, HR-10000 Zagreb, Croatia.
Articles can also be preliminary announced and/or submitted by e-mail on: tuxar@hazu.hr (for: Stanislav Tuksar, Editor-in-Chief of the IRASM).
Authors are responsible for obtaining permission to publish each of their illustrations and music examples.
All articles are reviewed.
- Articles are reported in:
-
- Arts and Humanities Citation Index
- RILM (Répertoire International de la Littérature Musicale)
- Bibliographie des Musikschrifttums
- The Music Index
- Zeitschriftendienst Musik, Deutsches Bibliothekinstitut
ISSN 0351-5796
Sv. / Vol. 32, br. / Nos 1&2, 2001
Sv. / Vol. 33,br. / Nos 1&2, 2002
|
Kn 390,00 + tuzemna poštarina
US$ 60.00 + postage
(US$ 10-14 per volume air mail)
|
(i svesci ranijih godina/and back issues annualy):
IRASM, Vol. 42 No. 1, pp. 3-215 Zagreb, June 2011
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Lee Blackstone (USA): Remixing the Music of the Spheres: Listening to the Relevance of an Ancient Doctrine for the Sociology of Music |
3-31 |
| Heather Platt (USA): Probing the Meaning of Brahms’s Allusions To Haydn |
33-58 |
| Edward Green (USA): Steiner, Korngold and the Musical Expression of Physical Space – A Preliminary Note |
59-78 |
| Lee G. Barrow (USA): Guilt by Association: The Effect of Attitudes toward Fascism on the Critical Assessment of the Music of Ottorino Respighi |
79-95 |
| Koray Degirmenci (Turkey): 'Local Music From Out There': Roman (Gypsy) Music as World Music in Turkey |
97-124 |
| Oswaldo Lorenzo – Lucía Herrera – Roberto Cremades (Spain): Influence on the Musical Preferences of Spanish Adolescents: A Sociological Analysis |
125-144 |
| Mutasem Adileh (Jerusalem): Arabic Music between the Hammer of Technological Creativity and the Anvil of Cultural Identity (A Critical Study) |
145-163 |
| Simon McKerrell (UK): Sound Performing: Sound Aesthetics among Competitive Pipers |
165-187 |
| Imani Sanga (Tanzania): Mzungu Kichaa and the Figuring of Identity in Bongo Fleva Music in Tanzania |
189-208 |
- Contributors – Autori
209-215
Contents fixed: March 22, 2011
Redakcija zaključena: 22. ožujka 2011.
IRASM, Vol. 41 No. 2, pp. 161-394 Zagreb, December 2010
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Carla Bromberg: A Preliminary Study of the Origin of Music in Cinquecento Musical Treatises |
161-183 |
| Sažetak: Uvodna studija o podrijetlu glazbe u glazbenim traktatima 16. stoljeća |
183 |
| Lale Babaoglu Balkiş: Defining the Turk: Construction of Meaning in Operatic Orientalism |
185-193 |
| Sažetak: Definiranje Turčina: konstruiranje značenja u opernom orijentalizmu |
193 |
| Boris Voigt: Das Scherzo der fünften Symphonie Gustav Mahlers als Reflexion auf die gesellschaftliche Moderne |
195-239 |
| Summary: Gustav Mahler's Fifth Symphony Scherzo as a Reflection of the Social Modernity |
238 |
| Sažetak: Scherzo Pete simfonije Gustava Mahlera kao odraz društvenog moderniteta |
239 |
| Barbara Barry: Chronicles and Witnesses: A Survivor from Warsaw through Adorno’s Broken Mirror |
241-263 |
| Sažetak: Kronike i svjedoci: Preživjeli iz Varšave kroz Adornovo slomljeno zrcalo |
263 |
| Murray Dineen: Lexicon for a Leftist Aesthetics of Music: Hans Wind’s Chart of the Gesetze der Kunst |
265-291 |
| Sažetak: Leksikon ljevičarske estetike glazbe: nacrt Hansa Winda za zakone umjetnosti |
291 |
| Willemien Froneman: “Composing According to Silence”: Undecidability in Derrida and Cage’s Roaratorio |
293-317 |
| Sažetak: „Skladanje prema tišini“: neodredljivost u Derridainu i Cageovu djelu Roaratorio |
317 |
| Michael Saffle – Hon-Lun Yang: Aesthetic and Social Aspects of Emerging Utopian Musical Communities |
319-341 |
| Sažetak: Estetički i društveni aspekti nastajućih utopijskih glazbenih zajednica |
341 |
- CHOPIN 1810-2010
| Barbara Pabjan: Reception of Chopin and his Music in Polish Society |
342-378 |
| Sažetak: Recepcija Chopina i njegove glazbe u Poljskoj |
378 |
| Edward Green: Greatness in Music, Aesthetic Realism, and Chopin's Waltz in Ab, Op. 69, #1 |
379-388 |
| Sažetak: Uzvišenost u glazbi, estetičkom realizmu i Chopinovu valceru u As-duru, op. 69, br. 1 |
388 |
- Contributors – Autori
389-394
Contents fixed: October 15, 2010
Redakcija zaključena: 15. listopada 2010.
IRASM, Vol. 41 No. 1, pp. 3-XXX Zagreb, June 2010
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Susan Calkins: Modernism in Music and Erik Satie’s Parade |
3-19 |
| Sažetak: Modernizam u glazbi i Parade Erika Satiea |
19 |
| Anna G. Piotrowska: Individual Strategies of Seeking Employment Among Early 20th-century American and European Composers |
21-36 |
| Sažetak: Pojedinačne strategije u traženju zaposlenja među američkim i europskim skladateljima početkom 20. stoljeća |
36 |
| Michael J. Thompson: Th. W. Adorno Defended Against His Critics, and Admirers: A Defense of the Critique of Jazz |
37-49 |
| Sažetak: Th. W. Adorno obranjen pred njegovim kritičarima i poštovateljima: obrana kritike jazza |
49 |
| Ian Inglis: The Politics Of Stardust Or The Politics Of Cool: Popular Music And The British Honours System |
51-71 |
| Sažetak: Politika zvjezdane prašine ili politika 'cool' stava: popularna glazba i sustav britanskih počasti |
71 |
| Jingshu Liu: Introduction to the Structural History of Music |
73-89 |
| Sažetak: Uvod u strukturalnu povijest glazbe |
89 |
| Rubén Figaredo: Today’s Dissonance, Tomorrow’s Consonance: A New Pact between Composer and Public |
91-116 |
| Sažetak: Današnja disonanca, sutrašnja konsonanca: novi dogovor između skladatelja i publike |
116 |
| Rebecca Cypess: The Community as Ethnographer: Views of Classical Music in the English-Speaking Orthodox Jewish Community |
117-139 |
| Sažetak: Zajednica kao etnograf: pogledi na klasičnu glazbu u ortodoksnoj židovskoj zajednici engleskog govornog izričaja |
139 |
- Reviews and Information on Publications – Recenzije i obavijesti o izdanjima
| Marta Blažanović: Janet K. HALFYARD (ed.), Berio´s Sequenzas. Essays on Performance, Composition and Analysis (2007) |
141-143 |
| Naila Ceribašić: Ivan RAYKOFF and Robert Deam TOBIN (eds.), A Song for Europe. Popular Music and Politics in the Eurovision Song Contest (2007) |
144-146 |
| Matteo Sansone: Juliana Ličinić van WALSTIJN: „Teatro di poesia“ in the Opera House: The Collaboration of Antonio Smareglia and Silvio Benco (2009) |
146-149 |
- Publications Received
151-154
- Contributors – Autori
155-159
Contents fixed: March 6, 2010
Redakcija zaključena: 6. ožujka 2010.
IRASM, Vol. 40 No. 2, pp. 177-367 Zagreb, December 2009
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Karsten Mackensen: System und Kritik. Zur Krise des Musikwissens bei Johann Mattheson |
179-205 |
| Summary: System and Critique. The Crisis of Musical Knowledge in the Writings of Johann Mattheson |
204 |
| Sažetak: Sistem i kritika.Kriza glazbenoga znanja u Johanna Matthesona |
205 |
| Benedict Taylor: The Lost Chord: Sentimentality, Sincerity, and the Search for ‘Emotional Depth’ in 19th-Century Music |
207-233 |
| Sažetak: Izgubljeni akord – Sentimentalnost, iskrenost i potraga za ‘osjećajnom dubinom’ u glazbi 19. stoljeća |
233 |
| Charlotte Segond-Genovesi: La question du sens dans les passacailles de Chostakovitch: vers une interprétation socio-politique |
235-268 |
| Summary: The Question of Sense in the Passacaglias by Shostakovich: Towards a Socio-Political Interpretation |
268 |
| Sažetak: Pitanje smisla u passacagliama Dmitrija D. Šostakoviča: prema jednoj društveno-političkoj interpretaciji |
268 |
| Kathleen Coessens: Musical Performance and 'Kairos': Exploring the Time and Space of Artistic Resonance |
269-281 |
| Sažetak: Glazbena izvedba i kairos: istraživanje vremena i prostora umjetničke rezonancije |
281 |
| Murray Dineen: The ‘Cellist’s Predicament, or Imagination, Ethics, and Musical Performance |
283-297 |
| Sažetak: Violončelistova neprilika, ili zamišljaj, etika i glazbena izvedba |
297 |
| Luiz E. Casteloes: A Catalogue of Musical Onomatopoeia |
299-347 |
| Sažetak: Katalog glazbene onomatopeje |
347 |
- A Musicological Jeu d’esprit
| Edward Green: Haydn and Ellington: Parallel Lives? |
349-351 |
- Reviews and Information on Publications – Recenzije i obavijesti o izdanjima
| Edward Green: Karol BERGER, Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity (2007) |
353-359 |
| Ennio Stipčević: Giulia NUTI, The Performance of Italian Basso Continuo. Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries (2007) |
360-361 |
| Stanislav Tuksar: Robert Tallant LAUDON, The Era after the Baroque. Music and the Fine Arts 1750-1900 (2008) |
361-362 |
- CONTRIBUTORS - AUTHORI
363-366
- Erratum
367
Contents fixed: August 25, 2009
Redakcija zaključena: 25. kolovoza 2009.
IRASM, Vol. 40 No. 1, pp. 3-175 Zagreb, June 2009
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Maciej Jochymczik: Musical Rhetoric in the Oeuvre of Father Amando Ivanschiz on Example of Selected Works |
3-29 |
| Sažetak: Glazbena retorika u opusu oca Amanda Ivančića (Amando Ivanschiz) na primjeru nekih odabranih djela |
29 |
| Damien Sagrillo: Joseph Haydns Volksliedbearbeitungen. Stilistische Beobachtungen. Bedeutung für sein Gesamtwerk |
31-62 |
| Summary: Joseph Haydn’s Folksong Arrangements. Stylistic Remarks and Their Meaning within the Totality of His Oeuvre |
60-61 |
| Sažetak: Haydnove obradbe narodnih pjesama. Stilske napomene i njihovo značenje u cjelini njegova opusa |
61-62 |
| Eve Norah Pauset: Proust musicologue? Le positivisme ambigu ou: de sentir pour ecrire a sentir est ecrire |
63-79 |
| Summary: Proust as Musicologist? An Ambiguous Positivism or from ‘Feeling for Writing’ to a ‘Feeling is Writing’ |
79 |
| Sažetak: Proust kao muzikolog? Dvosmisleni pozitivizam ili: od osjećanja za pisanjem do osjećanja kao pisanja |
79 |
| Barbara R. Barry: In Adorno’s Broken Mirror: Towards a Theory of Musical Reproduction |
81-98 |
| Sažetak: U Adornovu slomljenom zrcalu: prema teoriji glazbene reprodukcije |
98 |
| Irena Paulus: Stanley Kubrick’s Revolution in the Usage of Film Music: 2001: A Space Odyssey (1968) |
99-126 |
| Sažetak: Revolucija Stanleya Kubricka u uporabi filmske glazbe: 2001: Odiseja u svemiru (1968) |
127 |
| Oliver Kautny: Technoide Zeitparasiten – Die Überlastung der beschleunigten Welt |
129-154 |
| Summary: Technoid Parasites of Time – Outwitting the Speed-up World |
153-154 |
| Sažetak: Tehnoidni vremenski paraziti – nadmudrivanje jednog ubrzavajućeg svijeta |
154 |
- Reports on Scholarly Meetings – Izvještaji sa znanstvenih skupova
| Pilar Ramos: Valencia (Spain) – Cours Vicente Ripollés (1867-1943) et l’historiographie musicale de son temps (2005) |
155-157 |
| Ivan Ćurković: Budapest (Hungary) – Bartók’s Orbit. The Context and Sphere of Influence of His Work (2006) |
|
157-159
| Stanislav Tuksar: Warsaw (Poland) – 12th Biennial International Conference on Baroque Music (2006) |
159-161 |
| Katarina Šter: Ljubljana (Slovenia) – Functional and Autonomous in Music: Patterns and Meanings (2006) |
161-164 |
| Vjera Katalinić: Zagreb (Croatia) – Musical Theatre as High Culture? Discourse on Opera and Operetta during the Late 19th Century (2006) |
164-167 |
| Stanislav Tuksar: Bratislava (Slovakia) – Aurora musas nutrit. Die Jesuiten und die Kultur Mitteleuropas im 16.-18. Jahrhundert (2007) |
167-169 |
| Ivan Ćurković: Leeds (U.K.) – 13th Biennial International Conference on Baroque Music (2008) |
169-171 |
- CONTRIBUTORS - AUTHORI
173-175
Contents fixed: February 15, 2009
Redakcija zaključena: 15. veljače 2009.
IRASM, Vol. 39 No. 2, pp. 137-272, Zagreb, December 2008
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Nicole GRIMES: In Search of Absolute Inwardness and Spiritual Subjectivity? The Historical and Ideological Context of Schumann’s ‘Neue Bahnen’ |
139-163 |
| Sažetak: U potrazi za apsolutnom biti i duhovnom subjektivnošću? Povijesni i ideologijski kontekst Schumannova članka 'Novi putevi' ('Neue Bahnen') |
163 |
| Zoltan ROMAN: The Rainbow at Sunset: The Quest for Renewal, and Musico-Poetic Exoticism in the Viennese Orbit from the 1890s to the 1920s |
165-238 |
| Sažetak: Duga na zalasku sunca: zahtjev za obnovom i glazbeno-pjesnički egzoticizam u bečkom krugu u godinama 1890-1920. |
238 |
| Edward GREEN: Music and the Victorian Mind: The Musical Aesthetics of the Rev. H.R. Haweis |
239-256 |
| Sažetak: Glazba i viktorijanski um: estetika glazbe Vlč. H.R. Haweisa |
256 |
- REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
| Vjera KATALINIĆ, Violinski koncerti Ivana Jarnovića: glazbeni aspekt i društveni kontekst njihova uspjeha u 18. stoljeću (Violin Concertos by Ivan Jarnović/Giovanni Giornovichi: Musical Aspects and the Social Context of Their Success in the 18th Century (Ivano CAVALLINI) |
257-261 |
| Peter Hill – Nigel Simeone: Oliver Messiaen: Oiseaux exotiques. Landmarks in Music since 1950 (Nina ČALOPEK) |
261-263 |
| Simon FRITH, Taking Popular Music Seriously (Ozren BITI) |
264-265 |
| Allan F. Moore (ed.), Critical Essay in Popular Musicology (Jana BOSANAC) |
266-269 |
- CONTRIBUTORS - AUTHORI
133-135
Contents fixed: October 4, 2008
Redakcija zaključena: 4. listopada 2008.
IRASM, Vol. 39 No. 1, pp. 3-135, Zagreb, June 2008
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Peter HAUGE: Robert Fludd (1574-1637) – A Musical Charlatan? A Contextual Study of His Temple of Music (1617-18) |
3-29 |
| Sažetak: Robert Fludd (1574-1637) – glazbeni šarlatan? Kontekstualno istraživanje njegova djela Temple of Music (1617-18) |
29 |
| Mara PARKER: Le plus dous moment de ma vie“: Carlo Graziani and the Quest for Ideal Employment |
31-56 |
| Sažetak: Najslađi trenutak mojega života“: Carlo Graziani i potraga za idealnim zaposlenjem |
55-56 |
| Beverly Lewis PARKER: Art, Culture and Authenticity in South African Music |
57-71 |
| Sažetak: Umjetnost, kultura i autentičnost u južnoafričkoj glazbi |
71 |
| Jean-Nicolas DE SURMONT: From Oral Tradition to Commercial Industry: The Misunderstood Path of Popular Song |
73-92 |
| Sažetak: Od usmene tradicije do komercijalne industrije: krivo shvaćeni putevi popularne pjesme |
92 |
- REPORTS – IZVJEŠTAJI
| David G. HEBERT: Reflections on Teaching the Aesthetics and Sociology of Music Online |
93-103 |
- REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
| Mark Evan BONDS, Music as Thought: Listening to the Symphony in the Age of Beethoven (Edward GREEN) |
105-111 |
| Abigail CHANTLER, E. T. A. Hoffmann's Musical Aesthetics (Marta BLAŽANOVIĆ) |
112-115 |
| Vedat KOSAL, Western Classical Music in the Ottoman Empire (Z. Gulcin OZKISI) |
116-119 |
| Federico CELESTINI, Die Unordnung der Dinge: Die musikalische Groteske in der Wiener Moderne (1885–1914) (Nina ČALOPEK) |
119-121 |
| Giles HOOPER, The Discourse of Musicology (Nikša GLIGO) |
121-128 |
| Simon EMMERSON, Living Electronic Music (Nikša GLIGO) |
129-132 |
- CONTRIBUTORS - AUTHORI
133-135
Contents fixed: March 17, 2008
Redakcija zaključena: 17. ožujka 2008.
IRASM, Vol. 38 No. 2, pp. 131-272, Zagreb, December 2007
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Elvira PANAIOTIDI: The Myth of the Isomorphism |
133-142 |
| Sažetak: Mit o izomorfnosti |
142 |
| Edward GREEN: What Is Chapter 17 of Guido’s Micrologus About? – A Proposal for a New Answer |
143-170 |
| Sažetak: O čemu se radi u 17. poglavlju Guidova Micrologusa? Prijedlog za novi odgovor |
170 |
| Stefano A.E. LEONI: Western Middle-East Music Imagery in the Face of Napoleon's Enterprise in Egypt: From Mere Eurocentric Exoticism, to Very Organized Orientalistic Ears |
171-196 |
| Sažetak: Zapadne glazbene slike Srednjega istoka u svjetlu Napoleonova pohoda na Egipat: od obične eurocentrične egzotike do vrlo organiziranih istočnjačkih ušiju |
196 |
| Sanja MAJER-BOBETKO: Words on Music in Northern Croatia and Slavonia During the 19th Century and Until the World War I |
197-216 |
| Sažetak: Riječi o glazbi u sjevernoj Hrvatskoj i Slavoniji tijekom 19. stoljeća i do Prvog svjetskog rata |
215-216 |
| Eve-Norah PAUSET: Réenchanter la musicologie : un probleme français ? |
217-228 |
| Summary: Re-enchant Musicology: A French Problem? |
228 |
| Sažetak: Ponovno očarati muzikologiju: je li to francuski problem? |
228 |
| Anna G. PIOTROWSKA: Modernist Composers and the Concept of Genius |
229-242 |
| Sažetak: Skladatelji Moderne i pojam genija |
242 |
- REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
| Theophil ANTONICEK – Gernot GRUBER (Hrsg.), Musikwissenschaft als Kulturwissenschaft damals und heute (Nikša GLIGO) |
243-249 |
| Cliff EISEN – Simon P. KEEFE (eds.), The Cambridge Mozart Encyclopedia (Edward GREEN) |
249-253 |
| Miguel MERA – David BURNARD (eds.), European Film Music (Irena PAULUS) |
253-255 |
| Anthony GRITTEN – Elaine KING (eds.), Music and Gesture (Vesna ROŽIĆ) |
256-260 |
| Björn HEILE, The Music of Mauricio Kagel (Nikša GLIGO |
261-265 |
| Norton DUDEQUE, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874 - 1951) (Marija BENIĆ ZOVKO) |
265-268 |
- CONTRIBUTORS - AUTHORI
269-272
Contents fixed: August 31, 2007
Redakcija zaključena: 31. kolovoza 2007.
IRASM, Vol. 38 No. 1, pp. 1-123, Zagreb, June 2007
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Masato YAKO: Recognition of Music and Beauty by Language Game |
3-21 |
| Sažetak: Spoznaja glazbe i ljepote jezičnom igrom |
21 |
| Beate KUTSCHKE: Johann Mattheson's Writings on Music and the Ethical Shift around 1700 |
23-38 |
| Sažetak: Sažetak: Napisi Johanna Matthesona o glazbi i etički pomak oko 1700. godine |
|
| Marija BENIĆ-ZOVKO: Twelve-tone Technique and its Forms: Variation Techniques of Arnold Schoenberg's Variations for Orchestra Op. 31 |
39-53 |
| Sažetak: Dvanaesttonska tehnika i njezine forme: Varijacijske tehnike u Varijacijama za orkestar op. 31 Arnolda Schönberga |
53 |
| Svetlana SARKISYAN: Le phénomene musical des films de Serguei Paradjanov |
55-69 |
| Summary: The Musical Phenomenon in the Films of Sergey Paradianov |
68 |
| Sažetak: Glazbeni fenomen u filmovima Sergeja Paradjanova |
68-69 |
| Oswaldo LORENZO, Lucía HERRERA, Ioana ANASTASIU: Social Diffusion of Social Diffusion of Music in Spain Through the Popular Press |
71-86 |
| Sažetak: Društveno širenje glazbe u Španjolskoj putem popularnog
tiska |
86 |
| Giles HOOPER: Nevermind Nirvana: A Post-Adornian Perspective |
87-103 |
| Sažetak: Postadornovska perspektiva Nirvanina albuma Nevermind |
103 |
- REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
| Jeremy BARHAM (ed.), Perspectives on Gustav Mahler (Domagoj MARIĆ) |
105-107 |
| Michal GROVER-FRIEDLANDER, Vocal Apparitions: The Attraction of Cinema to Opera (Irena PAULUS) |
108-110 |
| Michael BEICHE - Albrecht RIETHMÜLLER (Hg.), Musik - Zu Begriff und Konzepten.
Berliner Symposion zum Andenken an Hans Heinrich Eggebrecht (Nikša
GLIGO) |
110-116 |
| Anno MUNGEN, "BilderMusik". Panoramen, Tableaux vivants und Lichtbilder als
multimediale Darstellungsformen in Theater- und Musikaufführungen vom
19. bis zum frühen 20. Jahrhundert (Nikša GLIGO) |
116-120 |
- CONTRIBUTORS - AUTHORI
121-123
Contents fixed: November 23, 2006
Redakcija zaključena: 23. studenog 2006.
IRASM, Vol. 37 No. 2, pp. 121-237, Zagreb, December 2006
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Robert Tallant LAUDON: The Elements of Expression in Music. A Psychological View |
123-133 |
| Sažetak: Elementi ekspresije u glazbi. Psihologijsko stajalište |
133 |
| Candace BAILEY: Orlando Gibbons, Keyboard Music, and the Beginnings of the Baroque: New Considerations of a Musical Style |
135-156 |
| Sažetak: Orlando Gibbons, glazba za instrumente s tipkama i početci baroka: nova razmatranja o glazbenom stilu |
156 |
| Edward GREEN: Biography as Ethics: A Study in the Combat Between Respect and Contempt in the Mind of Felix Mendelssohn |
157-166 |
| Sažetak: Biografija kao etika: Istraživanje sukoba između poštovanja i prijezira u svijesti Felixa Mendelssohna |
166 |
| Sven Oliver MÜLLER: Distinktion, Demonstration und Disziplinierung: Veränderungen im Publikumsverhalten in Londoner und Berliner Opernhäusern im 19. Jahrhundert |
167-187 |
| Summary: Distinction, Demonstration and Enforcement of Discipline: Changes in Audience Behaviour in London and Berlin Opera Houses in the 19th Century |
186 |
| Sažetak: Distinkcija, predstavljanje i discipliniranje: Promjene u ponašanju publike u opernim kućama Londona i Berlina u 19. stoljeću |
186-187 |
| Dorothiya FABIAN: The Recordings of Joachim, Ysaye and Sarasate in Light of their Reception by Nineteenth-Century British Critics |
189-211 |
| Sažetak: Snimke Josepha Joachima, Eugenea Ysayea i Pabla Sarasatea u svijetlu njihove recepcije kod britanskih kritičara 19. stoljeća |
211 |
| Rosemary YEOLAND – Agnes HAFEZ ERGAUT: Camille Mauclair: Critique et compétences |
213-224 |
| Summary: Camille Mauclair: Critique and Competences |
223 |
| Sažetak: Camille Mauclair:Kritičar i kompetencije |
224 |
| Mladen MALETIĆ – Branko HANŽEK – Mladen ROGINA: Vinko Dvořák Sliding Tones: Do They Exist? |
225-232 |
| Sažetak: Postoje li klizni tonovi Vinka Dvořáka |
232 |
- CONTRIBUTORS - AUTHORI
233-237
Contents fixed: September 30, 2006
Redakcija zaključena: 30. rujna 2006.
IRASM, Vol. 37 No. 1, pp. 3-XXX, Zagreb, June 2006
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Richard CARLTON:Changes in Status and Role-Play: The Musician at the End of the Eighteenth Century |
3-16 |
| Sažetak: Promjene u statusu i ulozi: Glazbenik krajem osamnaestog stoljeća |
16 |
| Amy GRAZIANO - Julene JOHNSON:The Influence of Scientific Research on Nineteenth-Century Musical Thought: The Work of Richard Wallaschek |
17-32 |
| Sažetak: Utjecaj znanstvenog istraživanja na glazbenu misao 19. stoljeća: djelo Richarda Wallascheka |
32 |
| Mineo OTA:Why is the 'Spirit' of Folk Music so Important? On the Historical Background of Béla Bartók's Views of Folk Music |
33-46 |
| Sažetak: Zašto je 'duh' folklorne glazbe tako važan? O povijesnoj pozadini nazora Béle Bartóka o folklornoj glazbi |
46 |
| Koray DEGIRMENCI:On the Pursuit of a Nation: The Construction of Folk and Folk Music in the Founding Decades of the Turkish Republic |
47-65 |
| Sažetak: U potrazi za nacijom: Konstrukcija naroda i folklorne glazbe u osnivačkim desetljećima Turske republike |
65 |
| Bojan BUJIĆ:"Navigating through the past": Issues Facing an Historian of Music in Bosnia |
67-84 |
| Sažetak: 'Plovljenje kroz prošlosti': Problemi s kojima se suočava historičar glazbe u Bosni |
84 |
| John NAPIER:A "Failed" Unison or Conscious Differentiation: The Notion of "Heterophony" in North Indian Vocal Performance |
85-108 |
| Sažetak: "Neuspjeli" unisono ili svjesno razlikovanje: pojam "heterofonije" u vokalnom izvodilaštvu sjeverne Indije |
108 |
- REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
- CONTRIBUTORS - AUTHORI
Contents fixed: March 24, 2006.
Redakcija zaključena: 24. ožujka 2006.
IRASM, Vol. 36 No. 2, pp. 227-319, Zagreb, December 2005
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Edward GREEN:Donald Francis Tovey, Aesthetic Realism, and the Need for a Philosophic Musicology |
227-248 |
| Sažetak: Donald Francis Tovey, estetički realizam i potreba za filozofijskom muzikologijom |
248 |
| Liz GARNETT:Choral Singing as Bodily Regime |
249-269 |
| Sažetak: Zborsko pjevanje kao tjelesni režim |
269 |
| Swetlana SARKISJAN:Die Streichquartette S. Gubaidulinas als Versuch der Erschliessung des sonoristischen Raumes |
271-286 |
| Summary: String Quartets by Sofia Gubaidulina as an Attempt of Opening a Sonoric Space |
284-285 |
| Sažetak: Gudaći kvarteti Sofije Gubaiduline kao pokušaj otvaranja zvukovnog prostora |
285-286 |
| Dunja DEGMEČIĆ, Ivan POŽGAIN & Pavo FILAKOVIĆ:Music as a Therapy |
287-300 |
| Sažetak: Glazba kao terapija |
300 |
- REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
| Katharine NORMAN, Sounding Art. Eight Literary Excursions through Electronic Music (Nikša GLIGO) |
301-303 |
| Michael CUSTODIS, Die soziale Isolation der neuen Musik. Zum Kölner Musikleben nach 1945 (Nikša GLIGO) |
303-305 |
| Christian THORAU, Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners (Dalibor DAVIDOVIĆ) |
305-312 |
| Pauline RAFFERTY - Rob HIDDERLEY, Indexing Multimedia and Creative Works. The Problems of Meaning and Interpretation (Nikša GLIGO) |
313-315 |
- CONTRIBUTORS - AUTHORI
317-319
Contents fixed: September 1, 2005.
Redakcija zaključena: 1. rujna 2005.
IRASM, Vol. 36 No. 1, pp. 3-224, Zagreb, June 2005
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
| Introduction: Critical Theories and Musicology (Martina VILJOEN) |
3-6 |
| Uvod: Kritičke teorije i muzikologija (Martina VILJOEN) |
7-10 |
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Johann VISAGIE: Applying Critical Tools to Critical Theory - With Some Remarks on the Implications for Musicology |
11-36 |
| Sažetak: Primjenjujući kritička sredstva na kritičku teoriju. Uz nekoliko primjedbi na implikacije u muzikologiji |
35-36 |
| Christopher NORRIS: Music Theory, Analysis and Deconstruction: How They Might (Just) Get along Together |
37-82 |
| Sažetak: Glazbena teorija, analiza i dekonstrukcija: kako bi se mogle (barem) slagati |
81-82 |
| Martina VILJOEN: Ideology and Interpretation: A Figurative Semiotics of Musical Discourse |
83-99 |
| Sažetak: Ideologija i interpretacija: figurativna semiotika glazbenog diskursa |
88-89 |
| Stephanus J.v.Z. MULLER: Music Criticism and Adorno |
101-116 |
| Sažetak: Glazbena kritika i Adorno |
116 |
| Shirli GILBERT: Music as Historical Source: Social History and Musical Texts |
117-134 |
| Sažetak: Glazba kao povijesni izvor: socijalna povijest i glazbeni tekstovi |
134 |
| Bert OLIVIER: Lacan and Critical Musicology |
135-158 |
| Sažetak: Lacan i kritička muzikologija |
157-158 |
| Andrea HURST: Derrida's Quasi-Transcendental Interwaving of Invention and Interpretation |
159-178 |
| Sažetak: Kvazi transcendentalna protkanost invencije i interpretacije Jacquesa Derridae |
178 |
| Suzanne de VILLIERS HUMAN: Explosions in Visual Art, Literature and Music |
179-197 |
| Sažetak: Prskanja u likovnim umjetnostima, književnosti i glazbi |
197 |
| Michael TITLESTAD & Martina VILJOEN: Festive Critique and Agency in Felix Laband's 4/4 Down the Stairs |
199-220 |
| Sažetak: Svečana kritika i djelovanje u djelu 4/4 Down the Stairs Felixa Labanda |
220 |
- CONTRIBUTORS - AUTHORI
221-224
Contents fixed: January 14, 2005
Redakcija zaključena: 14. siječnja 2005.
IRASM, Vol. 35 No. 2, pp. 127-223, Zagreb, December 2004
35/2 - December / prosinac 2004:
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Hellmut FEDERHOFER: Theodor W. Adornos Beethoven-Deutung |
127-137 |
| Summary: Beethoven-Meaning by Theodor W. Adorno |
136-137 |
| Sažetak: Beethovenovo značenje kod Adorna |
137 |
| Richard A. CARLTON: The 'Satanic' in Opera and in Popular Belief |
139-150 |
| Sažetak: 'Sotonsko' u operi i popularnom vjerovanju |
149 |
Howard IRVING: 'The Necessity of Giving Continual and Fatiguing Lessons':
William Crotch on Music Teaching in London |
151-167 |
Sažetak: 'Nužnost davanja stalnih i zamarajućih satova':
William Crotch o podučavanju glazbe u Londonu |
167 |
| Napoleon ONO IMAAH: Music - A Source of Inspiration and Harmony to Architecture - An African View |
169-182 |
| Sažetak: Glazba kao izvor nadahnuća i harmonije u arhitekturi - jedan afrički pogled |
181-182 |
| Branko HANŽEK: The Genealogy of Science and Acoustics - A Supplement to the Description of the Role of Vinko Dvořák |
183-210 |
| Sažetak: Genealogija znanosti i akustika. Uz prikaz uloge Vinka Dvořáka |
209-210 |
- REVIEWS AND INFORMATION ON PUBLICATIONS – RECENZIJE I OBAVIJESTI O IZDANJIMA
| Christopher BUTLER, Pleasure and the Arts: Enjoying Literature, Painting, and Music (Edward GREEN) |
211-214 |
| Michael KLAPER, Die Musikgeschichte der Abtei Reichenau im 10. und 11. Jahrhundert. Ein Versuch (Hana BREKO KUSTURA) |
214-216 |
| Roger SCRUTON, Death - Devoted Heart. Sex and the Sacred in Wagner's Tristan and Isolde (Vesna ROŽIĆ) |
217-220 |
- CONTRIBUTORS - AUTHORI
221-223
Contents fixed: October 30, 2004
Redakcija zaključena: 30. listopada 2004.
IRASM, Vol. 35 No. 1, pp. 3-124, Zagreb, June 2004
35/1 - June / lipanj 2004:
UDC: 78.01:78.06 CODEN: IRAMDA ISSN 0351-5796
CONTENTS - SADRŽAJ
- ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI ČLANCI
| Martina VILJOEN: Questions of Musical Meaning: An Ideology-Critical Approach |
3-28 |
| Sažetak: Pitanja glazbenog značenja: ideologijsko-kritički pristup |
27-28 |
| Harry WHITE: Art Music and the Question of Ethnicity: the Slavic Dimension of Czech Music from an Irish Point of View |
29-46 |
| Sažetak: Umjetnička glazba i problem etniciteta: slavenska dimenzija češke glazbe s irskog motrišta |
45-46 |
| Timothy A. COLLINS: Musica secreta strumentali. The Aesthetics and Practice of Private Solo Instrumental Performance in the Age of Monody (ca. 1580 - ca. 1610) |
47-62 |
| Sažetak: Musica secreta strumentali. Estetika i praksa privatnih solističkih izvedbi u razdoblju monodije (oko 1580. do oko 1610.) |
62 |
| William A. EVERETT: Opera and National Identity in Nineteenth-Century Croatian and Czech Lands |
63-69 |
| Sažetak: Opera i nacionalni identitet u 19. stoljeću u hrvatskim i češkim zemljama |
69 |
| Daiva ŠEŠKAUSKAITE: Sutartines and Balkan Diaphonic Songs |
71-92 |
| Sažetak: Sutartines i balkanske dijafonijske pjesme |
92 |
- REVIEWS AND INFORMATION ON PUBLICATIONS - RECENZIJE I OBAVIJESTI O IZDANJIMA
| Christine BLANKEN, Franz Schuberts 'Lazarus' und das Wiener Oratorium zu Beginn des 19. Jahrhunderts (Snježana MIKLAUŠIĆ-ĆERAN) |
93-96 |
| Mikuláš BEK, Konzervatoř Evropy? K sociologii české hudebnosti (Conservatory of Europe? A contribution to the sociology of
the Czech musicality) (Leon STEFANIJA) |
97-99 |
| Jerrold LEVINSON (ed.), The Oxford Handbook of Aesthetics (Vesna ROŽIĆ) |
99-103 |
| Martin CLAYTON - Trevor HERBERT - Richard MIDDLETON (Eds.), The Cultural Study of Music (Nikša GLIGO) |
104-117 |
| Lada DURAKOVIĆ, Pulski glazbeni život u razdoblju fašističke diktature 1926.-1943. (Music Life in Pula During the Period of the Fascist Dictatorship, 1926-1943) (Stanislav TUKSAR) |
117-122 |
|
|
- CONTRIBUTORS - AUTHORI
123-124
Contents fixed: April 23, 2004
Redakcija zaključena: 23. travnja 2004.
|